Poetry

Poetry

Featured image for ““caged,” “eleven, six, one” and “bones””
Madalyn Rymer

“caged,” “eleven, six, one” and “bones”

my skin is a lead bodysuit
and other than the hope
that it might crush me one day
it hides my vibrating bones
so that I am the only one
that feels them shaking
inside of me

May 2020
Featured image for ““My Salute to the Decoder Ring,” “The Night Visitors” and “The Unveiling””
Elizabeth Buttimer

“My Salute to the Decoder Ring,” “The Night Visitors” and “The Unveiling”

If I had an amazing tool
it would be a decoder ring
straight from my cereal box
that would morph into a briefcase,
when I pressed a button
into the hand tooled leather satchel.

May 2020
Featured image for ““Dirt Clouds,” “Accentuating Florence” and “Saying Goodbye to Florence Is Filled with Mud””
Shelby Stephenson

“Dirt Clouds,” “Accentuating Florence” and “Saying Goodbye to Florence Is Filled with Mud”

At my picture window, I raise the blinds
On the graveyard side. And, it’s you, July,
Lovely ghost? Not changed much since you were ten.
That’s how old I was when Pap George sold me
To Seth Woodall. I was thin as a seam,
Fearless, too; Runaway? Not so bold, see?

May 2020
Featured image for ““In the Key of Keystone,” “Lost & Found & Lost” and “Winter Wind””
Robert Eugene Rubino

“In the Key of Keystone,” “Lost & Found & Lost” and “Winter Wind”

It was all that jazz
it was the city — San Francisco
it was the venue — Keystone Korner
a former topless bar on Vallejo Street transformed
into a world class club its interior intimate its memory indelible
& all that jazz

May 2020
Featured image for ““The Sherman, the Grant, The Eldest,” “Eyes in the Warehouse” and “Musket””
Matthew Mitchell

“The Sherman, the Grant, The Eldest,” “Eyes in the Warehouse” and “Musket”

The General Sherman bounds 1,487m
all wood
***
Like a bird god lean and hard
Sherman surveys Atlanta
His face bewhiskered, pockmarked
his choice to end this here

May 2020
Featured image for ““House at Night,” “My Life Map” and “Just Another Brunch””
Katerina Canyon

“House at Night,” “My Life Map” and “Just Another Brunch”

Gold-flecked dust ignites in waves.
I kiss my desert skin.

The coyote’s song lulls me
before I count the sheep.

The doorknob will turn
before the lock’s clasp

May 2020
Featured image for ““Rock Paper Pictures,” “Of Voices, Waters, and Fires” and “Samsara Serenade””
Khalil Elayan

“Rock Paper Pictures,” “Of Voices, Waters, and Fires” and “Samsara Serenade”

It’s called The Cave of Forgotten Dreams
this place where handprints
with broken finger
wave at squint-eyed scientists

where prehistoric rhino, too,
looks up and down

May 2020
Featured image for ““Stiletto,” “Redeeming Time” and “Successive””
Ryan Krause

“Stiletto,” “Redeeming Time” and “Successive”

Stiletto drops like river
Runoff echo in the cave.
Once dawn’s cables bridge
The canyon, you, first
Diurnal venturer,
Step out to punish pavement;

May 2020
Featured image for ““The Avatar” and “A Viper and a Chickadee””
Ella Williamson

“The Avatar” and “A Viper and a Chickadee”

You found malleable a woman of uncandled clay;
I suppose it was she who gave you the carver’s adze,
Saying, “I just want to be close to you” –
You smiled through the splinters in your gloss
And took lacquered fingers to the handle.

May 2020
Featured image for ““Kismet,” “Walking as Loren Eiseley” and “An Ominous Greeting””
Sandra Fox Murphy

“Kismet,” “Walking as Loren Eiseley” and “An Ominous Greeting”

We’ve had enough! We’re taking it back!
The earth once belonged to the docile and us—
the wild—but no more will you, the puffed-up,
two-legged man, raze our forests and our swamps,
no more spew your chemicals into our homes
or fell our forests and set our lairs ablaze,

March 2020
Featured image for ““Death By Bleaching””
Lara Colrain

“Death By Bleaching”

They tell me that I’m not dying.
That my limbs aren’t burning.
That my face isn’t as ashen as I make it out to be.
But what do they know –
the false prophets with their loose lips, tailored suits, and painted-up lies?

