Poetry

Poetry

Featured image for ““Kane Ranch,” “LA” and “With Holly in the West Village””
Ron Tobey

“Kane Ranch,” “LA” and “With Holly in the West Village”

migrants call, no formality of naming, their ox or mule pulled wagons “schooners” little more than buckboards with front plank bench hand-pulled brake no suspension wood wheels wood spokes rusting iron rims sun shield metal-ribbed white canvas hoods ceaseless wind shakes

March 2022
Featured image for ““White on Glass,” “Auto-Genesis” and “Foreground and Background””
Jacob Weil

“White on Glass,” “Auto-Genesis” and “Foreground and Background”

I remember being thirteen And the snow falling so completely On the windshield.

It was as if I were alone. So sudden and delicate. A single open window in which the cold light expands.

March 2022
Featured image for ““Cousins,” “Origins” and “Lurking””
Deborah Filanowski

“Cousins,” “Origins” and “Lurking”

Crickets signal the need for sacrifice, a thanks for good harvest, appeasement for the war gods of winter. The frost is overdue. Near the end of October, the mosquitoes hum and bite as I still sit on the front porch.

March 2022
Featured image for ““The World Is a Savage Place,” “Moon Prayer” and “Soft Body””
Christen Lee

“The World Is a Savage Place,” “Moon Prayer” and “Soft Body”

The world is a savage place. Have you read the news today? Surveyed rural highways, An elegy to wildlife speared by cars like arrows from the crossbow? Felt life fade from the one clutched in your arms? Seen a man sink to his knees as you whisper “She’s gone”?

March 2022
Featured image for ““Nana’s Hutch” and “Untamed””
MD Bier

“Nana’s Hutch” and “Untamed”

I loved you since I was a small child. We all did. You went to my aunt first. Then me. Initially there was a little jealousy. My aunt lavishly gave out other heirlooms to compensate. My grandfather created a special built-in place ~ a cut out in the dining room wall. You fit there perfectly.

February 2022
Featured image for ““Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz””
Malcolm Glass

“Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz”

The old canoe rests on the sand
at lake’s edge, its stern still
in the water. How many

strokes of the paddle wore away
the varnish on the gunwales?
Many. So many. And years

of sunlight and rain. Years
of snow and wind.

February 2022
Featured image for ““Why Our Marriage Works” and “The Widow Sifts Through the Rubble””
Linda Drach

“Why Our Marriage Works” and “The Widow Sifts Through the Rubble”

You sing songs to the pug in your fake Cantonese
and seem surprised when he doesn’t understand. You make coffee
a party: dark-roasted beans, gleaming French presses, and hand-thrown
mugs plucked from thrift-store shelves.

February 2022
Featured image for ““Three Breaths,” “They Come in Rotation” and “He Lies Dying””
Julia McDonald

“Three Breaths,” “They Come in Rotation” and “He Lies Dying”

1. Here I am
His creased dress-pants hang on bony anatomy:
pelvic brim, iliac crest. Long foreleg ankles without socks.
I don’t know why a Nuer, reputed to walk for days without rest,
measuring the horizon with metronomic femurs and tibia
reminds me of my adolescent father, but he does.

February 2022
Featured image for ““Gwembe Valley” and “Saliya’s Calabashes””
Palisa Muchimba

“Gwembe Valley” and “Saliya’s Calabashes”

Valley of the living
Valley of the dead
You call me back to my roots
Here, I can pause & look
I see
I see my people
I see me
Who am I?
I am a part of Gwembe

February 2022
Featured image for ““No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.””
Joanne Jagoda

“No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.”

There will be no words,
no tributes, sonnets or verses of consolation,
borrowed from the great poets or philosophers
for an angel called up too soon.
Only the cries of infinite mourning rambles will reach the heavens.

February 2022
Featured image for ““Busy Being Eve,” “Bright Highway” and “A Sort-of Sonnet for the Night In””
Yvonne Morris

“Busy Being Eve,” “Bright Highway” and “A Sort-of Sonnet for the Night In”

She drowns on the sofa for two weeks. But each day she makes herself rise and wobble to the kitchen for water, a bite of toast. The blistering pain in her pneumonia-filled lungs causes her to grab the counter as if it’s an overturned boat, yet she hangs on, gasping for dear life.

