Poetry

Poetry

Featured image for ““Teacher Poet: Advice Upon Visiting Her Classroom,” “Back to the Roots” and “Sunrise””
Karen Carter

“Teacher Poet: Advice Upon Visiting Her Classroom,” “Back to the Roots” and “Sunrise”

Framed diploma and teacher’s license,
taped on the institutional wall,
these credentials face the stars.
The star-struck welcome board posts a message:
Practice safety.
But will these stars fade, fall into the waste basket?

July 2021
Featured image for ““In the Heat of the Moon” and “Dark Matter””
Vincent Casaregola

“In the Heat of the Moon” and “Dark Matter”

Late summer days, relentless sun
heating the morning city, turning
afternoon to a concrete sauna
during the searing days of August,
when, even at night, the asphalt steams.

July 2021
Featured image for ““Patina”, “Onward Snow” and “On chord progressions””
Esme Allen Creighton

“Patina”, “Onward Snow” and “On chord progressions”

One corner brick
100 year old black blossom stained across
Northeast soot fading
to raw pink orange southwest
Checks the force of two walls
20 bricks under
100 press down from above

July 2021
Featured image for ““The Special Relativity of Consciousness,” “Ecstatic Acquiescence” and “Diogenes Spotted in Humboldt Park””
Dominic Blanco

“The Special Relativity of Consciousness,” “Ecstatic Acquiescence” and “Diogenes Spotted in Humboldt Park”

There is a man falling from the sky.
I am serious. He is carrying a photon clock
and the light inside is stretching
the duration of a second. The speed of light.

July 2021
Featured image for ““Origin,” “Felicity” and “Badwater Basin””
Richard Long

“Origin,” “Felicity” and “Badwater Basin”

I looked through the window of the dead
bar. Marantha was slow dancing
with the semblance of Rāfe. They were
shape shifting like shadows on a wall—
The barkeep said, ‘Anders, it’s time.

July 2021
Featured image for ““Childhood Hymn Without Music,” “Old Enough” and “Next, Then””
Benjamin Green

“Childhood Hymn Without Music,” “Old Enough” and “Next, Then”

Milkweed, tumbleweed,
native grasses (unworthy of names, I guess):
the prickly pews above a red clay floor;
my first church was
on the other side of the backyard gate
in childhood.

June 2021
Featured image for ““The rider after dawn,” “The trees communicate” and “Brief meeting””
Kieran Egan

“The rider after dawn,” “The trees communicate” and “Brief meeting”

Cantering after dawn along the Downs,
she pressed her knees and brought him to a walk,
then loosed the reins as if she’d lost her way.
He came to a standstill at the crossing paths.

June 2021
Featured image for ““Autumn Song,” “Wang’s Xiao Flute,” and “London Pieta–July 7, 2005””
Olga Dugan

“Autumn Song,” “Wang’s Xiao Flute,” and “London Pieta–July 7, 2005”

the body disabled
is most times a cacophonous suite—
moans, a cry, a groan in fortissimos
mounting fading to and from abrupt
weakness
as misguided antibodies
rhythm forward, injure receptors

June 2021
Featured image for ““Swain’s Lane” and “Joyride””
Cassandra Moss

“Swain’s Lane” and “Joyride”

Some time ago I was like an open palm held out for a reading,
all its lines criss-crossing
and indicating one determined future or another.

I only remember my waking dreams from then,
as if sleep was too close to death
to access the underlayers of my mind

June 2021
Featured image for ““Absurdity,” “Straight Man” and “Still You””
Emily Rose Miller

“Absurdity,” “Straight Man” and “Still You”

The amount of love I hold for him is absurd.
The human body contains approximately 1.5 gallons of blood,
and at least 1.6 gallons of mine is laced with tiny crystal hearts,
each lit up with pictures of his lopsided grin, his uneven teeth,
and that little freckle dotted on his upper lip

June 2021
Featured image for ““A Cold Night Through Time,” “A Feast on the Past and Present” and “To the Living and the Dead””
Sik Siu Siu

“A Cold Night Through Time,” “A Feast on the Past and Present” and “To the Living and the Dead”

When I shiver with cold at night
I put on the socks of memories
boil a pot of yesterdays
promise my legs with
a blanket of tomorrows

June 2021
Featured image for ““A little light,” “Si-ghting 53” and “Letter—for Fernando Pessoa””
Ray Malone

“A little light,” “Si-ghting 53” and “Letter—for Fernando Pessoa”

As for the darkness of eternity
a little light by your bed
might do as the wind
flings itself against your wall
weathering all away

May 2021
Featured image for ““Stone Pillow,” “Gold Rush Girl” and “#TrashFries””
Eric Lawson

“Stone Pillow,” “Gold Rush Girl” and “#TrashFries”

I can’t quite make normal work for me.
The angle, the navigating, the placement.
I’ve lost the how to manual for contorting
my body to use makeshift MacGyver skills
and filthy underbrush to survive on.
I’m not sure how it happened.

