Poetry

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz””
Malcolm Glass

“Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz”

The old canoe rests on the sand
at lake’s edge, its stern still
in the water. How many

strokes of the paddle wore away
the varnish on the gunwales?
Many. So many. And years

of sunlight and rain. Years
of snow and wind.

February 2022
Featured image for ““Why Our Marriage Works” and “The Widow Sifts Through the Rubble””
Linda Drach

“Why Our Marriage Works” and “The Widow Sifts Through the Rubble”

You sing songs to the pug in your fake Cantonese
and seem surprised when he doesn’t understand. You make coffee
a party: dark-roasted beans, gleaming French presses, and hand-thrown
mugs plucked from thrift-store shelves.

February 2022
Featured image for ““Three Breaths,” “They Come in Rotation” and “He Lies Dying””
Julia McDonald

“Three Breaths,” “They Come in Rotation” and “He Lies Dying”

1. Here I am
His creased dress-pants hang on bony anatomy:
pelvic brim, iliac crest. Long foreleg ankles without socks.
I don’t know why a Nuer, reputed to walk for days without rest,
measuring the horizon with metronomic femurs and tibia
reminds me of my adolescent father, but he does.

February 2022
Featured image for ““Gwembe Valley” and “Saliya’s Calabashes””
Palisa Muchimba

“Gwembe Valley” and “Saliya’s Calabashes”

Valley of the living
Valley of the dead
You call me back to my roots
Here, I can pause & look
I see
I see my people
I see me
Who am I?
I am a part of Gwembe

February 2022
Featured image for ““No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.””
Joanne Jagoda

“No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.”

There will be no words,
no tributes, sonnets or verses of consolation,
borrowed from the great poets or philosophers
for an angel called up too soon.
Only the cries of infinite mourning rambles will reach the heavens.

February 2022
Featured image for ““Busy Being Eve,” “Bright Highway” and “A Sort-of Sonnet for the Night In””
Yvonne Morris

“Busy Being Eve,” “Bright Highway” and “A Sort-of Sonnet for the Night In”

She drowns on the sofa for two weeks. But each day she makes herself rise and wobble to the kitchen for water, a bite of toast. The blistering pain in her pneumonia-filled lungs causes her to grab the counter as if it’s an overturned boat, yet she hangs on, gasping for dear life.

January 2022
Featured image for ““Why I Wear the Hijab” and “Octopus””
Ilari Pass

“Why I Wear the Hijab” and “Octopus”

اماذا أر تديي الحجاب

The clouds are filled with rain
but they do not bring rain
just like a woman
sometimes
does not bring any current
so, look again

January 2022
Featured image for ““Is This Thing Loaded?” “Junk Mail” and “New(s) Headlines””
Tina Lear

“Is This Thing Loaded?” “Junk Mail” and “New(s) Headlines”

It’s late, and I’m doing the last dishes of the day. I rinse them, swing the door down, pull out the lower rack, and then I sigh. Every time.

Someone designed this machine with a lot of thought. There is a right way to load it.

January 2022
Featured image for ““A girl called Time,” “Sleep” and “Sunfall””
Freddy Lond

“A girl called Time,” “Sleep” and “Sunfall”

Once she’d been busy,
unapproachable,
hard to get in touch with,
too cool for the likes of me.

Now she’s here to stay,
not leaving me for a second,

January 2022
Featured image for ““Glass Coffin” and “See You at the Air Down””
Trapper Markelz

“Glass Coffin” and “See You at the Air Down”

I’m not going to be famous,
but my kids might remember me.

Perhaps I’ll have the luck
to kiss a child and be forgotten,
a lingering creation left upon the earth,
consumed by a mad dash to replace us all.

January 2022
Featured image for ““What I Learned from Someone I Love” and “Exploring””
Ian Naranjo

“What I Learned from Someone I Love” and “Exploring”

Tell your kids that love is essential but do not love yourself. Keep a spider inside your shoulder. Let it tuck itself there as it protects a lead ball residing in your stomach.

January 2022
Featured image for ““It’s October,” “Professin’” and “Fitting In””
Julie Benesh

“It’s October,” “Professin’” and “Fitting In”

and, just back from the Farmer’s Market, the last of the year, I’m wearing a summer sweatshirt the amber and aubergine of falling leaves. The cats mill expectantly, for what I know not.