March 2020
Featured image for ““For the Polar Bear at Joburg Zoo””
Donatella du Plessis

“For the Polar Bear at Joburg Zoo”

They’ve painted your tank blue so you forget
how your paws flung moonstone stars across the
Northern Lights, how your cubs, seal-small, clung to
falling spires of snow and scarred, songless ice,

March 2020
Featured image for ““Enchanted One” and “On Loneliness””
Emily Stout

“Enchanted One” and “On Loneliness”

How can two words capture the magic of such a creature?
How can a name hold the essence of anything? I wonder, cradling
huckleberries from the bush, how to express the way my hands
are left a misty purple,

March 2020
Featured image for ““A Walk on the Edge””
Jill Bronfman

“A Walk on the Edge”

Let’s go to the beach today
It’s closed, I know, the Great Highway, the great expanse
But I know a way in-
I’m a scientist.
I’ll show them my credentials, say you’re my assistant
We’re here to study the shoreline, what’s left of it

March 2020
Featured image for ““Up & Down 
Or  Cutting 
Across Chess 
Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?””
Gerard Sarnat

“Up & Down Or Cutting Across Chess Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?”

Just as Technology
has shifted from
being a vertical —
organizationally
in a stack above or
below other usual
equal silos

March 2020
Featured image for ““Amazon Burning,” “Slow Creep” and “So Long””
Brad Garber

“Amazon Burning,” “Slow Creep” and “So Long”

I will never see your secret spaces
listen to the bold songs of birds
or the screeches of primate tribes
in trees along slow muddy waters.
Nor will I spy the silhouette
of the silent jaguar’s shadow

March 2020
Featured image for ““A Sestina for Turbulent Times””
Ada Jo Mann

“A Sestina for Turbulent Times”

Our kids march in the streets for Climate Change.
They’re chanting we are running out of time
disturbed by watching all the rising seas
from hurricanes, huge fires, torrential rains.
Their fears and tears give me a bit of hope
that our vast world will flourish when I’m gone.

March 2020
Featured image for ““Prisoner Earth,” “Suffocation” and “Melting Wax””
Jennifer Schneider

“Prisoner Earth,” “Suffocation” and “Melting Wax”

I served 20 years 4 months 3 days
for a theft I didn’t commit.
Solitary. Abuse. Neglect.
Suffering. Shame.
Victim of mistaken identity.
Suggestive questioning. Self-interest.
Gross negligence. Prosecutorial misconduct.

March 2020
Featured image for ““The Last Days of the Dinosaurs””
Kathleen Holliday

“The Last Days of the Dinosaurs”

In third grade, one afternoon,
we were ushered into the auditorium
for a 16mm animated film
about dinosaurs.
As comets and asteroids fell,
pocking the earth,
so did the huge creatures,

March 2020
Featured image for ““The Serpent: Smog in the City” and “To Soy, My Soul””
Nam Nguyen

“The Serpent: Smog in the City” and “To Soy, My Soul”

Mascara swirling down her face,
the woman with sagging eyelids
stands on the chipped concrete
like the tall factory pipe
connected to the power plant machines.
She doesn’t think about her plight,
only the fact that she must make the ends meet
in order to feed her 2 children.

March 2020
Featured image for “Elephant in the Room”
Lucas Klesch

Elephant in the Room

these days the smiles are scripted
to induce the flow of joy
in hopes
they amplify an initial step
to overcome the inertia
of years of climate induced apathy
i still remember the days
when i did not have to remind myself
to smile or breathe deep

March 2020
Featured image for ““Cold Salad,” “At Shore” and “Sightless””
Leon Fedolfi

“Cold Salad,” “At Shore” and “Sightless”

In a cold winter thought
I grabbed the earth by its head of trees
and ripped upward to free the firmament
beneath.
No earthworms or other secrets.
Human figures entwined
in angered roots.

March 2020
Featured image for ““Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence””
Edward Miller

“Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence”

When he awakens, the dream tucks itself in.
At bedtime, the dream starts the night shift.
And so
Inside the lazy contraction of slumber is an energetic stretch.

February 2020
Featured image for ““the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)””
Melissa Evans

“the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)”

was in high dudgeon the colonel yelled

lying flat your pug-rasps in
in petering
juxtaposition of stuttered blasts
out get out

February 2020