Poetry

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Up & Down 
Or  Cutting 
Across Chess 
Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?””
Gerard Sarnat

“Up & Down Or Cutting Across Chess Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?”

Just as Technology
has shifted from
being a vertical —
organizationally
in a stack above or
below other usual
equal silos

March 2020
Featured image for ““Amazon Burning,” “Slow Creep” and “So Long””
Brad Garber

“Amazon Burning,” “Slow Creep” and “So Long”

I will never see your secret spaces
listen to the bold songs of birds
or the screeches of primate tribes
in trees along slow muddy waters.
Nor will I spy the silhouette
of the silent jaguar’s shadow

March 2020
Featured image for ““A Sestina for Turbulent Times””
Ada Jo Mann

“A Sestina for Turbulent Times”

Our kids march in the streets for Climate Change.
They’re chanting we are running out of time
disturbed by watching all the rising seas
from hurricanes, huge fires, torrential rains.
Their fears and tears give me a bit of hope
that our vast world will flourish when I’m gone.

March 2020
Featured image for ““Prisoner Earth,” “Suffocation” and “Melting Wax””
Jennifer Schneider

“Prisoner Earth,” “Suffocation” and “Melting Wax”

I served 20 years 4 months 3 days
for a theft I didn’t commit.
Solitary. Abuse. Neglect.
Suffering. Shame.
Victim of mistaken identity.
Suggestive questioning. Self-interest.
Gross negligence. Prosecutorial misconduct.

March 2020
Featured image for ““The Last Days of the Dinosaurs””
Kathleen Holliday

“The Last Days of the Dinosaurs”

In third grade, one afternoon,
we were ushered into the auditorium
for a 16mm animated film
about dinosaurs.
As comets and asteroids fell,
pocking the earth,
so did the huge creatures,

March 2020
Featured image for ““The Serpent: Smog in the City” and “To Soy, My Soul””
Nam Nguyen

“The Serpent: Smog in the City” and “To Soy, My Soul”

Mascara swirling down her face,
the woman with sagging eyelids
stands on the chipped concrete
like the tall factory pipe
connected to the power plant machines.
She doesn’t think about her plight,
only the fact that she must make the ends meet
in order to feed her 2 children.

March 2020
Featured image for “Elephant in the Room”
Lucas Klesch

Elephant in the Room

these days the smiles are scripted
to induce the flow of joy
in hopes
they amplify an initial step
to overcome the inertia
of years of climate induced apathy
i still remember the days
when i did not have to remind myself
to smile or breathe deep

March 2020
Featured image for ““Cold Salad,” “At Shore” and “Sightless””
Leon Fedolfi

“Cold Salad,” “At Shore” and “Sightless”

In a cold winter thought
I grabbed the earth by its head of trees
and ripped upward to free the firmament
beneath.
No earthworms or other secrets.
Human figures entwined
in angered roots.

March 2020
Featured image for ““Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence””
Edward Miller

“Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence”

When he awakens, the dream tucks itself in.
At bedtime, the dream starts the night shift.
And so
Inside the lazy contraction of slumber is an energetic stretch.

February 2020
Featured image for ““the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)””
Melissa Evans

“the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)”

was in high dudgeon the colonel yelled

lying flat your pug-rasps in
in petering
juxtaposition of stuttered blasts
out get out

February 2020
Featured image for ““Infinite Affair With Air” “Love Letters” and “Fly Ball””
Buffy Aakaash

“Infinite Affair With Air” “Love Letters” and “Fly Ball”

You are this
which is not
that,
that
which is not
this.
You owe such and such
to whoever and whom,

February 2020
Featured image for ““This Tree,” “Death Dream”  and “Society””
Douglas Nordfors

“This Tree,” “Death Dream” and “Society”

I stop walking,
and contemplate
the way the thin
arm of this tree
once bent upward,
before stretching
out over the river.

February 2020
Featured image for ““Cactus,” “cutlet” and “pumpkin””
Natalie Warther

“Cactus,” “cutlet” and “pumpkin”

I wait for a sign that you need me:

a wilting arm, dry soil,
but you give me nothing

so I trickle water into your mouth.

