Poetry

Poetry

Featured image for ““Scars,” “Crossing the San Andreas Fault Zone” and “Old Souls Singing in the Chiricahuas””
Susan Cummins Miller

“Scars,” “Crossing the San Andreas Fault Zone” and “Old Souls Singing in the Chiricahuas”

Traces—faint or bold, visible, or not—left by scalpel, scandal, scurrilous tongues, the scalding steam from a cast-iron kettle, the scolding tones in a mother’s voice, the screams of a child scared straight.

October 2021
Featured image for ““A Pair of Sneakers from Far Away,” “Asking the Mid-Autumn Moon Out on a Date” and “Two Chestnut Trees””
Sik Siu Siu

“A Pair of Sneakers from Far Away,” “Asking the Mid-Autumn Moon Out on a Date” and “Two Chestnut Trees”

Like the sky that shines
because of dawn,
I shine
because of a pair of sneakers
wrapped in a package
sent from longing.

They have flown
across several oceans.

October 2021
Featured image for ““Cancer,” “Where It Starts” and “Anatomy of Disaster””
Heather Cameron

“Cancer,” “Where It Starts” and “Anatomy of Disaster”

The life lived in the body
Was the blood, warm in the veins.
White halos of icy breath,
Frost caught in the sportsground lights.
How you ran and played hard for the team.

October 2021
Featured image for ““Leda,” “Mary Magdalene is” and “Aeaea””
Virginia Laurie

“Leda,” “Mary Magdalene is” and “Aeaea”

Leda carries so many
swanlike things
inside her body.

King-daughter, Sparta’s
Wife, she was made sturdy
for transaction.

September 2021
Featured image for ““Circe,” “Andromeda” and “Lot’s Wife””
Everett Roberts

“Circe,” “Andromeda” and “Lot’s Wife”

Have you ever seen a man,
made into a beast?
Have you ever watched men
change into something else—
Entirely at Desire’s goad,
Did you know any woman
Can transform a man

September 2021
Featured image for ““and yes there is no happy ending,” “and that’s just life” and ‘“it’s not a big deal”’”
Dakotah Jennifer

“and yes there is no happy ending,” “and that’s just life” and ‘“it’s not a big deal”’

for some
there is always
the split.
the sea parting like a zipper,
unveiling this vulnerable heart.
it might’ve started at the first sign of trouble but also might’ve never started.

September 2021
Featured image for ““On Birds,” “Tristan” and “My Loneliness as Kafka’s Diaries””
Nadine Klassen

“On Birds,” “Tristan” and “My Loneliness as Kafka’s Diaries”

Papa nearly kills a pigeon
with a rock.
That means, your own name
can be used
against you
& that is the way a mother can carry hope
without its burden. Then,
grandma’s fingers
pinch
my flawless cheeks like salt. She drafts
a boat

September 2021
Featured image for ““And If She Dies Before I Wake” and “My Cat Always Hears My Writer’s Block””
Jenny Keto

“And If She Dies Before I Wake” and “My Cat Always Hears My Writer’s Block”

Now I lay me down to sleep,
I pray the Lord my Soul to keep,
and if I die before I wake,
I pray the Lord my Soul to take.
Mother changed the last words
of my nightly prayer in attempt
to stave me from the futility of
how we all end—in an attempt
to save me from her.

September 2021
Featured image for ““Bone Marrow Biopsy Reverberations” and “Return to Gamble Garden””
Robert Eugene Rubino

“Bone Marrow Biopsy Reverberations” and “Return to Gamble Garden”

The oncologist instructs you to lie face down
like you’re going to get a massage
except you’re not going to get a massage.
And you think of the thousands of dollars
you spent while hooked on erotic massage
during the final years of your third marriage.

September 2021
Featured image for ““Go Somewhere,” “Before I Leave My Body” and “Grave””
Leon Fedolfi

“Go Somewhere,” “Before I Leave My Body” and “Grave”

Martha would read the newspaper more than once;
box scores, her favorite, and cartoons that made her laugh.
Small stories with big fame: mothers lifting cars
and the obituaries of the not so named

August 2021
Featured image for ““not all men,” “Hover | Fly” and “Comrades and Cotton Sheets””
Kate MacAlister

“not all men,” “Hover | Fly” and “Comrades and Cotton Sheets”

I dig for shelter
in a homespun
endometrial layer

each new moon
like the first rain
each crimson drop
seething…

August 2021
Featured image for ““Cavafy in Palm Springs, 2014” and “Back of the House, Palm Springs””
Anthony Aguero

“Cavafy in Palm Springs, 2014” and “Back of the House, Palm Springs”

He rode in on horseback, his silky mustache
And I was worried for his life. Not that he couldn’t
Care for himself. He had strong legs, especially
The thighs. He was so impressionable among
The men. Christian took an instant liking

August 2021
Featured image for ““Alive: The City,” “Bloody Tissue on a Subway Station Stair” and “Two Hawks””
Chelsea Jackson

“Alive: The City,” “Bloody Tissue on a Subway Station Stair” and “Two Hawks”

In the summer heat, the friction of feet melts the city’s asphalt to sludge. A mammoth wave curls over Broad. Cocoons pigeons and taxis. Engulfs cardboard boxes, condos, and their inhabitants. Folds into itself.

