Poetry

Poetry

Featured image for ““Activated,” “All Things Considered” and “Drugstore Backpack””
Corie Johnson

“Activated,” “All Things Considered” and “Drugstore Backpack”

There isn’t such thing as flat emerald and agreeing to a suicide pact with a falsely familiar stranger is not worth the novelty. We are all children of divorce. Olive, teach me the art of being quaint. Show me how to construct the soundproof walls you’ve built for proper use to love as loudly as we do.

November 2021
Featured image for ““The Yolk of the Neighborhood,” “Afraid of Your Sobriety” and “Rented Halves””
Monica Viera

“The Yolk of the Neighborhood,” “Afraid of Your Sobriety” and “Rented Halves”

I was walking in the hot, still LA heat
That blows nowhere, so your own thoughts begin to circulate
And you go mad
And upon walking on some particularly rocky asphalt,
I lost my footing
And hit the back of my head and heard a
CRAACK

November 2021
Featured image for ““Windsong:  Grand Opera,” “Full-ness of Time” and “Shadow Play””
Russell Willis

“Windsong: Grand Opera,” “Full-ness of Time” and “Shadow Play”

The first strains of the overture
Intrudes on the calm of normalcy.
Several measures of gentle breeze
Slowly crescendo into true wind.
The key and rhythm suddenly change,
Then revert to the original.

November 2021
Featured image for ““Bernadette at Lourdes” and “Lolita Condemned””
Robert Eugene Rubino

“Bernadette at Lourdes” and “Lolita Condemned”

Sister Mary Rose (so young she could’ve been your actual sister)
marched you and her other seventy-two second-grade students
(no teacher aides, no volunteer parents, just the good nun)
eleven blocks west toward the Fifty-Ninth Street Bridge
to the palatial Hobart Theater

November 2021
Featured image for ““Intact,” “Bloom” and “Return””
Alex Starr

“Intact,” “Bloom” and “Return”

Whatever anyone
tells you know
it is possible
common in fact
to exist
in one place in
another two time
transience one
location contains
many dancing

November 2021
Featured image for ““Olive,” “Dishwasher” and “Orange””
Steve Brammell

“Olive,” “Dishwasher” and “Orange”

Who was the first to try
an olive ripe from the tree,
the paltry flesh over stony seed
so bitter it must be poison?

Who learned the magic
to make it succulent?

October 2021
Featured image for ““Nicole Runs Her Fingers Through Her Hair,” “Medusa’s Revenge” and “As I Watch at the Last Dinner of the Year””
Aydin Akgün

“Nicole Runs Her Fingers Through Her Hair,” “Medusa’s Revenge” and “As I Watch at the Last Dinner of the Year”

Like a willow
branch that must rise
and sway
with the evening
wind, she raises her hand
and runs her fingers
through her hair.

October 2021
Featured image for ““Fish,” “Paper” and “Unsteady””
Samantha Wright

“Fish,” “Paper” and “Unsteady”

What are these fragile little lightning dreams?
The apparitions of million ideas?
Universal clues disguised as flashing silver fins?
Fine-boned and slick,
fish swim through dark-eyed waters.

October 2021
Featured image for ““Scars,” “Crossing the San Andreas Fault Zone” and “Old Souls Singing in the Chiricahuas””
Susan Cummins Miller

“Scars,” “Crossing the San Andreas Fault Zone” and “Old Souls Singing in the Chiricahuas”

Traces—faint or bold, visible, or not—left by scalpel, scandal, scurrilous tongues, the scalding steam from a cast-iron kettle, the scolding tones in a mother’s voice, the screams of a child scared straight.

October 2021
Featured image for ““A Pair of Sneakers from Far Away,” “Asking the Mid-Autumn Moon Out on a Date” and “Two Chestnut Trees””
Sik Siu Siu

“A Pair of Sneakers from Far Away,” “Asking the Mid-Autumn Moon Out on a Date” and “Two Chestnut Trees”

Like the sky that shines
because of dawn,
I shine
because of a pair of sneakers
wrapped in a package
sent from longing.

They have flown
across several oceans.

October 2021
Featured image for ““Cancer,” “Where It Starts” and “Anatomy of Disaster””
Heather Cameron

“Cancer,” “Where It Starts” and “Anatomy of Disaster”

The life lived in the body
Was the blood, warm in the veins.
White halos of icy breath,
Frost caught in the sportsground lights.
How you ran and played hard for the team.

October 2021
Featured image for ““Leda,” “Mary Magdalene is” and “Aeaea””
Virginia Laurie

“Leda,” “Mary Magdalene is” and “Aeaea”

Leda carries so many
swanlike things
inside her body.

King-daughter, Sparta’s
Wife, she was made sturdy
for transaction.

