“Social Medium,” “The Practice of Late Stage Capitalism” and “The Green Coin”
I walk paths near my home
And think about breaking language
In pieces. I think about the shards
Scattered by will and hunger
Because so much has been lost.
I walk paths near my home
And think about breaking language
In pieces. I think about the shards
Scattered by will and hunger
Because so much has been lost.
The days of lone children
riding atop handlebars
through cookie-cutter neighborhoods
are memories of yesteryear.
They’re sepia photographs
in an attic-ridden album
blanketed in a thick film of dust.
Framed diploma and teacher’s license,
taped on the institutional wall,
these credentials face the stars.
The star-struck welcome board posts a message:
Practice safety.
But will these stars fade, fall into the waste basket?
Late summer days, relentless sun
heating the morning city, turning
afternoon to a concrete sauna
during the searing days of August,
when, even at night, the asphalt steams.
One corner brick
100 year old black blossom stained across
Northeast soot fading
to raw pink orange southwest
Checks the force of two walls
20 bricks under
100 press down from above
There is a man falling from the sky.
I am serious. He is carrying a photon clock
and the light inside is stretching
the duration of a second. The speed of light.
I looked through the window of the dead
bar. Marantha was slow dancing
with the semblance of Rāfe. They were
shape shifting like shadows on a wall—
The barkeep said, ‘Anders, it’s time.
Milkweed, tumbleweed,
native grasses (unworthy of names, I guess):
the prickly pews above a red clay floor;
my first church was
on the other side of the backyard gate
in childhood.
Cantering after dawn along the Downs,
she pressed her knees and brought him to a walk,
then loosed the reins as if she’d lost her way.
He came to a standstill at the crossing paths.
the body disabled
is most times a cacophonous suite—
moans, a cry, a groan in fortissimos
mounting fading to and from abrupt
weakness
as misguided antibodies
rhythm forward, injure receptors
Some time ago I was like an open palm held out for a reading,
all its lines criss-crossing
and indicating one determined future or another.
I only remember my waking dreams from then,
as if sleep was too close to death
to access the underlayers of my mind
The amount of love I hold for him is absurd.
The human body contains approximately 1.5 gallons of blood,
and at least 1.6 gallons of mine is laced with tiny crystal hearts,
each lit up with pictures of his lopsided grin, his uneven teeth,
and that little freckle dotted on his upper lip
When I shiver with cold at night
I put on the socks of memories
boil a pot of yesterdays
promise my legs with
a blanket of tomorrows
As for the darkness of eternity
a little light by your bed
might do as the wind
flings itself against your wall
weathering all away
I can’t quite make normal work for me.
The angle, the navigating, the placement.
I’ve lost the how to manual for contorting
my body to use makeshift MacGyver skills
and filthy underbrush to survive on.
I’m not sure how it happened.
I see the autumn leaves falling. I ponder chance as they release.
Watch as they glide, then gently come to rest. A shading life,
clung to a branch, in the final moments breaking free.
Starved for art,
we were made for poetry;
we are mad for poetry.
Study this hunger;
learn how to feed it.
250 million years ago
an ancient cephalopod
once stretched upon granite
and Time remembers
a tail dragging in thirsty sand.
Meanwhile, She is getting away from us:
a child no one sees
Mindset, free flowing, thought exploding
Sunsets,
Seasons, and syllables wrapped into one
Tiny perfect package
But also, great plains
Limitless at face value
And deeper when it’s said
Is it failing eyes or conscience
since we seem not to see how
Rodney stands alone exposed
to torrential rain in wind
teeming masses hurry past
umbrellas clash like swords
In life, I bugged my brother relentlessly
about Escher’s impossible staircases,
his floors and doors, his figures with no faces.
It looks like a prison.
It’s not.
Panhandle my marble heart
Put my lips,
in a lonesome tomb
spread gossip of me on the shorelines of ecstasy
as I fall down the ladders
of your purgatory.
Post-mortem,
After having lived a life
In and out of mental hospitals
For what could only have been simplified…
Of attacks acute sweetness or withdrawal thereof
An autopsy was performed on me,
And a honeycomb for a heart
On concrete, brick and asphalt, filth sits atop. It doesn’t sift into the ground. It runs into the sewers but first it spends days, weeks, months lingering in puddles that don’t evaporate. Too much building shade and east coast oceanside atmospheric overcast