Poetry

Poetry

Featured image for ““The Ritual,” “Setae” and “Elegy for Ernest””
Taylor Mallay

“The Ritual,” “Setae” and “Elegy for Ernest”

Classic rock crackles around a half-lit room,
scent of sweat exhaled by thick cotton

work shirts, denim salted with cigarette breath.
The bar’s low lights shiver on the skin

of his black leather coat. I linger
on the small god tapping at his chest.

November 2020
Featured image for ““Salt,” “Like a Foolish Man” and “Skipping Stones””
Richard Stimac

“Salt,” “Like a Foolish Man” and “Skipping Stones”

All the salt in the world comes from the sea.
That’s why we tunnel under the Great Lakes,
To chip away a seabed that now flakes
Beneath hydraulic steel machinery.
That’s why our salty tears eternally
Burn our clenched eyes.

November 2020
Featured image for ““STILL (Upon Awakening),” “New York Times>Wedding Notices” and “Discovering Magenta””
Judith Faye

“STILL (Upon Awakening),” “New York Times>Wedding Notices” and “Discovering Magenta”

Magic will not save us.

Still
when you dream
you’re in Vegas
with your ex
doesn’t that mean
life’s a gamble?

Still

November 2020
Featured image for ““Barred from Every Pub Even the Burrito Place,” “Reverence” and “Heathen. Expat. Hometown Girl.””
Devon Powers

“Barred from Every Pub Even the Burrito Place,” “Reverence” and “Heathen. Expat. Hometown Girl.”

Teddy carries what he deems of importance
In an old trolley cart padded with terry cloth.
He holds congress with Johno and Frank
And two other silent boys in the town circle.
Their guitar looks nice on you
It is a rare occasion—
So you sing for them.

October 2020
Featured image for ““Hello Dear Visitor,” “Puddles Caressing My Skin” and “We’re Just Cordial Friends””
Elizabeth Novotny

“Hello Dear Visitor,” “Puddles Caressing My Skin” and “We’re Just Cordial Friends”

I deserted a place labeled as a home,
with outlets popping out from their cables,
an oven that I needed to light manually,
and a floral couch that creaked no matter the weight put onto it.
I still have that picture of you resting softly,
sinking into the cushions,
with a long tear at the top

October 2020
Featured image for ““Underwater,” “Locked” and “Don’t Tell the Women””
Stella Hayes

“Underwater,” “Locked” and “Don’t Tell the Women”

The naval admiral’s shallow body
Is smaller than I imagined
Underwater
In the nucleus of a nuclear submarine
Elusive to then Soviet fish spawning
On the sides of a metal ship

October 2020
Featured image for ““Familiar Cycles,” “Cloudless” and “Sand Walking””
Cynthia Megill

“Familiar Cycles,” “Cloudless” and “Sand Walking”

Late August bears canicular days.
Vertical rays beat down.
My head bends forward,
seeking the shade of my own shadow.
Once luminous eyes now fading,
Fight off the unequaled glare of the most radiant star.

October 2020
Featured image for ““Imagining 42 Tiny Scuba Divers,” “Drifting” and “Sandcastle””
Sophia Falco

“Imagining 42 Tiny Scuba Divers,” “Drifting” and “Sandcastle”

Bubble rings like misplaced
angel halos arise within
my teardrop from tiny
scuba divers the size
of pinpricks swimming
about aimlessly with salt
coating their masks,
and high on painkillers.

October 2020
Featured image for ““Aches and Pains,” “Timber Tantrums” and “Chicago Sunset””
Khalil Elayan

“Aches and Pains,” “Timber Tantrums” and “Chicago Sunset”

There is an indigo ripple in my eye,
sending me backwards through time
on cresting waves that roll into themselves
Tightened by their energy,
these droplets form ropes
that flay my memory

October 2020
Featured image for ““My Chair” and “That Hat””
Lawrence Bridges

“My Chair” and “That Hat”

Where I sit is not my chair
but on my bones stacked up my back.
The me is from shoulders down for air,
chin up for sight and speech.
Though toes curl the chair legs
for balance, my feeling is, has always
been, that life is in my hands.

October 2020
Featured image for ““Pa,” “Land mark” and “Dark night””
Patrick T. Reardon

“Pa,” “Land mark” and “Dark night”

Drive Chronicles Avenue straight out
of downtown for three miles to the
railroad bridge, empty as a Roman
ruin, turn right toward the spray-paint
chaos of the Grass Lake rocks, right
again onto Esther Road, to 135, and
there’s tight-wound Pa sitting on the
dusk porch while nervous fireflies,
trespassers, skitter, knowing nothing
else, around the maypole of his chair.

September 2020
Featured image for ““we’re still learning, please bear with us,” “left behind on the fourth of July” and “Warm Bodies””
Jerome Berglund

“we’re still learning, please bear with us,” “left behind on the fourth of July” and “Warm Bodies”

after hearing some
rousing speeches from
several eloquent organizers
off the cuff, exclusively
including a young woman
who was George Floyd’s cousin
shared a heartfelt
and energizing tribute
the small solemn and intimate
gathering of perhaps a hundred
concerned citizens who’d responded
to an online call for marchers

September 2020
Featured image for ““Ode to Baboon,” “Elephant, Room” and “Reaching Out””
Rand Bishop

“Ode to Baboon,” “Elephant, Room” and “Reaching Out”

Were you and your healthy
liver nearby?
Were you an excess mouth to feed
in some municipal zoo?
Or were you carefully culled
from some robust family
roaming the Ruwenzoris
and in a frenzy flown
Bujumbura-Pittsburgh,
held incommunicado
until the propitious moment?

