Poetry

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Loss,” “Walking the dog” and “How It Began””
Patricia Hemminger

“Loss,” “Walking the dog” and “How It Began”

I’ve read that visual memories
are easier to recall than words,
so when I can’t remember the name
of the tree by the garden hedge
white blossoms in springtime,
I think of our dog, Finn, basking
beneath it, long ears stroking the earth,
know it is a dogwood tree.

May 2022
Featured image for ““Faded Blue,” “The Soft Dust of Memory Settles on My Tongue” and “August Lust””
Tiffany Santos

“Faded Blue,” “The Soft Dust of Memory Settles on My Tongue” and “August Lust”

Waking at 6:00 am, she would sit all day on a wooden stool,
listening to country music on a radio.
Coffee gave her the neuralgia along her nose, so she gave it up years ago,
drank hot water from McDonald’s Styrofoam cups.

Only bone and sinew, papery, thin skin,
her gnarled hands could crush
plants or animals or a small child.

May 2022
Featured image for ““seen // unsent””
Kate MacAlister

“seen // unsent”

it split my lip // I will always be a little bit in love with you… too
just a little bit // more and we would witness the shadows of
some sort of situation alienated // a surplus fairytale of a couple of normative years

April 2022
Featured image for ““Words,” “Paradoxical Undressing” and “They Say Trauma Makes the Best Art””
Sabrina Herrmann

“Words,” “Paradoxical Undressing” and “They Say Trauma Makes the Best Art”

I didn’t like animals
until I started naming them.
The intimate knowledge
of a word,
a string of syllables,
made everything safe.

April 2022
Featured image for ““Chicago (After Ginsberg),” “When You Spot Your Flower” and “The Spring-Bringer””
Julie Benesh

“Chicago (After Ginsberg),” “When You Spot Your Flower” and “The Spring-Bringer”

Chicago I fell in love with you at first sight in May 1975.
I wore that green dress and you wore the Lake.
You were the Big Man in the Midwest.
I was 15, you were 138.
I gave you the best years of my life when I thought you had given them to me.

April 2022
Featured image for ““Fear of Missing Out,” “Inscrutable” and “Grace””
J.E. O'Leary

“Fear of Missing Out,” “Inscrutable” and “Grace”

in a deliberate silence, there are no words really,
except those you might expect,
describing what you’re hearing to yourself.

to me they’re describing the winter white noise:

radiators, cars idling outside,

April 2022
Featured image for ““…Again,” “Be Excited, But Stay Grounded” and “Poster””
Flan Daniels

“…Again,” “Be Excited, But Stay Grounded” and “Poster”

Is it at the wake of dawn,
On the front porch of a chipped Victorian,
Naïve eyes wandering above the oaks’ thinning
Hairline in the East; is it in the shadow
Of a lamp, reflecting on stars’ sacred tease,
Window shades offering the seasons?

April 2022
Featured image for ““Fred’s Theory of Relativity” and “Heaven’s Rules””
Mark Williams

“Fred’s Theory of Relativity” and “Heaven’s Rules”

“Stupid is as stupid does,” said Forest Gump. So true.
Like the time nine-year-old me, batting eighth,
squared around to bunt and took a Larry Broerman
fastball in the groin that dropped me to the ground,
where the coaches and umps huddled around
and unbuttoned my pants so I could breathe.

April 2022
Featured image for ““A Move More Permanent,” “Main Character” and “Snail””
Kira Rosemarie

“A Move More Permanent,” “Main Character” and “Snail”

Invisible in the everyday view of my myopic mind,
The breezes blow palm fronds into
Paintbrush-stiff attention on the edges of I-95.

So rarely now do I look up
And see the lemon twist of sunlight in the trees
That I’m shocked my eyes still recognize color.

April 2022
Featured image for ““To the Race of Giant Fiberglass People Standing in Front of Illinois Businesses,” “On the Burlington Formation” and “Surprised by Phenology” ”
Steve Fay

“To the Race of Giant Fiberglass People Standing in Front of Illinois Businesses,” “On the Burlington Formation” and “Surprised by Phenology” 

I want you to know I honor each of you, how your shadows fully cross our streets

just after dawn, how you never bend to ridicule, or to rain, how you never lower

your standards, or your arms.

March 2022
Featured image for ““Objects,” “Womanhood” and “3awrah””
Hejaz Jalal

“Objects,” “Womanhood” and “3awrah”

This boy that I loved, my first love, named parts of me Names full of admiration Names that never addressed me Foreign names of white women

Aurora I don’t like those names

March 2022
Featured image for ““Kane Ranch,” “LA” and “With Holly in the West Village””
Ron Tobey

“Kane Ranch,” “LA” and “With Holly in the West Village”

migrants call, no formality of naming, their ox or mule pulled wagons “schooners” little more than buckboards with front plank bench hand-pulled brake no suspension wood wheels wood spokes rusting iron rims sun shield metal-ribbed white canvas hoods ceaseless wind shakes

March 2022
Featured image for ““White on Glass,” “Auto-Genesis” and “Foreground and Background””
Jacob Weil

“White on Glass,” “Auto-Genesis” and “Foreground and Background”

I remember being thirteen And the snow falling so completely On the windshield.

