Poetry

Poetry

Featured image for ““The Avatar” and “A Viper and a Chickadee””
Ella Williamson

“The Avatar” and “A Viper and a Chickadee”

You found malleable a woman of uncandled clay;
I suppose it was she who gave you the carver’s adze,
Saying, “I just want to be close to you” –
You smiled through the splinters in your gloss
And took lacquered fingers to the handle.

May 2020
Featured image for ““Kismet,” “Walking as Loren Eiseley” and “An Ominous Greeting””
Sandra Fox Murphy

“Kismet,” “Walking as Loren Eiseley” and “An Ominous Greeting”

We’ve had enough! We’re taking it back!
The earth once belonged to the docile and us—
the wild—but no more will you, the puffed-up,
two-legged man, raze our forests and our swamps,
no more spew your chemicals into our homes
or fell our forests and set our lairs ablaze,

March 2020
Featured image for ““Death By Bleaching””
Lara Colrain

“Death By Bleaching”

They tell me that I’m not dying.
That my limbs aren’t burning.
That my face isn’t as ashen as I make it out to be.
But what do they know –
the false prophets with their loose lips, tailored suits, and painted-up lies?

March 2020
Featured image for ““For the Polar Bear at Joburg Zoo””
Donatella du Plessis

“For the Polar Bear at Joburg Zoo”

They’ve painted your tank blue so you forget
how your paws flung moonstone stars across the
Northern Lights, how your cubs, seal-small, clung to
falling spires of snow and scarred, songless ice,

March 2020
Featured image for ““Enchanted One” and “On Loneliness””
Emily Stout

“Enchanted One” and “On Loneliness”

How can two words capture the magic of such a creature?
How can a name hold the essence of anything? I wonder, cradling
huckleberries from the bush, how to express the way my hands
are left a misty purple,

March 2020
Featured image for ““A Walk on the Edge””
Jill Bronfman

“A Walk on the Edge”

Let’s go to the beach today
It’s closed, I know, the Great Highway, the great expanse
But I know a way in-
I’m a scientist.
I’ll show them my credentials, say you’re my assistant
We’re here to study the shoreline, what’s left of it

March 2020
Featured image for ““Up & Down 
Or  Cutting 
Across Chess 
Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?””
Gerard Sarnat

“Up & Down Or Cutting Across Chess Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?”

Just as Technology
has shifted from
being a vertical —
organizationally
in a stack above or
below other usual
equal silos

March 2020
Featured image for ““Amazon Burning,” “Slow Creep” and “So Long””
Brad Garber

“Amazon Burning,” “Slow Creep” and “So Long”

I will never see your secret spaces
listen to the bold songs of birds
or the screeches of primate tribes
in trees along slow muddy waters.
Nor will I spy the silhouette
of the silent jaguar’s shadow

March 2020
Featured image for ““A Sestina for Turbulent Times””
Ada Jo Mann

“A Sestina for Turbulent Times”

Our kids march in the streets for Climate Change.
They’re chanting we are running out of time
disturbed by watching all the rising seas
from hurricanes, huge fires, torrential rains.
Their fears and tears give me a bit of hope
that our vast world will flourish when I’m gone.

March 2020
Featured image for ““Prisoner Earth,” “Suffocation” and “Melting Wax””
Jennifer Schneider

“Prisoner Earth,” “Suffocation” and “Melting Wax”

I served 20 years 4 months 3 days
for a theft I didn’t commit.
Solitary. Abuse. Neglect.
Suffering. Shame.
Victim of mistaken identity.
Suggestive questioning. Self-interest.
Gross negligence. Prosecutorial misconduct.

March 2020
Featured image for ““The Last Days of the Dinosaurs””
Kathleen Holliday

“The Last Days of the Dinosaurs”

In third grade, one afternoon,
we were ushered into the auditorium
for a 16mm animated film
about dinosaurs.
As comets and asteroids fell,
pocking the earth,
so did the huge creatures,

March 2020
Featured image for ““The Serpent: Smog in the City” and “To Soy, My Soul””
Nam Nguyen

“The Serpent: Smog in the City” and “To Soy, My Soul”

Mascara swirling down her face,
the woman with sagging eyelids
stands on the chipped concrete
like the tall factory pipe
connected to the power plant machines.
She doesn’t think about her plight,
only the fact that she must make the ends meet
in order to feed her 2 children.