Just enough to tame my own thirst.

February 2020
Featured image for ““We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us” and “We Are Forced To Face One Another””
Christopher Watkins

“We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us” and “We Are Forced To Face One Another”

We take our color from the mines;
A frost of ash atop our coarse dark hair.

With brimstone flecks in the linarite of our
eyes, We see what lies in darkness—

Black holes to hell.

February 2020
Featured image for ““Cursive,” “The Phone Calls” and “Death Can’t Stop the Rap””
Louise Moises

“Cursive,” “The Phone Calls” and “Death Can’t Stop the Rap”

A declaration from the district office
we will not be teaching cursive this year
no pens will be required, no extra paper
we will not be teaching cursive this year.

February 2020
Featured image for ““The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro””
Thomas Simmons

“The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro”

In 1979 or so
Soviet-French
interplanetary
cooperation
(which boasted,
inter alia,
French scientific
tackle lugged
to Mars by the
USSR in 1971)
nearly hit
a new high
with an idea;

February 2020
Featured image for ““The Concept of Order,” “That Hurt” and “Wolfwomen””
Jo Angela Edwins

“The Concept of Order,” “That Hurt” and “Wolfwomen”

As a species, humans
live their lives in degrees
of alarm. Mostly, for most
of us, there isn’t much.
The world spins exactly
as we have come to expect it,
and caught wherever
we are,

February 2020
Featured image for ““Ready to Go,” “So Carry On Still” and “Becoming””
D. M. Armstrong

“Ready to Go,” “So Carry On Still” and “Becoming”

a wobbling chin and her deserted glance hit the floor
in agony where we stood together while we chanted
misery: “you’re an ordinary man.” her mouth wrenched
an unforgettable sound cataclysmic eruption of scattered
emotions, broken speeches, tired and beaten hope
we were once before and not anymore but why

February 2020
Featured image for ““Rose of Mary,” “Taking Christmas Down” and “Perigee””
Holly Kelso

“Rose of Mary,” “Taking Christmas Down” and “Perigee”

My mother’s pots of rosemary were tall, manicured
cones, broom swept earthy smelling evergreen,
flecked with lavender drops of blossoms
the shape of small hearts or lips,
she’d send me outside to retrieve a stem each time
she baked a chicken

February 2020
Featured image for ““I was a tourist from honey-milk land,” “Inheritance” and “Overflowing””
Patrick T. Reardon

“I was a tourist from honey-milk land,” “Inheritance” and “Overflowing”

I was a tourist from honey-milk land,
and Sister heard my question underneath.
She had her own.
“Are you packing?”
That kind of place.
The nun hugged her wizened chest.
She was old then,
dead now, I’m sure, thirty years on.

February 2020
Featured image for ““Late Seventies,” “Ants” and “And Again””
William Ray

“Late Seventies,” “Ants” and “And Again”

It’s strange how often
All these years later
I hear this guy
Sprawled big in that way certain
Italian men can be
Cater-corned across from
My solo table in the Boylston St eatery

January 2020
Featured image for ““Territory of Ladders,” “Elephant Burial” and “Lost Neighbors””
Cassandra Rockwood Ghanem

“Territory of Ladders,” “Elephant Burial” and “Lost Neighbors”

Who were you before ships
became your shoes? Now you sway

on mesozoic legs wondering why
there’s no stability inside. I heard you pierced

ears with knives and severed free thinking
on every continent before.

January 2020
Featured image for ““Hold Perhaps or Maybe to Land” and “Stage Direction””
Elana Mass

“Hold Perhaps or Maybe to Land” and “Stage Direction”

At the gallery is The Kiss
– you know the one –
Those two marble lovers, oblivious, entwined,
Stealing a moment never meant to be seen.
Did they know what would come, I wonder.
Do you know they had names?

January 2020
Featured image for ““Traveling Through Lightning,” “Night Creatures” and “Wind Chimes””
Caroline Sidney

“Traveling Through Lightning,” “Night Creatures” and “Wind Chimes”

traveling through lightning is
disorienting
I am here
I am not
all this living is more electrifying
when the sky trembles
with light

January 2020