Poetry

Poetry

Featured image for ““when the barn owl hoots no more,” “no trace,” and “again””
Christa Lubatkin

“when the barn owl hoots no more,” “no trace,” and “again”

when the night’s
dark eyes won’t lift their lids
the sun
won’t cheer the day awake
storms
lose their breath
oceans
forget their flow

January 2023
Featured image for ““Clauses,” “Complements,” and “Moods””
John Davis

“Clauses,” “Complements,” and “Moods”

The subordinate clause clattered to the asphalt:
Because I didn’t want to be a house flower.
He fluttered his fingers like a hitchhiker. He hoped
to thumb a ride from a dependent clause,

January 2023
Featured image for ““Coming to Freedom,” “Noguchi,” and “Gypsy””
Dorothy Johnson-Laird

“Coming to Freedom,” “Noguchi,” and “Gypsy”

dressed in white
your deep eyes pierced the daylight
*Araminta, defender of the people
when you crossed the line to freedom, the stars opened up all around you

something in your heart made you pause, turn around, breathing

December 2022
Featured image for ““Cantúa Creek,” “Joaquin,” and “Mustang Running””
Stephen Barile

“Cantúa Creek,” “Joaquin,” and “Mustang Running”

First explored by Spanish Army troops
From Mission San Juan Baptista,
Led by Jose de Guadalupe Cantua,

Son of a prominent Californio Ranchero
In the 19th-century Mexican era
Of early California history

December 2022
Featured image for ““In the Tidal Pool,” “Weathering,” and “A Vespa Ride””
Oanh Nguyen

“In the Tidal Pool,” “Weathering,” and “A Vespa Ride”

First at sunrise,
Then at sunset
You ebb away
leaving me suspended.
My kaleidoscopic charms
laid bare at the altar
of jumbled cowries,
flowers of the sea,

December 2022
Featured image for ““Rambling Rose,” “Jake: The Best Dog in the World,” and “Truly Madly Deeply””
Debra Rose Brillati

“Rambling Rose,” “Jake: The Best Dog in the World,” and “Truly Madly Deeply”

The car I grew up in
Was a 1960 Pontiac Star Chief
Four-door sedan hardtop
In a color my Crayola 64 box called Flesh.
Even at a time when most cars
Came in a wide variety of vibrant colors,
This one stood out.

December 2022
Featured image for ““Aut Pax Aut Bellum,” “Three Sisters,” and “Quiet the Celebration””
Michele Parker Randall

“Aut Pax Aut Bellum,” “Three Sisters,” and “Quiet the Celebration”

Mother needles & threads her way into conversations,
as she does with everything,
tacking here
& there, piercing
the cotton weave of our family, her place secure.

December 2022
Featured image for ““I will not die,” “Wednesday,” and “calendar””
Esme DeVault

“I will not die,” “Wednesday,” and “calendar”

last Wednesday night
on the phone
you said
I want my kids
to know you
as you leaned toward
the darkened future

December 2022
Featured image for ““Death Means Not Sleeping,” “Ghazal from a Bottle,” and “On Tuesdays””
Fran Abrams

“Death Means Not Sleeping,” “Ghazal from a Bottle,” and “On Tuesdays”

How do you keep on getting out of bed each morning?
A bed that is half empty since the day your husband died.
A life that seems like a flight of stairs missing a step
and you always seem to trip on that one.

December 2022
Featured image for ““Self Portrait as Poet,” “Work Friends,” and “Now Playing””
Julie Benesh

“Self Portrait as Poet,” “Work Friends,” and “Now Playing”

Poet, you mama’s girl, so bad at volleyball, first dates, job interviews, your albatross of asymmetry flung floorward like an eloquent glove, ironic as that yellow pedestrian yield sign on Chestnut Street, permanently pavement-flattened.

November 2022
Featured image for ““Early Envy (1956)” and “Fantasy Football””
Robert Eugene Rubino

“Early Envy (1956)” and “Fantasy Football”

When he’s eight he envies neighbor/buddy Bobby his airline pilot father
who drives his eye-popping harlequin Ford Thunderbird
with gears-a-poppin’ engine roarin’ to and from Idlewild
before and after taking off into the wild blue yonder.

November 2022
Featured image for ““Abduction on the Canyon Rim Trail,” “Hair Stylist,” and “Martin””
Kathy Pon

“Abduction on the Canyon Rim Trail,” “Hair Stylist,” and “Martin”

I don’t expect
a soupy river to steal you away.
White blood cells explode into whitewater,
filaments of breath sweep
downstream.
A confounding disappearance into
the thundering confluence.

November 2022
Featured image for ““The Long March,” “Sunday Sunday,” and “Marie””
Jack D. Harvey

“The Long March,” “Sunday Sunday,” and “Marie”

Bound on some skillful retreat,
a long march
north and west;
cut off from the rest
we end up foraging
in some scanty orchard,
the two of us.

