Poetry

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““On Returning to the Vineyard,” “After My Mother’s Funeral” and “Lead Us Not into Temptation””
Beth Curran

“On Returning to the Vineyard,” “After My Mother’s Funeral” and “Lead Us Not into Temptation”

The rain is not even similar here—
the particular slant,
its lack of urgency.
The buildings don’t obscure the wind
like my windy city.
I am caught and swept away into a faint picture.

March 2019
Featured image for ““Huevos Rancheros,” “Orange Sharpie” and “Ivory Finger””
Caleb Nelson

“Huevos Rancheros,” “Orange Sharpie” and “Ivory Finger”

sometime i am moved by unspeakable rages
sometime i am choked by a mescaline sadnesses
am i
am i
you r
thy wr once a gift

March 2019
Featured image for “Song for Circe”
Dom Fonce

Song for Circe

Oh, Anna Marie,
the Ohio grass was green
the trees were
green has died
in your winter
lightning strikes fork on
your temple tremors these
Shawshank cornerstones fall to dirt
shakes and groans in thirsting throats

March 2019
Featured image for ““I Want a Good Death,” “So, I Want to Start a Concentration Camp” and “The Flag, the U.S.  Department of Homeland Security, and Saint Rita””
Francisco Lopez

“I Want a Good Death,” “So, I Want to Start a Concentration Camp” and “The Flag, the U.S. Department of Homeland Security, and Saint Rita”

It is a funny thing to turn thirty-four
It takes me no more than ten minutes
Of staring at yellowing maple leaves To restore the thought that even my maple trees will die
And then, it hits me:
I want a death with all of the proper documentation
It is true, even if it may not be the case in certain parts of
Pakistan and India

February 2019
Featured image for ““The Fiddle Playing Librarian Dream,” “Now We Drown in the Cold Horse River” and “We Will Eat Silver Moon Cakes Til Dawn””
Jeremy McEwen

“The Fiddle Playing Librarian Dream,” “Now We Drown in the Cold Horse River” and “We Will Eat Silver Moon Cakes Til Dawn”

The cold horse river spills Indian eyes
Angel feathers burn in gold smoke
Soul civilizations were robbed of serene mirrors
Creek hearts fall over the dream cliff
Telepathic windows catch dead bird words
The good-bye tunnel links lost voices to the underworld

February 2019
Featured image for ““Off Easy,” “Hey, Mr. D.” and “You Said to Come Ready””
Jennifer Schneider

“Off Easy,” “Hey, Mr. D.” and “You Said to Come Ready”

Hey, Mr. D. I see you. Do you see me?
You call my number twice a day.
Sometimes more. I cause you
no trouble. I do as you say.
Hey, Mr. D. Do you see me?
I know the sounds of your step.
Your black sneakers are my
favorite. Even though your
pants are too short.

February 2019
Featured image for ““In another time, in another place,” “The walking fish” and “Under the bone””
Marie-Louise Eyres

“In another time, in another place,” “The walking fish” and “Under the bone”

My skull is thin as twice an ostrich egg,
a finite orb. But buried dark and thick
a universe of tiny stars sits cheek
by jowl beside grey matter, like blinking
fireflies in the branches of a pine tree
after dusk. This is no special magic.

February 2019
Featured image for ““leaving home,” “leftovers” and “moving on””
Brooke Boveri

“leaving home,” “leftovers” and “moving on”

a picture taken every day,
deposits
for my heart
through my eyes
one day you’d leave
and i’d have you
right there,
in my pocket,
in my hands,
always

February 2019
Featured image for ““Notes on Starvation””
Mary Sun

“Notes on Starvation”

I always thought this poem would be about an ex,
or the child I still wish for sometimes.
Then I realized it was about you
and my bones stopped.

When I told you I had learned not to trust the village,
you cried with me. Held my tears in soft hands
and mixed honey into my tea.
Honey that outlasted us.

January 2019
Featured image for ““Primetime Jabberwock, Harry Didn’t Clown Around,” “Septuagenarian’s Stroller Soundtrack,” and “Clownpourri””
Gerard Sarnat

“Primetime Jabberwock, Harry Didn’t Clown Around,” “Septuagenarian’s Stroller Soundtrack,” and “Clownpourri”

Let’s not get mathy Cathy or walk
away Resnais but Colonel Tibbets’
Enola Gay thunderous mushroom
fireburst above Hiroshima mon amour
41 days before I’m born instantly
zapped 79,831, perhaps somewhat
more than a third of that once
gorgeous city’s population —
it was filmed for our viewing
pleasure by a companion B-29
ironically named Necessary Evil

January 2019
Featured image for ““Be Mine,” “Premium Assortment,” and “The Past and Her Muse: a Blazon””
Christy Sheffield Sanford

“Be Mine,” “Premium Assortment,” and “The Past and Her Muse: a Blazon”

I linger over plump, plush, push-up-bra valentines,
those with glitter and bling, iridescent textured papers,
laser-cut-love in plastic, wood, flammable, frameable
rice paper, limited-edition fabrications to rival-any third
world butterfly. Cards as big as a menu in a decadent
Antoine’s or Galatoire’s of 1960s New Orleans. Will
this memento salve an indiscretion

January 2019
Featured image for ““Severe Weather Warning,” “Alive,” and “Mundane””
Samantha Rafalowski

“Severe Weather Warning,” “Alive,” and “Mundane”

Droughts are just as dangerous as floods
I’m not an artist I just like holes in my
body
And daydreaming of ink in my veins
Circling in charcoal patterns my father once drew
With strong hands. We shared the old studio.
I’m not emotional I just like the electric color of red eyes
And showering in the dark with someone else’s
Voice echoing my thoughts in the background

January 2019
Featured image for ““Elegy to the Queen of Hearts,” “3 Otis Street,” and “For My Brother””
Betsy Littrell

“Elegy to the Queen of Hearts,” “3 Otis Street,” and “For My Brother”

Mechanically, you circled
out of the garage, the same
one you parked in Monday through
Friday for the past 25
years. When you reached the exit,

you couldn’t remember which
way to turn to make it to
the same house you lived in for
19 years. That’s when the doctors
discovered the tumor.

