Poetry

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro””
Thomas Simmons

“The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro”

In 1979 or so
Soviet-French
interplanetary
cooperation
(which boasted,
inter alia,
French scientific
tackle lugged
to Mars by the
USSR in 1971)
nearly hit
a new high
with an idea;

February 2020
Featured image for ““The Concept of Order,” “That Hurt” and “Wolfwomen””
Jo Angela Edwins

“The Concept of Order,” “That Hurt” and “Wolfwomen”

As a species, humans
live their lives in degrees
of alarm. Mostly, for most
of us, there isn’t much.
The world spins exactly
as we have come to expect it,
and caught wherever
we are,

February 2020
Featured image for ““Ready to Go,” “So Carry On Still” and “Becoming””
D. M. Armstrong

“Ready to Go,” “So Carry On Still” and “Becoming”

a wobbling chin and her deserted glance hit the floor
in agony where we stood together while we chanted
misery: “you’re an ordinary man.” her mouth wrenched
an unforgettable sound cataclysmic eruption of scattered
emotions, broken speeches, tired and beaten hope
we were once before and not anymore but why

February 2020
Featured image for ““Rose of Mary,” “Taking Christmas Down” and “Perigee””
Holly Kelso

“Rose of Mary,” “Taking Christmas Down” and “Perigee”

My mother’s pots of rosemary were tall, manicured
cones, broom swept earthy smelling evergreen,
flecked with lavender drops of blossoms
the shape of small hearts or lips,
she’d send me outside to retrieve a stem each time
she baked a chicken

February 2020
Featured image for ““I was a tourist from honey-milk land,” “Inheritance” and “Overflowing””
Patrick T. Reardon

“I was a tourist from honey-milk land,” “Inheritance” and “Overflowing”

I was a tourist from honey-milk land,
and Sister heard my question underneath.
She had her own.
“Are you packing?”
That kind of place.
The nun hugged her wizened chest.
She was old then,
dead now, I’m sure, thirty years on.

February 2020
Featured image for ““Late Seventies,” “Ants” and “And Again””
William Ray

“Late Seventies,” “Ants” and “And Again”

It’s strange how often
All these years later
I hear this guy
Sprawled big in that way certain
Italian men can be
Cater-corned across from
My solo table in the Boylston St eatery

January 2020
Featured image for ““Territory of Ladders,” “Elephant Burial” and “Lost Neighbors””
Cassandra Rockwood Ghanem

“Territory of Ladders,” “Elephant Burial” and “Lost Neighbors”

Who were you before ships
became your shoes? Now you sway

on mesozoic legs wondering why
there’s no stability inside. I heard you pierced

ears with knives and severed free thinking
on every continent before.

January 2020
Featured image for ““Hold Perhaps or Maybe to Land” and “Stage Direction””
Elana Mass

“Hold Perhaps or Maybe to Land” and “Stage Direction”

At the gallery is The Kiss
– you know the one –
Those two marble lovers, oblivious, entwined,
Stealing a moment never meant to be seen.
Did they know what would come, I wonder.
Do you know they had names?

January 2020
Featured image for ““Traveling Through Lightning,” “Night Creatures” and “Wind Chimes””
Caroline Sidney

“Traveling Through Lightning,” “Night Creatures” and “Wind Chimes”

traveling through lightning is
disorienting
I am here
I am not
all this living is more electrifying
when the sky trembles
with light

January 2020
Featured image for ““December 4, 2012; Eleven Days Until Christmas,” “February 14, 2018; A Sunny Day” and “We’ve Seen Too Much””
Yazmin Flores

“December 4, 2012; Eleven Days Until Christmas,” “February 14, 2018; A Sunny Day” and “We’ve Seen Too Much”

A picturesque day
in Newtown: scattering
clouds danced joyfully,
making playful shapes,
monkeys and rhinos
followed the children
from car to classroom.
Sun rays shone warmly
above, soon to reveal
the twenty-six halos of
innocent souls.

January 2020
Featured image for ““Checking In,” “Second Nature” and “All you need know””
Steven Deutsch

“Checking In,” “Second Nature” and “All you need know”

There you are Dad
on our cobbled deck
splayed out in my favorite chair,
our nearly feral cat
content to be on your lap.
You hold up the perfect tomato
so round and red-ripe—
I can almost smell it.