September 2021
Featured image for ““Circe,” “Andromeda” and “Lot’s Wife””
Everett Roberts

“Circe,” “Andromeda” and “Lot’s Wife”

Have you ever seen a man,
made into a beast?
Have you ever watched men
change into something else—
Entirely at Desire’s goad,
Did you know any woman
Can transform a man

September 2021
Featured image for ““and yes there is no happy ending,” “and that’s just life” and ‘“it’s not a big deal”’”
Dakotah Jennifer

“and yes there is no happy ending,” “and that’s just life” and ‘“it’s not a big deal”’

for some
there is always
the split.
the sea parting like a zipper,
unveiling this vulnerable heart.
it might’ve started at the first sign of trouble but also might’ve never started.

September 2021
Featured image for ““On Birds,” “Tristan” and “My Loneliness as Kafka’s Diaries””
Nadine Klassen

“On Birds,” “Tristan” and “My Loneliness as Kafka’s Diaries”

Papa nearly kills a pigeon
with a rock.
That means, your own name
can be used
against you
& that is the way a mother can carry hope
without its burden. Then,
grandma’s fingers
pinch
my flawless cheeks like salt. She drafts
a boat

September 2021
Featured image for ““And If She Dies Before I Wake” and “My Cat Always Hears My Writer’s Block””
Jenny Keto

“And If She Dies Before I Wake” and “My Cat Always Hears My Writer’s Block”

Now I lay me down to sleep,
I pray the Lord my Soul to keep,
and if I die before I wake,
I pray the Lord my Soul to take.
Mother changed the last words
of my nightly prayer in attempt
to stave me from the futility of
how we all end—in an attempt
to save me from her.

September 2021
Featured image for ““Bone Marrow Biopsy Reverberations” and “Return to Gamble Garden””
Robert Eugene Rubino

“Bone Marrow Biopsy Reverberations” and “Return to Gamble Garden”

The oncologist instructs you to lie face down
like you’re going to get a massage
except you’re not going to get a massage.
And you think of the thousands of dollars
you spent while hooked on erotic massage
during the final years of your third marriage.

September 2021
Featured image for ““Go Somewhere,” “Before I Leave My Body” and “Grave””
Leon Fedolfi

“Go Somewhere,” “Before I Leave My Body” and “Grave”

Martha would read the newspaper more than once;
box scores, her favorite, and cartoons that made her laugh.
Small stories with big fame: mothers lifting cars
and the obituaries of the not so named

August 2021
Featured image for ““not all men,” “Hover | Fly” and “Comrades and Cotton Sheets””
Kate MacAlister

“not all men,” “Hover | Fly” and “Comrades and Cotton Sheets”

I dig for shelter
in a homespun
endometrial layer

each new moon
like the first rain
each crimson drop
seething…

August 2021
Featured image for ““Cavafy in Palm Springs, 2014” and “Back of the House, Palm Springs””
Anthony Aguero

“Cavafy in Palm Springs, 2014” and “Back of the House, Palm Springs”

He rode in on horseback, his silky mustache
And I was worried for his life. Not that he couldn’t
Care for himself. He had strong legs, especially
The thighs. He was so impressionable among
The men. Christian took an instant liking

August 2021
Featured image for ““Alive: The City,” “Bloody Tissue on a Subway Station Stair” and “Two Hawks””
Chelsea Jackson

“Alive: The City,” “Bloody Tissue on a Subway Station Stair” and “Two Hawks”

In the summer heat, the friction of feet melts the city’s asphalt to sludge. A mammoth wave curls over Broad. Cocoons pigeons and taxis. Engulfs cardboard boxes, condos, and their inhabitants. Folds into itself.

August 2021
Featured image for ““Red Castles,” “Falling” and “Grit””
Igor Kojadinovic

“Red Castles,” “Falling” and “Grit”

An angry goat fronts
the entrance of the trail –
an unfamiliar gatekeeper.

Payment is an exchange
of glances, a thousand
yards to nowhere.

August 2021
Featured image for ““Social Medium,” “The Practice of Late Stage Capitalism” and “The Green Coin””
H. R. Harper

“Social Medium,” “The Practice of Late Stage Capitalism” and “The Green Coin”

I walk paths near my home
And think about breaking language
In pieces. I think about the shards
Scattered by will and hunger
Because so much has been lost.

August 2021
Featured image for ““Grandma’s Generation,” “Maybe Someday” and “Corkboard Mind””
Maranda Barry

“Grandma’s Generation,” “Maybe Someday” and “Corkboard Mind”

The days of lone children
riding atop handlebars
through cookie-cutter neighborhoods
are memories of yesteryear.
They’re sepia photographs
in an attic-ridden album
blanketed in a thick film of dust.

July 2021