January 2022
Featured image for ““Why I Wear the Hijab” and “Octopus””
Ilari Pass

“Why I Wear the Hijab” and “Octopus”

اماذا أر تديي الحجاب

The clouds are filled with rain
but they do not bring rain
just like a woman
sometimes
does not bring any current
so, look again

January 2022
Featured image for ““Is This Thing Loaded?” “Junk Mail” and “New(s) Headlines””
Tina Lear

“Is This Thing Loaded?” “Junk Mail” and “New(s) Headlines”

It’s late, and I’m doing the last dishes of the day. I rinse them, swing the door down, pull out the lower rack, and then I sigh. Every time.

Someone designed this machine with a lot of thought. There is a right way to load it.

January 2022
Featured image for ““A girl called Time,” “Sleep” and “Sunfall””
Freddy Lond

“A girl called Time,” “Sleep” and “Sunfall”

Once she’d been busy,
unapproachable,
hard to get in touch with,
too cool for the likes of me.

Now she’s here to stay,
not leaving me for a second,

January 2022
Featured image for ““Glass Coffin” and “See You at the Air Down””
Trapper Markelz

“Glass Coffin” and “See You at the Air Down”

I’m not going to be famous,
but my kids might remember me.

Perhaps I’ll have the luck
to kiss a child and be forgotten,
a lingering creation left upon the earth,
consumed by a mad dash to replace us all.

January 2022
Featured image for ““What I Learned from Someone I Love” and “Exploring””
Ian Naranjo

“What I Learned from Someone I Love” and “Exploring”

Tell your kids that love is essential but do not love yourself. Keep a spider inside your shoulder. Let it tuck itself there as it protects a lead ball residing in your stomach.

January 2022
Featured image for ““It’s October,” “Professin’” and “Fitting In””
Julie Benesh

“It’s October,” “Professin’” and “Fitting In”

and, just back from the Farmer’s Market, the last of the year, I’m wearing a summer sweatshirt the amber and aubergine of falling leaves. The cats mill expectantly, for what I know not.

December 2021
Featured image for ““Facts & Wonder””
Silvia Bonilla

“Facts & Wonder”

1. Saturdays in their kitchen,
my mother watering her cactus, my father
pulling out mozzarella and bread I have lost joy for.
The drowsy sadness on my father’s face whenever I didn’t want one.
Changing my mind was the gift. The day moved on sweeter.

December 2021
Featured image for ““An Honest Assessment””
Chris Dupuy

“An Honest Assessment”

Evil whispers echo through the space behind my eyes
penetrating to the core, they absorb my last drops of youthful exuberance
“it’s safe here, no need for change”

December 2021
Featured image for ““Sister,” “The Moment and “Play it Again””
Hope Cotter

“Sister,” “The Moment and “Play it Again”

You taught me how to say and spell my name
On an old wooden dresser at our farm house
You pointed to herbs in the garden, parsley and oregano
We put on old dresses and Dad’s ties

December 2021
Featured image for ““Resurrection””
Michael McQuillan

“Resurrection”

Do your eyes discern my halo? The world at large seems blind.
Affluent obsess on phones, poor scramble to survive.
One group calculates its commerce, one simply stays alive.

December 2021
Featured image for ““Somewhere,” “Evensong” and “Rattus Rattus””
M. Terry Pettit

“Somewhere,” “Evensong” and “Rattus Rattus”

Somewhere beyond the order of the sun
I would crouch sullen in the steppe wolf’s lair,
Gather the darkness into bloodlit eyes,
Tune raw sinews to a pitch of rage,
Howl incessant fury to the sky.

December 2021
Featured image for ““Paladin,” “Zeus” and “Cartography of Accident””
Leon Fedolfi

“Paladin,” “Zeus” and “Cartography of Accident”

In the woods behind her house,
in a season where the world tilts most
from its ball of light,
upon her small part of Earth’s
rounded back —
naked oak branches covered in white:

December 2021
Featured image for ““PhD Friends,” “I Let Myself Feel” and “Kamloops Garden””
Johanna Donovan

“PhD Friends,” “I Let Myself Feel” and “Kamloops Garden”

You’d think 2AM conversations would be nonsensical and funny,
not rational and sober avenues to despair. Round and round
and round we go, down the looped rabbit hole all new methods,
medicines, discoveries have to go to become less… detrimental.

November 2021