It is the opposite of ironic to teach Fyodor Dostoevsky’s Crime and Punishment inside the Travis County Correctional Complex. It is apropos, apt, appropriate. Perhaps too on the nose. TCCC houses pre-trial and county inmates in a 130-acre facility just east of the Austin-Bergstrom Airport. Pay attention during take off and landing next time you fly into town for SXSW or ACL, and you’ll be able to see the barbed wire.

I was thirty-one, a mother with a one-year-old son, and a marriage on the rocks. It would take two more years before we filed for divorce, but in the meantime, I was the sole breadwinner, my husband having taken a flyer on producing Broadway theater when the company he worked for downsized and I was six months pregnant. At some point, I told him he should get a job as a taxicab driver to contribute to the household, but he didn’t take too kindly to that suggestion. No surprise, but I was sufficiently exhausted and angry that I had no filter.

I remember the bottles. And the flacons. And the blister packs. All neatly lined up on the kitchen counter. I remember her taking a handful of her strongest tablets just before bed and, within minutes, her eyes droopy, mouth like rubber, voice distorted, like a slowed-down turnstile. It was during those few moments of seeing my mother changing from a normal person to a toy that had run out of batteries that I recognised something I wished I could forget.

It was in a mood of intense irritation that Senator Roscoe Conkling arrived in Chicago. Chet Arthur had been sent out in advance, his bulk trundled into a railway carriage like an overstuffed suitcase along with Thomas Platt, but Conkling had little expectation that Arthur would perform any more competently than he had in ’seventy-six…