Poetry

Featured image for ““orchid eye,” “requiem for smoke, for ashes,” and “leaning against the fog””

“orchid eye,” “requiem for smoke, for ashes,” and “leaning against the fog”
by Jennifer Platts-Fanning

look into my orchid eye
and I’ll tell you a story about psilocybin sex,
how to melt into another
with full chimera absorption.

honeycombed echo’s of deep earth
as red sandstone soil covered
buried treasure Read more.

Featured image for ““Baby,” “Bourbon Street, New Orleans, the night before the Chicago Bears won the 1986 Super Bowl, 46-10,” and “Ghosts””

“Baby,” “Bourbon Street, New Orleans, the night before the Chicago Bears won the 1986 Super Bowl, 46-10,” and “Ghosts”
by Patrick T. Reardon

My sister held the baby as he died.
Not hers.

She held the nose-tube baby
as his mother exercised at the Y,
exorcized, for moments, grief,
setting fragile, ebbing boy in soft arms. Read more.

Featured image for ““Déjà vu,” “Among the Remains,” and “In an Instant””

“Déjà vu,” “Among the Remains,” and “In an Instant”
by Louise Moises

Threat of late Spring rain,
against the chalk scrawled blackboard,
shower of bullets.

Teachers throw bodies
splashing over stunned students
last lectures of love. Read more.

Featured image for ““Salt,” “Saturn Waning,” and “Impressions””

“Salt,” “Saturn Waning,” and “Impressions”
by Alex Stanley

The moon is a sliver tonight,
or at least it looks it
through the buildings and the trees.

Planted, four, in a row
like towers on a grid,
I wonder if trees can love.
Read more.

Featured image for ““On the Way to Conception” and “Different Folks””

“On the Way to Conception” and “Different Folks”
by Julie Benesh

My parents loved each other but it’s unlikely no one was harmed
on the long, broad path to my conception, and as for fidelity,
my mitochondrial DNA is British all the way to the damsel
du chambre of Queen Philippa, born in Tonbridge Castle,
mother unknown, fathered by Edward’s ambidextrous favorite. Read more.

Featured image for ““New River, Pandemic,” “Lines from New York, On the Massachusetts,” and “De-Winter””

“New River, Pandemic,” “Lines from New York, On the Massachusetts,” and “De-Winter”
by Ryan Harper

It will take your breath,
the endless wall,
but you will call again.
Lean out, plant the feet:
cinch of gravity at the waist,
below the wash, the rapid. Read more.

Featured image for ““Frank,” “Random Access Memory,” and “Self-Portrait as Paintbrush””

“Frank,” “Random Access Memory,” and “Self-Portrait as Paintbrush”
by Erika Michael

There’s a portrait of me with
cousin Frank, he’s six I’m three,
taken at my first home in the USA,
a stone apartment building at Van
Cortland Park, bedrock segue to

the rest of our lives… Read more.

Featured image for “Ukraine, War Resistance, Hopes for Peace, Human Rights”

Ukraine, War Resistance, Hopes for Peace, Human Rights
by Gerard Sarnat

Stretched over 4.2 square miles, the Azovstal steel complex
is/ was a sprawling warren of rail lines, warehouses, coal furnaces, factories, chimneys
above essentially an underground city of tunnels seen as ideal for guerrilla warfare. Read more.

Featured image for ““Ache,” “A Burning Observed,” and “First Draft””

“Ache,” “A Burning Observed,” and “First Draft”
by Kimberly Phinney

Stooping down,
here,
I remember the honey blooms
on my grafted kalanchoe
and the bursting April storm clouds Read more.

Featured image for ““In the Fire Afterlife,” “Transplanted,” and “America’s Bullet””

“In the Fire Afterlife,” “Transplanted,” and “America’s Bullet”
by Keith Mark Gaboury

the Great Chicago Fire of 1871,
the Great Boston Fire of 1872,
and the Great San Francisco Fire of 1906

crowds the chemical space
of My Great-Grandma’s Kitchen Fire of 1977. Read more.

Featured image for ““Boating,” “Twin Sons,” and “Waking to No Child””

“Boating,” “Twin Sons,” and “Waking to No Child”
by Cleve Latham

Here on a yacht in the Gulf of Mexico,
as a shrimp boat burrows behind
through the cool, plowed path of our electric motors,
we drink another salty beer, our bare feet
sliding on the damp deck with each ocean wash. Read more.

Featured image for ““The Tale of a Fat Ugly Crow on a May Afternoon,” “Found,” and “It Began with an Ordinary Tuesday””

“The Tale of a Fat Ugly Crow on a May Afternoon,” “Found,” and “It Began with an Ordinary Tuesday”
by Joanne Jagoda

In front of my living room window,
on a splendid May afternoon, warm and sunny,
a fat crow rapturously caws over its good fortune.
I watch in morbid fascination
as it tears apart a rodent.
Can’t fault the crow, a natural predator. Read more.