It was as if I were alone. So sudden and delicate. A single open window in which the cold light expands.

March 2022
Featured image for ““Cousins,” “Origins” and “Lurking””
Deborah Filanowski

“Cousins,” “Origins” and “Lurking”

Crickets signal the need for sacrifice, a thanks for good harvest, appeasement for the war gods of winter. The frost is overdue. Near the end of October, the mosquitoes hum and bite as I still sit on the front porch.

March 2022
Featured image for ““The World Is a Savage Place,” “Moon Prayer” and “Soft Body””
Christen Lee

“The World Is a Savage Place,” “Moon Prayer” and “Soft Body”

The world is a savage place. Have you read the news today? Surveyed rural highways, An elegy to wildlife speared by cars like arrows from the crossbow? Felt life fade from the one clutched in your arms? Seen a man sink to his knees as you whisper “She’s gone”?

March 2022
Featured image for ““Nana’s Hutch” and “Untamed””
MD Bier

“Nana’s Hutch” and “Untamed”

I loved you since I was a small child. We all did. You went to my aunt first. Then me. Initially there was a little jealousy. My aunt lavishly gave out other heirlooms to compensate. My grandfather created a special built-in place ~ a cut out in the dining room wall. You fit there perfectly.

February 2022
Featured image for ““Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz””
Malcolm Glass

“Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz”

The old canoe rests on the sand
at lake’s edge, its stern still
in the water. How many

strokes of the paddle wore away
the varnish on the gunwales?
Many. So many. And years

of sunlight and rain. Years
of snow and wind.

February 2022
Featured image for ““Why Our Marriage Works” and “The Widow Sifts Through the Rubble””
Linda Drach

“Why Our Marriage Works” and “The Widow Sifts Through the Rubble”

You sing songs to the pug in your fake Cantonese
and seem surprised when he doesn’t understand. You make coffee
a party: dark-roasted beans, gleaming French presses, and hand-thrown
mugs plucked from thrift-store shelves.

February 2022
Featured image for ““Three Breaths,” “They Come in Rotation” and “He Lies Dying””
Julia McDonald

“Three Breaths,” “They Come in Rotation” and “He Lies Dying”

1. Here I am
His creased dress-pants hang on bony anatomy:
pelvic brim, iliac crest. Long foreleg ankles without socks.
I don’t know why a Nuer, reputed to walk for days without rest,
measuring the horizon with metronomic femurs and tibia
reminds me of my adolescent father, but he does.

February 2022
Featured image for ““Gwembe Valley” and “Saliya’s Calabashes””
Palisa Muchimba

“Gwembe Valley” and “Saliya’s Calabashes”

Valley of the living
Valley of the dead
You call me back to my roots
Here, I can pause & look
I see
I see my people
I see me
Who am I?
I am a part of Gwembe

February 2022
Featured image for ““No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.””
Joanne Jagoda

“No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.”

There will be no words,
no tributes, sonnets or verses of consolation,
borrowed from the great poets or philosophers
for an angel called up too soon.
Only the cries of infinite mourning rambles will reach the heavens.

February 2022
Featured image for ““Busy Being Eve,” “Bright Highway” and “A Sort-of Sonnet for the Night In””
Yvonne Morris

“Busy Being Eve,” “Bright Highway” and “A Sort-of Sonnet for the Night In”

She drowns on the sofa for two weeks. But each day she makes herself rise and wobble to the kitchen for water, a bite of toast. The blistering pain in her pneumonia-filled lungs causes her to grab the counter as if it’s an overturned boat, yet she hangs on, gasping for dear life.

January 2022
Featured image for ““Why I Wear the Hijab” and “Octopus””
Ilari Pass

“Why I Wear the Hijab” and “Octopus”

اماذا أر تديي الحجاب

The clouds are filled with rain
but they do not bring rain
just like a woman
sometimes
does not bring any current
so, look again

January 2022
Featured image for ““Is This Thing Loaded?” “Junk Mail” and “New(s) Headlines””
Tina Lear

“Is This Thing Loaded?” “Junk Mail” and “New(s) Headlines”

It’s late, and I’m doing the last dishes of the day. I rinse them, swing the door down, pull out the lower rack, and then I sigh. Every time.

Someone designed this machine with a lot of thought. There is a right way to load it.

January 2022