May 2021
Featured image for ““The Comforts of Gravity,” “Daydreamer” and “Resonance””
Dennis Perry Clark

“The Comforts of Gravity,” “Daydreamer” and “Resonance”

I see the autumn leaves falling. I ponder chance as they release.
Watch as they glide, then gently come to rest. A shading life,
clung to a branch, in the final moments breaking free.

May 2021
Featured image for ““Intrepid Dreamers,” “Meanwhile” and “Variations on Nineteen Words””
Alison Jennings

“Intrepid Dreamers,” “Meanwhile” and “Variations on Nineteen Words”

Starved for art,
we were made for poetry;
we are mad for poetry.

Study this hunger;
learn how to feed it.

May 2021
Featured image for ““Fossils,” “Equinox” and “a beautiful thing””
Melissa LaDuc

“Fossils,” “Equinox” and “a beautiful thing”

250 million years ago
an ancient cephalopod
once stretched upon granite
and Time remembers
a tail dragging in thirsty sand.

Meanwhile, She is getting away from us:
a child no one sees

May 2021
Featured image for ““What is Poetry?,” “Tongue Fire” and “Faucet Father””
Olivia Klein

“What is Poetry?,” “Tongue Fire” and “Faucet Father”

Mindset, free flowing, thought exploding
Sunsets,
Seasons, and syllables wrapped into one
Tiny perfect package
But also, great plains
Limitless at face value
And deeper when it’s said

May 2021
Featured image for ““The Stranger in the Storm is My Brother””
Michael McQuillan

“The Stranger in the Storm is My Brother”

Is it failing eyes or conscience
since we seem not to see how
Rodney stands alone exposed

to torrential rain in wind
teeming masses hurry past
umbrellas clash like swords

April 2021
Featured image for ““Relativity: A Lithograph by M.C. Escher,” “Chores” and “Another Kind Man””
Virginia Watts

“Relativity: A Lithograph by M.C. Escher,” “Chores” and “Another Kind Man”

In life, I bugged my brother relentlessly
about Escher’s impossible staircases,
his floors and doors, his figures with no faces.

It looks like a prison.
It’s not.

April 2021
Featured image for ““Panhandle my marble heart,” “The Crankcase” and “lost dogs in foggy nites””
Christopher Bruneaux

“Panhandle my marble heart,” “The Crankcase” and “lost dogs in foggy nites”

Panhandle my marble heart

Put my lips,
in a lonesome tomb
spread gossip of me on the shorelines of ecstasy
as I fall down the ladders
of your purgatory.

April 2021
Featured image for ““Anatomy of a Honeycomb,” “Basket of Needles” and “Cabin on Detox Island””
Monica Viera

“Anatomy of a Honeycomb,” “Basket of Needles” and “Cabin on Detox Island”

Post-mortem,
After having lived a life
In and out of mental hospitals
For what could only have been simplified…
Of attacks acute sweetness or withdrawal thereof
An autopsy was performed on me,
And a honeycomb for a heart

April 2021
Featured image for ““Street Landscaping,” “Hoodie in the Wind” and “City Birds””
Brian Kerr

“Street Landscaping,” “Hoodie in the Wind” and “City Birds”

On concrete, brick and asphalt, filth sits atop. It doesn’t sift into the ground. It runs into the sewers but first it spends days, weeks, months lingering in puddles that don’t evaporate. Too much building shade and east coast oceanside atmospheric overcast

April 2021
Featured image for ““Someone Else’s Stars,” “Hockey Night in Emmett County” and “Graceland””
Andre F. Peltier

“Someone Else’s Stars,” “Hockey Night in Emmett County” and “Graceland”

The sun is our center
bringing light and life.
Painted on the walls
of Lascaux caves,
the sun illuminates
the bulls
and the Magdalenian
artists.

April 2021
Featured image for ““Pangea,” “Blind” and “Self Portrait: Highjacked””
A. Hayes

“Pangea,” “Blind” and “Self Portrait: Highjacked”

in the beginning
there were no delineations markers or boundaries shaping his from
hers
quotation marks he said she said
rivers mapping theirs from ours

April 2021