March 2020
Featured image for “Elephant in the Room”
Lucas Klesch

Elephant in the Room

these days the smiles are scripted
to induce the flow of joy
in hopes
they amplify an initial step
to overcome the inertia
of years of climate induced apathy
i still remember the days
when i did not have to remind myself
to smile or breathe deep

March 2020
Featured image for ““Cold Salad,” “At Shore” and “Sightless””
Leon Fedolfi

“Cold Salad,” “At Shore” and “Sightless”

In a cold winter thought
I grabbed the earth by its head of trees
and ripped upward to free the firmament
beneath.
No earthworms or other secrets.
Human figures entwined
in angered roots.

March 2020
Featured image for ““Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence””
Edward Miller

“Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence”

When he awakens, the dream tucks itself in.
At bedtime, the dream starts the night shift.
And so
Inside the lazy contraction of slumber is an energetic stretch.

February 2020
Featured image for ““the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)””
Melissa Evans

“the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)”

was in high dudgeon the colonel yelled

lying flat your pug-rasps in
in petering
juxtaposition of stuttered blasts
out get out

February 2020
Featured image for ““Infinite Affair With Air” “Love Letters” and “Fly Ball””
Buffy Aakaash

“Infinite Affair With Air” “Love Letters” and “Fly Ball”

You are this
which is not
that,
that
which is not
this.
You owe such and such
to whoever and whom,

February 2020
Featured image for ““This Tree,” “Death Dream”  and “Society””
Douglas Nordfors

“This Tree,” “Death Dream” and “Society”

I stop walking,
and contemplate
the way the thin
arm of this tree
once bent upward,
before stretching
out over the river.

February 2020
Featured image for ““Cactus,” “cutlet” and “pumpkin””
Natalie Warther

“Cactus,” “cutlet” and “pumpkin”

I wait for a sign that you need me:

a wilting arm, dry soil,
but you give me nothing

so I trickle water into your mouth.

Just enough to tame my own thirst.

February 2020
Featured image for ““We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us” and “We Are Forced To Face One Another””
Christopher Watkins

“We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us” and “We Are Forced To Face One Another”

We take our color from the mines;
A frost of ash atop our coarse dark hair.

With brimstone flecks in the linarite of our
eyes, We see what lies in darkness—

Black holes to hell.

February 2020
Featured image for ““Cursive,” “The Phone Calls” and “Death Can’t Stop the Rap””
Louise Moises

“Cursive,” “The Phone Calls” and “Death Can’t Stop the Rap”

A declaration from the district office
we will not be teaching cursive this year
no pens will be required, no extra paper
we will not be teaching cursive this year.

February 2020
Featured image for ““The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro””
Thomas Simmons

“The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro”

In 1979 or so
Soviet-French
interplanetary
cooperation
(which boasted,
inter alia,
French scientific
tackle lugged
to Mars by the
USSR in 1971)
nearly hit
a new high
with an idea;

February 2020
Featured image for ““The Concept of Order,” “That Hurt” and “Wolfwomen””
Jo Angela Edwins

“The Concept of Order,” “That Hurt” and “Wolfwomen”

As a species, humans
live their lives in degrees
of alarm. Mostly, for most
of us, there isn’t much.
The world spins exactly
as we have come to expect it,
and caught wherever
we are,

February 2020
Featured image for ““Ready to Go,” “So Carry On Still” and “Becoming””
D. M. Armstrong

“Ready to Go,” “So Carry On Still” and “Becoming”

a wobbling chin and her deserted glance hit the floor
in agony where we stood together while we chanted
misery: “you’re an ordinary man.” her mouth wrenched
an unforgettable sound cataclysmic eruption of scattered
emotions, broken speeches, tired and beaten hope
we were once before and not anymore but why

February 2020