Poetry

Poetry

Featured image for ““By Saturday,” “Aqualung,” and “Tumble and Fall””
Melody Wilson

“By Saturday,” “Aqualung,” and “Tumble and Fall”

something settles. Next week’s
oatmeal eases into simmer,
the wide slow mouths of the first
few bubbles no longer startle
and pop as the surface smooths,
heaves with the humility

of normal mornings. It’s a chore—
the boil, filtering through
what I know, what is new.

October 2022
Featured image for ““Traveling with Natalie,” “Subjunctive Mood,” and “We Walked Three Miles in Snow””
Joan Mazza

“Traveling with Natalie,” “Subjunctive Mood,” and “We Walked Three Miles in Snow”

Propped on three pillows, another
under my knees, I am following
Natalie Goldberg as she travels
to Japan and France, sits zazen
with her students, through walking
meditation, writing longhand
in a café, always in a spiral notebook
with a pen that lets me write fast…

October 2022
Featured image for ““thirty days after,” “Pivot,” and “Sour””
Margaret Sayers

“thirty days after,” “Pivot,” and “Sour”

the time for grieving ends
grief does not

so I unfurl what is no longer and smooth out the
wrinkles
my soul loosens and leans in to the unwanted hereafter
the before murmurs just beyond my hearing
my heart skips in a dissonant rhythm
comfort strikes a truce with disquiet

October 2022
Featured image for ““Inverse Blankets,” “Bloat Textures,” and “Grope Commerce””
J. Parker Marvin

“Inverse Blankets,” “Bloat Textures,” and “Grope Commerce”

compensation blankets
barrier the solitude
cold air :: we are aware
that skin is unsuitable ::

we are a perfection :: the mass
of an ego returns
#DIV/0! :: and we understand
we are not portioned ::

October 2022
Featured image for ““Partly Because of Your Love for Yogurt,” “Half Dark,” and “You asked if we would always be friends””
Abigail Chorley

“Partly Because of Your Love for Yogurt,” “Half Dark,” and “You asked if we would always be friends”

it was the way you stood in the dark kitchen long after
the oven had already cooled, slurping
just out of date yogurt but also because the first
time we talked, you listened, swaying me gently
in constant commas shifting slightly
(while everyone else played poker for crisps)…

October 2022
Featured image for ““A humble little diddy about creation and all that came after” and “Answer the question””
Casey Killingsworth

“A humble little diddy about creation and all that came after” and “Answer the question”

My new thing is to look up the final scores
of baseball games before I decide whether
or not to watch the highlights because
who wants to follow a game you know
your team is going to lose anyway.

This is not a statement about my age; it’s not
even about having the luxury to piss away all
the idle time I have left. It’s about recognizing…

October 2022
Featured image for ““Bone Dry,” “The Rose Water Incident of 2022,” and “Weary Be the Wanton””
Monica Viera

“Bone Dry,” “The Rose Water Incident of 2022,” and “Weary Be the Wanton”

It was lonely having
An anorexic mother
Who was often more concerned
About fitness and image
Then tending to the ache of my feelings
She exercised all the time, and ate light
She strove to be light,
And perhaps thought as her daughter,
I shouldn’t have such heavy feelings

September 2022
Featured image for ““Megafauna,” “The bird in my voice is a song,” and “Harvest Moon is a Command””
Tia Cowger

“Megafauna,” “The bird in my voice is a song,” and “Harvest Moon is a Command”

I read somewhere there’s an
orchid whose flower is shaped
like the female of a long dead
species of bee.

Big, bitter fruits that no-one eats,
drop to the ground and rot

September 2022
Featured image for ““The Buzzer,” “On my bike,” and “Waiting at the Women’s Health Centre””
Stephanie Trenchard

“The Buzzer,” “On my bike,” and “Waiting at the Women’s Health Centre”

I almost fold your laundry, the numb air
of garments settling, the last breadth of the dryer,
call to me to care for your hot things

Marie Condo says to ask the clothes
how they should be folded
to listen to the fabric, go with the seams

September 2022
Featured image for ““When fear rises,” “What counts,” and “A Forecast of Severe Storms Today””
Karen Carter

“When fear rises,” “What counts,” and “A Forecast of Severe Storms Today”

I’m driving through a fog.
Home to public school, I
travel up and down hills,
the 45-mile-stretch
like an obstacle course
to test resolve.

I need this cloudy patch,
not as a puffy mattress,
but as an iron shield

September 2022
Featured image for ““Memories of You,” “Uprooted Dreams,” and “Tulile, a Strange Fruit””
Patrick Sylvain

“Memories of You,” “Uprooted Dreams,” and “Tulile, a Strange Fruit”

I thought of you this afternoon,
laughing with your entire body
slightly curling over as you let
yourself lay bare its expression
of unconfined happiness. You were
intoxicated with life despite not having
much.