January 2019
Featured image for ““Freyja, or How I Became the Snake That Even in the Garden Eats Itself,” “Concerning Paradise,” and “Aubade with Death & Good Fortune””
Benjamin Bartu

“Freyja, or How I Became the Snake That Even in the Garden Eats Itself,” “Concerning Paradise,” and “Aubade with Death & Good Fortune”

i tried something awful
to impress
at the edge
of a koi pond
& slipped.
an olive film
couldn’t know
i loved her. in years i found
if i hit my palm against my jaw hard & fast
under running water it created
a band of fuzzy light
& done again
the ringing was renewal.

January 2019
Featured image for ““Apple-Cold,” “Not Understanding,” and “If””
Erich von Hungen

“Apple-Cold,” “Not Understanding,” and “If”

It is that first cold
that brings the apples,
the apple-cold,
the cold that moves the white moon
further, further up the tree,
the cold where the still, clear sky
lifts and stretches out
as if waking and making itself ready
for when the apples
and the moon
and the warm sun are gone,

January 2019
Featured image for ““Rhetorical Questions,” “When I look at the world,” and “A lone Cry””
G.T.

“Rhetorical Questions,” “When I look at the world,” and “A lone Cry”

You answered my rhetorical questions. A search for certainty that Thieved my rhetoric Replaced it with yes and no’s You turned my world binary Made my epiphany quotidian: A tropical disease that Denies the feverish Rush of frenzied surprise.

December 2018
Featured image for ““Études à l’étranger,” “a study of Hungarian locative cases,” and “or else/where””
Inci Atrek

“Études à l’étranger,” “a study of Hungarian locative cases,” and “or else/where”

Cannot dream but if possibility were possible, you’ll find that men exist elsewhere, too, but that’s in the preterite. Impossible to do anything except for what is happening now.

December 2018
Featured image for ““Would that be enough,” “Ancestry.com,”  and “In pursuit of her dream””
Christa Lubatkin

“Would that be enough,” “Ancestry.com,” and “In pursuit of her dream”

When she was a young girl she was beguiled by the trappings, the manners, the elocution of a mighty vocabulary. She would listen for the rich tones delivered by tongues that were born and raised in upper crust high rise apartments ruling over lake Michigan. Knew how to follow the money, how to modulate words, the subtleties between rough wool and smooth as silk cashmere

December 2018
Featured image for ““For Poseidon,” “A Marriage,” and “Sons””
Brittany Mishra

“For Poseidon,” “A Marriage,” and “Sons”

That night in the temple, when he hurt her, the asps found her ravaged, her hair tangled; they buried their tails into her scalp as tree roots sew into earth and soil. They kept her safe from his sea, enthralled her, and pointed with their tongues to her escape. They guided her through meadow and forest to a quiet cave high atop a cliff.

December 2018
Featured image for ““Crickets,” “The Man in the Coffee Shop,” and “Edgewise””
Alex King

“Crickets,” “The Man in the Coffee Shop,” and “Edgewise”

freed from for a moment my sonic mechanics and I started to hear a free fiddling buzz it was that wild clicking din of innumerable tiny tigers -eye bug-leg violins: crickets! cruising from the roofs of blades play vesper serenades for June boys, vim Julies, whose bodies’ limbs are pinwheeling vibrato by their sides in halls of tall wheat grasses…

December 2018
Featured image for ““Long Ago, Friday Night in Texas,” “A Train at Night,”  and “Joy””
Russell Willis

“Long Ago, Friday Night in Texas,” “A Train at Night,” and “Joy”

Light explodes from darkening skies. Not Sun, Yet, light unleashing elemental forces. The fragrance of recently mown grass As would be remembered by a thoroughbred Not so long ago a colt Building muscle and endurance Running like the wind through the grass just because You were meant to run like the wind when you are a colt.

December 2018
Featured image for ““Selkie”, “Dad,” and “The Lives of Others””
Ally Chua

“Selkie”, “Dad,” and “The Lives of Others”

They say that he hid my skin, but what they
do not know is that I threw it into the sea
at high tide, such that it will not drift back
even if I change my mind. I was always the
stubborn one, they said. I must learn to bend,

November 2018
Featured image for ““sounding 21”, “si-ghting 4” and “What””
Ray Malone

“sounding 21”, “si-ghting 4” and “What”

tired of waiting he writes
while there’s timeand the white space
to trace the light’s line
from place to place
from all the corners of his mindfind
the dust of all that’s gathered there

November 2018
Featured image for ““Sorry Epiphany”, “In the Paddy” and “Fear Souffle””
Mari Wood

“Sorry Epiphany”, “In the Paddy” and “Fear Souffle”

I’d like to say that the day I quit God
was like a knuckle-sandwich,
a lightening bolt, or a surprise
seizure that tore through my brain. I’d like
to say that the earth shook, shattered,
and birds screamed their shrill cries. I’d like
to say that hurricanes raised hell,
ice caps melted and died.

November 2018