Featured image for ““For the Win,” “Unobstructed View” and “Asking the Time””

“For the Win,” “Unobstructed View” and “Asking the Time”
by Dave Buckhout

There is a photograph of the East Village that hangs on his wall . . .

Taken December 14, 1996, the subject matter: urban, brownstones unadorned, fire escapes to one side, cars parked bumper-to-bumper and of makes, models, styles that carbon-date the instant. Read more.

Featured image for ““Ophelia,” “Emotional Hangover” and “My Strength Test””

“Ophelia,” “Emotional Hangover” and “My Strength Test”
by H.B. Wayne

It saddens me that I am nothing waiting to be something
Never established yet deeply rooted
Hard to remember impossible to forget
Crisp Midwestern autumn
Chilled New England nights
A southern summer whirlwind
that haunts and tugs and teases Read more.

Featured image for ““moon milk,” “the silence and distortion” and “soft fire””

“moon milk,” “the silence and distortion” and “soft fire”
by Jennifer Platts-Fanning

that vulnerable space, between thigh and throat
between tongue, and depleted serotonin
of rotten apple clusters seething with life
of elegantly draped
heavily dusted spider webs
looking more like torn rags from the thickness Read more.

Featured image for ““Interval 101,” “Interval 103” and “Interval 114””

“Interval 101,” “Interval 103” and “Interval 114”
by Ray Malone

first step, to take up the pen,
ponder it,
as instrument—

a piece of paper then,
as white and infinite
as the light— Read more.

Featured image for ““Bangweulu,” “Ing’ombe Ilede (A Sleeping Cow)” and “Farewell Saliya””

“Bangweulu,” “Ing’ombe Ilede (A Sleeping Cow)” and “Farewell Saliya”
by Palisa Muchimba

Like a multi-faceted realm
home to the great wetlands & floodplains
Lies a pool of water
that lures you to stay
It’s
Lake Bangweulu
~ where the water meets the sky ~ Read more.

Featured image for ““The Mystic Owl” and “Vines””

“The Mystic Owl” and “Vines”
by David Cazden

At dusk, a barn
owl puts on a riding coat
of gray-white feathers
and mounts a horse of air.
Galloping away,
he brings silent death
to mice and voles
in fields beside our home. Read more.

Featured image for ““Solomon’s Song””

“Solomon’s Song”
by B.P. Rosenbluth

Sleepless cities hate shutting down, but also,
Distancing protocols dismantle congregations in dozy towns.
Trauma afflicts the already jobless.
New York nights avoid turning dark & idle,
Yet theatres close-down & spotlights shut-off,
Covid has proven that seductive consumptions are not worth the cough. Read more.

Featured image for ““Earthquake,” “Reflection” and “What Remains””

“Earthquake,” “Reflection” and “What Remains”
by Linda Laderman

Flying home from Seattle,
A man behind me mentions
The 2011 Christchurch earthquake.
I turn to see if it is you. A crazy thought.
Why would you be here?
Fifteen years since I heard your voice.
Still, I recall its timbre.
When you talked it sounded as if
You had a mouthful of stones. Read more.

Featured image for ““In the Quiet Room,” “Watching Her Niece Marry Jesus in the ‘60s” and “Sirens Howling Overhead””

“In the Quiet Room,” “Watching Her Niece Marry Jesus in the ‘60s” and “Sirens Howling Overhead”
by David Goodrum

I walk back from intensive care,
automatically shuffle for solitaire
and report the numbers to siblings
as I try to deal:
pressure urine cc’s and temp,
peeling off the first three cards
and nothing changing. Read more.

Featured image for ““Loss,” “Walking the dog” and “How It Began””

“Loss,” “Walking the dog” and “How It Began”
by Patricia Hemminger

I’ve read that visual memories
are easier to recall than words,
so when I can’t remember the name
of the tree by the garden hedge
white blossoms in springtime,
I think of our dog, Finn, basking
beneath it, long ears stroking the earth,
know it is a dogwood tree. Read more.

Featured image for ““Faded Blue,” “The Soft Dust of Memory Settles on My Tongue” and “August Lust””

“Faded Blue,” “The Soft Dust of Memory Settles on My Tongue” and “August Lust”
by Tiffany Santos

Waking at 6:00 am, she would sit all day on a wooden stool,
listening to country music on a radio.
Coffee gave her the neuralgia along her nose, so she gave it up years ago,
drank hot water from McDonald’s Styrofoam cups.

Only bone and sinew, papery, thin skin,
her gnarled hands could crush
plants or animals or a small child. Read more.

Featured image for ““Forget the Alamo,” “Eliot Ness Noir” and “Major Case””

“Forget the Alamo,” “Eliot Ness Noir” and “Major Case”
by Robert Eugene Rubino

At the aptly named Jackson Theater
when you were twelve
you saw John Wayne’s visually ambitious
gloriously fictitious
version of The Alamo
— yet another story already told to you through TV
— and so of course yet another lie. Read more.