September 2022
Featured image for ““A City Dweller Dwells on Nature,” “A Spirit in the Woods,” and “Of Writing and Flying””
Olga Dugan

“A City Dweller Dwells on Nature,” “A Spirit in the Woods,” and “Of Writing and Flying”

I read somewhere nature doesn’t matter
to city dwellers—not so, did you know
flowers appeared 140 million years ago

Tulips out-valued gold in some places
Orchids draw their nutrients from thin air
and flowers, they really do have powers—

September 2022
Featured image for ““Who are you?””
Christopher Riesco

“Who are you?”

Once, in an angular concrete hotel in Antibes,
you stood before the black curtain
with the massive sunlight on the other side
and a heartbeat in your chest.
You reached up, then dropped your hands.
You tapped your hands on your naked hips.
You reached up again and pulled the curtains wide.

September 2022
Featured image for ““Peace, Peace will Come” and “Minor Losses””
Steven Deutsch

“Peace, Peace will Come” and “Minor Losses”

It is often
easier to write
the landscape
without the pollution

of people.
This hillside
was once
wild with color

September 2022
Featured image for ““orchid eye,” “requiem for smoke, for ashes,” and “leaning against the fog””
J. M. Platts-Fanning

“orchid eye,” “requiem for smoke, for ashes,” and “leaning against the fog”

look into my orchid eye
and I’ll tell you a story about psilocybin sex,
how to melt into another
with full chimera absorption.

honeycombed echo’s of deep earth
as red sandstone soil covered
buried treasure

August 2022
Featured image for ““Baby,” “Bourbon Street, New Orleans, the night before the Chicago Bears won the 1986 Super Bowl, 46-10,” and “Ghosts””
Patrick T. Reardon

“Baby,” “Bourbon Street, New Orleans, the night before the Chicago Bears won the 1986 Super Bowl, 46-10,” and “Ghosts”

My sister held the baby as he died.
Not hers.

She held the nose-tube baby
as his mother exercised at the Y,
exorcized, for moments, grief,
setting fragile, ebbing boy in soft arms.

August 2022
Featured image for ““Déjà vu,” “Among the Remains,” and “In an Instant””
Louise Moises

“Déjà vu,” “Among the Remains,” and “In an Instant”

Threat of late Spring rain,
against the chalk scrawled blackboard,
shower of bullets.

Teachers throw bodies
splashing over stunned students
last lectures of love.

August 2022
Featured image for ““Salt,” “Saturn Waning,” and “Impressions””
Alex Stanley

“Salt,” “Saturn Waning,” and “Impressions”

The moon is a sliver tonight,
or at least it looks it
through the buildings and the trees.

Planted, four, in a row
like towers on a grid,
I wonder if trees can love.

August 2022
Featured image for ““On the Way to Conception” and “Different Folks””
Julie Benesh

“On the Way to Conception” and “Different Folks”

My parents loved each other but it’s unlikely no one was harmed
on the long, broad path to my conception, and as for fidelity,
my mitochondrial DNA is British all the way to the damsel
du chambre of Queen Philippa, born in Tonbridge Castle,
mother unknown, fathered by Edward’s ambidextrous favorite.

August 2022
Featured image for ““New River, Pandemic,” “Lines from New York, On the Massachusetts,” and “De-Winter””
Ryan Harper

“New River, Pandemic,” “Lines from New York, On the Massachusetts,” and “De-Winter”

It will take your breath,
the endless wall,
but you will call again.
Lean out, plant the feet:
cinch of gravity at the waist,
below the wash, the rapid.

August 2022
Featured image for ““Frank,” “Random Access Memory,” and “Self-Portrait as Paintbrush””
Erika Michael

“Frank,” “Random Access Memory,” and “Self-Portrait as Paintbrush”

There’s a portrait of me with
cousin Frank, he’s six I’m three,
taken at my first home in the USA,
a stone apartment building at Van
Cortland Park, bedrock segue to

the rest of our lives…

July 2022
Featured image for “Ukraine, War Resistance, Hopes for Peace, Human Rights”
Gerard Sarnat

Ukraine, War Resistance, Hopes for Peace, Human Rights

Stretched over 4.2 square miles, the Azovstal steel complex
is/ was a sprawling warren of rail lines, warehouses, coal furnaces, factories, chimneys
above essentially an underground city of tunnels seen as ideal for guerrilla warfare.

July 2022
Featured image for ““Ache,” “A Burning Observed,” and “First Draft””
Kimberly Phinney

“Ache,” “A Burning Observed,” and “First Draft”

Stooping down,
here,
I remember the honey blooms
on my grafted kalanchoe
and the bursting April storm clouds

July 2022
Featured image for ““In the Fire Afterlife,” “Transplanted,” and “America’s Bullet””
Keith Mark Gaboury

“In the Fire Afterlife,” “Transplanted,” and “America’s Bullet”

the Great Chicago Fire of 1871,
the Great Boston Fire of 1872,
and the Great San Francisco Fire of 1906

crowds the chemical space
of My Great-Grandma’s Kitchen Fire of 1977.

July 2022