January 2020
Featured image for ““I Lost My Faith in God When I Was Nine Years Old” and “Longing””
Amyen Fielding

“I Lost My Faith in God When I Was Nine Years Old” and “Longing”

whispers the woman sitting next to me.
I’ve seen her here before–drinking alone,
her skin heavy with loss.
This close, the taste of her regret is pungent,
and is swallowed with each sip of my vodka-tonic.

November 2019
Featured image for ““Birds of Prey” and “San Pedro, Los Angeles County””
Angela Gaito-Lagnese

“Birds of Prey” and “San Pedro, Los Angeles County”

I was nine. My parents came home hollow from the hospital.
My mother sobbed in wild animal cries, violent splotches
of purple spread from under her skin, her chest
her cheekbones tainted; my father silent
slumped in his easy chair, his neck gray-yellow
half of his face buried in clenched raw knuckles.

November 2019
Featured image for ““Gender Bias” and “The Oak Trees Have Seen Everything””
Tori Grant Welhouse

“Gender Bias” and “The Oak Trees Have Seen Everything”

Teachers pat me like a loaf
especially the chalk-dusted
I learn early who has authority

Behaving is more important
than the Theory of Relativity
The length of my hems a critical topic

November 2019
Featured image for ““I Like Ike””
Robert Eugene Rubino

“I Like Ike”

When I was your age
the subway cost fifteen cents
gas cost thirty-two cents a gallon
television was free
& so was Saturday confession
in preparation for Sunday communion
when I was your age…

November 2019
Featured image for ““Consciousness” and “Creole in St. Barth’s””
Katherine Lutz

“Consciousness” and “Creole in St. Barth’s”

Commuting, standing
in a half-empty
subway car, reading news
on my phone, an article
on two competing
theories of consciousness,
triggers a memory…

November 2019
Featured image for ““She said, ‘Lift.’ ” and “She said, ‘Let go—I’m a memory. I’m not real.’ ””
Dom Fonce

“She said, ‘Lift.’ ” and “She said, ‘Let go—I’m a memory. I’m not real.’ ”

I remember being told to soak
myself in unreason—that words
fall to pieces because the wind

needs her role; not everything
must be a weight to grunt over.

November 2019
Featured image for ““Road” and “Chimney Swifts at Dusk””
Steve Brammell

“Road” and “Chimney Swifts at Dusk”

Once we followed the others on all fours,
contributing trails through grass and brush
to favorite trees and watering holes
before our spines thrust us up on two feet…

November 2019
Featured image for ““Night””
Tahseen Béa

“Night”

I want to meet
night as a friend
who welcomes and comforts
offers solace and replenishment.
I want night to
become a place
I seek
to deliver, to surrender, to belong.

November 2019
Featured image for ““Approaching Middle Age” and “The Climber””
Dorothy Neagle

“Approaching Middle Age” and “The Climber”

Last night the new moon broke open across my shoulders.
Then dawn came through the trees
in pinpoints of varying sizes
like starlight glowing among the leaves.

November 2019
Featured image for ““The Wine-Dark Sea” and “The Weighing of the Heart””
Kathleen Holliday

“The Wine-Dark Sea” and “The Weighing of the Heart”

A sea wife,
my mother didn’t have time
to pace a widow’s walk,
searching for a sail on the horizon.

She was too busy
pinning up sheets to dry,
weeding the garden…

November 2019
Featured image for ““Time Flies” and “Global Climate Strike””
Madison Gill

“Time Flies” and “Global Climate Strike”

Two restless houseflies
buzz around my living room,
stirring the August heat on this
dog day of a summer afternoon

They land for a moment, then
take off again

November 2019
Featured image for ““Eclipse””
Debra Groves Harman

“Eclipse”

My love and I drive south
For seven minutes of darkness.
During solar eclipse, the sun proposes,
A sparkling rim and white-hot stone,
We drive for margaritas, the blue Pacific,
to make love when Orion rises…

November 2019
Featured image for ““The Phantoms””
Vincent Vecchio

“The Phantoms”

Here they come, on they go,
One by one, in a row,
misanthropic phantoms
Drifting by me on the street…
snuffed candelabrums….
No warmth to meet…
Incense del Dia de Muertos

November 2019