August 2021
Featured image for ““Red Castles,” “Falling” and “Grit””
Igor Kojadinovic

“Red Castles,” “Falling” and “Grit”

An angry goat fronts
the entrance of the trail –
an unfamiliar gatekeeper.

Payment is an exchange
of glances, a thousand
yards to nowhere.

August 2021
Featured image for ““Social Medium,” “The Practice of Late Stage Capitalism” and “The Green Coin””
H. R. Harper

“Social Medium,” “The Practice of Late Stage Capitalism” and “The Green Coin”

I walk paths near my home
And think about breaking language
In pieces. I think about the shards
Scattered by will and hunger
Because so much has been lost.

August 2021
Featured image for ““Grandma’s Generation,” “Maybe Someday” and “Corkboard Mind””
Maranda Barry

“Grandma’s Generation,” “Maybe Someday” and “Corkboard Mind”

The days of lone children
riding atop handlebars
through cookie-cutter neighborhoods
are memories of yesteryear.
They’re sepia photographs
in an attic-ridden album
blanketed in a thick film of dust.

July 2021
Featured image for ““Teacher Poet: Advice Upon Visiting Her Classroom,” “Back to the Roots” and “Sunrise””
Karen Carter

“Teacher Poet: Advice Upon Visiting Her Classroom,” “Back to the Roots” and “Sunrise”

Framed diploma and teacher’s license,
taped on the institutional wall,
these credentials face the stars.
The star-struck welcome board posts a message:
Practice safety.
But will these stars fade, fall into the waste basket?

July 2021
Featured image for ““In the Heat of the Moon” and “Dark Matter””
Vincent Casaregola

“In the Heat of the Moon” and “Dark Matter”

Late summer days, relentless sun
heating the morning city, turning
afternoon to a concrete sauna
during the searing days of August,
when, even at night, the asphalt steams.

July 2021
Featured image for ““Patina”, “Onward Snow” and “On chord progressions””
Esme Allen Creighton

“Patina”, “Onward Snow” and “On chord progressions”

One corner brick
100 year old black blossom stained across
Northeast soot fading
to raw pink orange southwest
Checks the force of two walls
20 bricks under
100 press down from above

July 2021
Featured image for ““The Special Relativity of Consciousness,” “Ecstatic Acquiescence” and “Diogenes Spotted in Humboldt Park””
Dominic Blanco

“The Special Relativity of Consciousness,” “Ecstatic Acquiescence” and “Diogenes Spotted in Humboldt Park”

There is a man falling from the sky.
I am serious. He is carrying a photon clock
and the light inside is stretching
the duration of a second. The speed of light.

July 2021
Featured image for ““Origin,” “Felicity” and “Badwater Basin””
Richard Long

“Origin,” “Felicity” and “Badwater Basin”

I looked through the window of the dead
bar. Marantha was slow dancing
with the semblance of Rāfe. They were
shape shifting like shadows on a wall—
The barkeep said, ‘Anders, it’s time.

July 2021
Featured image for ““Childhood Hymn Without Music,” “Old Enough” and “Next, Then””
Benjamin Green

“Childhood Hymn Without Music,” “Old Enough” and “Next, Then”

Milkweed, tumbleweed,
native grasses (unworthy of names, I guess):
the prickly pews above a red clay floor;
my first church was
on the other side of the backyard gate
in childhood.

June 2021
Featured image for ““The rider after dawn,” “The trees communicate” and “Brief meeting””
Kieran Egan

“The rider after dawn,” “The trees communicate” and “Brief meeting”

Cantering after dawn along the Downs,
she pressed her knees and brought him to a walk,
then loosed the reins as if she’d lost her way.
He came to a standstill at the crossing paths.

June 2021
Featured image for ““Autumn Song,” “Wang’s Xiao Flute,” and “London Pieta–July 7, 2005””
Olga Dugan

“Autumn Song,” “Wang’s Xiao Flute,” and “London Pieta–July 7, 2005”

the body disabled
is most times a cacophonous suite—
moans, a cry, a groan in fortissimos
mounting fading to and from abrupt
weakness
as misguided antibodies
rhythm forward, injure receptors

June 2021