December 2021
Featured image for ““Facts & Wonder””
Silvia Bonilla

“Facts & Wonder”

1. Saturdays in their kitchen,
my mother watering her cactus, my father
pulling out mozzarella and bread I have lost joy for.
The drowsy sadness on my father’s face whenever I didn’t want one.
Changing my mind was the gift. The day moved on sweeter.

December 2021
Featured image for ““An Honest Assessment””
Chris Dupuy

“An Honest Assessment”

Evil whispers echo through the space behind my eyes
penetrating to the core, they absorb my last drops of youthful exuberance
“it’s safe here, no need for change”

December 2021
Featured image for ““Sister,” “The Moment and “Play it Again””
Hope Cotter

“Sister,” “The Moment and “Play it Again”

You taught me how to say and spell my name
On an old wooden dresser at our farm house
You pointed to herbs in the garden, parsley and oregano
We put on old dresses and Dad’s ties

December 2021
Featured image for ““Resurrection””
Michael McQuillan

“Resurrection”

Do your eyes discern my halo? The world at large seems blind.
Affluent obsess on phones, poor scramble to survive.
One group calculates its commerce, one simply stays alive.

December 2021
Featured image for ““Somewhere,” “Evensong” and “Rattus Rattus””
M. Terry Pettit

“Somewhere,” “Evensong” and “Rattus Rattus”

Somewhere beyond the order of the sun
I would crouch sullen in the steppe wolf’s lair,
Gather the darkness into bloodlit eyes,
Tune raw sinews to a pitch of rage,
Howl incessant fury to the sky.

December 2021
Featured image for ““Paladin,” “Zeus” and “Cartography of Accident””
Leon Fedolfi

“Paladin,” “Zeus” and “Cartography of Accident”

In the woods behind her house,
in a season where the world tilts most
from its ball of light,
upon her small part of Earth’s
rounded back —
naked oak branches covered in white:

December 2021
Featured image for ““PhD Friends,” “I Let Myself Feel” and “Kamloops Garden””
Johanna Donovan

“PhD Friends,” “I Let Myself Feel” and “Kamloops Garden”

You’d think 2AM conversations would be nonsensical and funny,
not rational and sober avenues to despair. Round and round
and round we go, down the looped rabbit hole all new methods,
medicines, discoveries have to go to become less… detrimental.

November 2021
Featured image for ““Activated,” “All Things Considered” and “Drugstore Backpack””
Corie Johnson

“Activated,” “All Things Considered” and “Drugstore Backpack”

There isn’t such thing as flat emerald and agreeing to a suicide pact with a falsely familiar stranger is not worth the novelty. We are all children of divorce. Olive, teach me the art of being quaint. Show me how to construct the soundproof walls you’ve built for proper use to love as loudly as we do.

November 2021
Featured image for ““The Yolk of the Neighborhood,” “Afraid of Your Sobriety” and “Rented Halves””
Monica Viera

“The Yolk of the Neighborhood,” “Afraid of Your Sobriety” and “Rented Halves”

I was walking in the hot, still LA heat
That blows nowhere, so your own thoughts begin to circulate
And you go mad
And upon walking on some particularly rocky asphalt,
I lost my footing
And hit the back of my head and heard a
CRAACK

November 2021
Featured image for ““Windsong:  Grand Opera,” “Full-ness of Time” and “Shadow Play””
Russell Willis

“Windsong: Grand Opera,” “Full-ness of Time” and “Shadow Play”

The first strains of the overture
Intrudes on the calm of normalcy.
Several measures of gentle breeze
Slowly crescendo into true wind.
The key and rhythm suddenly change,
Then revert to the original.

November 2021
Featured image for ““Bernadette at Lourdes” and “Lolita Condemned””
Robert Eugene Rubino

“Bernadette at Lourdes” and “Lolita Condemned”

Sister Mary Rose (so young she could’ve been your actual sister)
marched you and her other seventy-two second-grade students
(no teacher aides, no volunteer parents, just the good nun)
eleven blocks west toward the Fifty-Ninth Street Bridge
to the palatial Hobart Theater

November 2021
Featured image for ““Intact,” “Bloom” and “Return””
Alex Starr

“Intact,” “Bloom” and “Return”

Whatever anyone
tells you know
it is possible
common in fact
to exist
in one place in
another two time
transience one
location contains
many dancing

November 2021