November 2022
Featured image for ““Duncan’s Point Along Highway 1,” “A Poem Without Poetry,” and “Nightfall””
Nick Vasquez

“Duncan’s Point Along Highway 1,” “A Poem Without Poetry,” and “Nightfall”

I.
Purple delosperma frozen on stone cliffs
windswept granite.
Permanent calligraphy on blue canvas
only tides change.

II.
Carved into a driftwood bench
three names now forgotten.

November 2022
Featured image for ““oh physics,” “Messages,” and “Elfie’s Quantum Thoughts””
Malcolm Glass

“oh physics,” “Messages,” and “Elfie’s Quantum Thoughts”

oh physics
of warped gluons in the matrix chromosomes
molding children with necks and knees

disjoint and attenuate physics of the transport
of chlorophyll far more certain
than law or reason

and the stopped blood of embryos

November 2022
Featured image for ““Windsong: Solo Flute,” “The Dig,” and “Sudden Gasp””
Russell Willis

“Windsong: Solo Flute,” “The Dig,” and “Sudden Gasp”

The flutes of those
who live
with,
not just in,
nature,
mimic windsong.

Even accidental noise
blown by untrained lips
echoes the haunting, ethereal
whistle of wind
through limbs and grass, crops and structures.

October 2022
Featured image for ““By Saturday,” “Aqualung,” and “Tumble and Fall””
Melody Wilson

“By Saturday,” “Aqualung,” and “Tumble and Fall”

something settles. Next week’s
oatmeal eases into simmer,
the wide slow mouths of the first
few bubbles no longer startle
and pop as the surface smooths,
heaves with the humility

of normal mornings. It’s a chore—
the boil, filtering through
what I know, what is new.

October 2022
Featured image for ““Traveling with Natalie,” “Subjunctive Mood,” and “We Walked Three Miles in Snow””
Joan Mazza

“Traveling with Natalie,” “Subjunctive Mood,” and “We Walked Three Miles in Snow”

Propped on three pillows, another
under my knees, I am following
Natalie Goldberg as she travels
to Japan and France, sits zazen
with her students, through walking
meditation, writing longhand
in a café, always in a spiral notebook
with a pen that lets me write fast…

October 2022
Featured image for ““thirty days after,” “Pivot,” and “Sour””
Margaret Sayers

“thirty days after,” “Pivot,” and “Sour”

the time for grieving ends
grief does not

so I unfurl what is no longer and smooth out the
wrinkles
my soul loosens and leans in to the unwanted hereafter
the before murmurs just beyond my hearing
my heart skips in a dissonant rhythm
comfort strikes a truce with disquiet

October 2022
Featured image for ““Inverse Blankets,” “Bloat Textures,” and “Grope Commerce””
J. Parker Marvin

“Inverse Blankets,” “Bloat Textures,” and “Grope Commerce”

compensation blankets
barrier the solitude
cold air :: we are aware
that skin is unsuitable ::

we are a perfection :: the mass
of an ego returns
#DIV/0! :: and we understand
we are not portioned ::

October 2022
Featured image for ““Partly Because of Your Love for Yogurt,” “Half Dark,” and “You asked if we would always be friends””
Abigail Chorley

“Partly Because of Your Love for Yogurt,” “Half Dark,” and “You asked if we would always be friends”

it was the way you stood in the dark kitchen long after
the oven had already cooled, slurping
just out of date yogurt but also because the first
time we talked, you listened, swaying me gently
in constant commas shifting slightly
(while everyone else played poker for crisps)…

October 2022
Featured image for ““A humble little diddy about creation and all that came after” and “Answer the question””
Casey Killingsworth

“A humble little diddy about creation and all that came after” and “Answer the question”

My new thing is to look up the final scores
of baseball games before I decide whether
or not to watch the highlights because
who wants to follow a game you know
your team is going to lose anyway.

This is not a statement about my age; it’s not
even about having the luxury to piss away all
the idle time I have left. It’s about recognizing…

October 2022
Featured image for ““Bone Dry,” “The Rose Water Incident of 2022,” and “Weary Be the Wanton””
Monica Viera

“Bone Dry,” “The Rose Water Incident of 2022,” and “Weary Be the Wanton”

It was lonely having
An anorexic mother
Who was often more concerned
About fitness and image
Then tending to the ache of my feelings
She exercised all the time, and ate light
She strove to be light,
And perhaps thought as her daughter,
I shouldn’t have such heavy feelings

September 2022
Featured image for ““Megafauna,” “The bird in my voice is a song,” and “Harvest Moon is a Command””
Tia Cowger

“Megafauna,” “The bird in my voice is a song,” and “Harvest Moon is a Command”

I read somewhere there’s an
orchid whose flower is shaped
like the female of a long dead
species of bee.

Big, bitter fruits that no-one eats,
drop to the ground and rot

September 2022