September 2020
Featured image for ““To Maryat, My Aunt,” “Cold Blue” and “River Stones””
Mary Dean Lee

“To Maryat, My Aunt,” “Cold Blue” and “River Stones”

Outrageous, abundant woman,
spirit of fire, spirit of thunder.
You sang fugues to me as a child,
rocked me to sleep with your stories,
made grand entrances and exits
in a black Russian coat,
befriended the egg lady, painted
a black Christ crucifixion for her country church.
Your presents at Christmas were books
or piano music, giftwrapped in old newspaper.

September 2020
Featured image for ““Etchings,” “True and False, East to West” and “The Blue Hour””
Kim Haines-Eitzen

“Etchings,” “True and False, East to West” and “The Blue Hour”

The one-seed juniper defiant
in a sand-drenched wash
grasps against wind and rain.
Earth engraved by crawling roots
broad sap-scented trunk tanned soft
like deer hide now enfolding
barbed wire. Resilience—

September 2020
Featured image for ““Complete Darkness,” “The Light in a Corner Tavern” and “The Deep””
Meara Levezow

“Complete Darkness,” “The Light in a Corner Tavern” and “The Deep”

In the summer of 1998 I was a lantern-
fish, no
I mean waitress,
but all the same
the water was freezing cold
and the pressure was pulverizing.
yet (animals) somehow survive in this most
extreme environment
which was the Mucky Duck Shanty (bar and grill)

September 2020
Featured image for ““reasonable,” “small” and “wrack””
William Aarnes

“reasonable,” “small” and “wrack”

a starter home
with kitchen and bathrooms redone,
six percent down
an unlocked car
an affordable five-bedroom
in a neighborhood
with good schools
a crowded floor
in a stumbled-upon squat

July 2020
Featured image for ““El Tiempo Pasado,” “To the Double Flower of Spring” and “I was a Jesus Impersonator””
Mario Duarte

“El Tiempo Pasado,” “To the Double Flower of Spring” and “I was a Jesus Impersonator”

Leaving Work
The shrubs are flush—branches scarlet
by the red brick dormitory.
Rolling past Hickory Hill park
leaves blaze into miniature suns.
At Home
In our backyard, the swing set is
as empty as a hollow gourd,

July 2020
Featured image for ““An Unforgotten Path,” “From Athens to Tellico, Tennessee ” and “An Assault Rifle Ode””
Mervyn R. Seivwright

“An Unforgotten Path,” “From Athens to Tellico, Tennessee ” and “An Assault Rifle Ode”

31 scorched—one week
before I went home
to London. I was lost.
7 years since I left
my childhood in England.
My father told me
to meet at King’s College,
I arrived at King’s Cross
6 miles away. Accosted
by roses, carnations, lilies,
a meadow of flowers

July 2020
Featured image for ““Beach Walk,” “Flint” and “bouquet from the garden””
Arlene Downing-Yaconelli

“Beach Walk,” “Flint” and “bouquet from the garden”

a conch shell emptysea-gifted
carried back to window sill
trapped voices now extinct still
in shifting sandsbreeze-lifted
sounds of surf on gentle winds
crashing pulselife’s quickened flash
mutes the tracks with ocean slash
silent ciphersexpunged suspend

July 2020
Featured image for ““The Dreamland Sea,” “The Sparrow” and “Night””
Syphertes

“The Dreamland Sea,” “The Sparrow” and “Night”

Sleepy baby, sleepy baby…Drift
away with me. I’ll
take you to a place I know, it’s
called the Dreamland Sea. It
lies beyond the moon and stars, among
the silvery skies. A
splendid dream awaits you there, behind
your tired eyes. Sleepy
baby, come with me…We’ll
sail until sunrise.

July 2020
Featured image for ““Making Silent Stones Speak,” “Cracking the Code” and “When Jeannette MacDonald Reigned in the Kitchen””
Susan Cummins Miller

“Making Silent Stones Speak,” “Cracking the Code” and “When Jeannette MacDonald Reigned in the Kitchen”

Picture Rocks Canyon: Paisley
scarlet bandana caught on gray thornbush
sprouting from naked rock. Lavender-
blooming ironwood, swift
zebra-tailed lizards and always
the cactus wrens for company.

July 2020
Featured image for ““Word Perfect,” “and sometimes: a poem about incarceration quarantine” and “Volta””
Will Anderson

“Word Perfect,” “and sometimes: a poem about incarceration quarantine” and “Volta”

i am outside in the oven
chin ups and dips
and laps[e] in the grass

around the poured concrete
and picnic tables bolted down
with music in factory
ear buds playing loud
enough to drown
the chatter of fat, angry men

July 2020
Featured image for ““02 – determined to rise” and “03 – for the man in the phone booth””
Rachel Elam

“02 – determined to rise” and “03 – for the man in the phone booth”

in the darkest of caves
illuminated by night
i sought answers in your shape
you sought refuge in mine.

it was lust, masked as love
the highs, worth the lows
you were broken
mysterious
destructive
light.

July 2020