Poetry

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Attic,” “Thalia and Melpomene” and “And So We Sleep””
Russell Willis

“Attic,” “Thalia and Melpomene” and “And So We Sleep”

Three chains:
The first hanging in the hall
Just within reach, but
High enough not to disturb traffic through the short hallway

May 2020
Featured image for ““01 – to feel what it feels like””
Rachel Elam

“01 – to feel what it feels like”

when i was eighteen
i lost sensation
in my cheeks. it was only
years later, once i felt the
slightest tingling
return to that same skin
that i let myself mourn
its absence (easier to numb
with positivity and denial
than to recount
the beauty and
brokenness
that led to its loss).

May 2020
Featured image for ““Triptych of Things,” “In Space” and “Over by Night””
Leon Fedolfi

“Triptych of Things,” “In Space” and “Over by Night”

SHIRT
A favorite blue shirt wears my loyalty.
Beside –
hangs a pima cotton. Fine stitch
for my affection.
GLOVE
When young, I wore a glove of wonder
snug to my hand.
Held with fame of little round stars
falling in day.

May 2020
Featured image for ““caged,” “eleven, six, one” and “bones””
Madalyn Rymer

“caged,” “eleven, six, one” and “bones”

my skin is a lead bodysuit
and other than the hope
that it might crush me one day
it hides my vibrating bones
so that I am the only one
that feels them shaking
inside of me

May 2020
Featured image for ““My Salute to the Decoder Ring,” “The Night Visitors” and “The Unveiling””
Elizabeth Buttimer

“My Salute to the Decoder Ring,” “The Night Visitors” and “The Unveiling”

If I had an amazing tool
it would be a decoder ring
straight from my cereal box
that would morph into a briefcase,
when I pressed a button
into the hand tooled leather satchel.

May 2020
Featured image for ““Dirt Clouds,” “Accentuating Florence” and “Saying Goodbye to Florence Is Filled with Mud””
Shelby Stephenson

“Dirt Clouds,” “Accentuating Florence” and “Saying Goodbye to Florence Is Filled with Mud”

At my picture window, I raise the blinds
On the graveyard side. And, it’s you, July,
Lovely ghost? Not changed much since you were ten.
That’s how old I was when Pap George sold me
To Seth Woodall. I was thin as a seam,
Fearless, too; Runaway? Not so bold, see?

May 2020
Featured image for ““In the Key of Keystone,” “Lost & Found & Lost” and “Winter Wind””
Robert Eugene Rubino

“In the Key of Keystone,” “Lost & Found & Lost” and “Winter Wind”

It was all that jazz
it was the city — San Francisco
it was the venue — Keystone Korner
a former topless bar on Vallejo Street transformed
into a world class club its interior intimate its memory indelible
& all that jazz

May 2020
Featured image for ““The Sherman, the Grant, The Eldest,” “Eyes in the Warehouse” and “Musket””
Matthew Mitchell

“The Sherman, the Grant, The Eldest,” “Eyes in the Warehouse” and “Musket”

The General Sherman bounds 1,487m
all wood
***
Like a bird god lean and hard
Sherman surveys Atlanta
His face bewhiskered, pockmarked
his choice to end this here

May 2020
Featured image for ““House at Night,” “My Life Map” and “Just Another Brunch””
Katerina Canyon

“House at Night,” “My Life Map” and “Just Another Brunch”

Gold-flecked dust ignites in waves.
I kiss my desert skin.

The coyote’s song lulls me
before I count the sheep.

The doorknob will turn
before the lock’s clasp

May 2020
Featured image for ““Rock Paper Pictures,” “Of Voices, Waters, and Fires” and “Samsara Serenade””
Khalil Elayan

“Rock Paper Pictures,” “Of Voices, Waters, and Fires” and “Samsara Serenade”

It’s called The Cave of Forgotten Dreams
this place where handprints
with broken finger
wave at squint-eyed scientists

where prehistoric rhino, too,
looks up and down

May 2020
Featured image for ““Stiletto,” “Redeeming Time” and “Successive””
Ryan Krause

“Stiletto,” “Redeeming Time” and “Successive”

Stiletto drops like river
Runoff echo in the cave.
Once dawn’s cables bridge
The canyon, you, first
Diurnal venturer,
Step out to punish pavement;

May 2020
Featured image for ““The Avatar” and “A Viper and a Chickadee””
Ella Williamson

“The Avatar” and “A Viper and a Chickadee”

You found malleable a woman of uncandled clay;
I suppose it was she who gave you the carver’s adze,
Saying, “I just want to be close to you” –
You smiled through the splinters in your gloss
And took lacquered fingers to the handle.

May 2020
Featured image for ““Kismet,” “Walking as Loren Eiseley” and “An Ominous Greeting””
Sandra Fox Murphy

“Kismet,” “Walking as Loren Eiseley” and “An Ominous Greeting”

We’ve had enough! We’re taking it back!
The earth once belonged to the docile and us—
the wild—but no more will you, the puffed-up,
two-legged man, raze our forests and our swamps,
no more spew your chemicals into our homes
or fell our forests and set our lairs ablaze,

March 2020
Featured image for ““Death By Bleaching””
Lara Colrain

“Death By Bleaching”

They tell me that I’m not dying.
That my limbs aren’t burning.
That my face isn’t as ashen as I make it out to be.
But what do they know –
the false prophets with their loose lips, tailored suits, and painted-up lies?

March 2020
Featured image for ““For the Polar Bear at Joburg Zoo””
Donatella du Plessis

“For the Polar Bear at Joburg Zoo”

They’ve painted your tank blue so you forget
how your paws flung moonstone stars across the
Northern Lights, how your cubs, seal-small, clung to
falling spires of snow and scarred, songless ice,

March 2020
Featured image for ““Enchanted One” and “On Loneliness””
Emily Stout

“Enchanted One” and “On Loneliness”

How can two words capture the magic of such a creature?
How can a name hold the essence of anything? I wonder, cradling
huckleberries from the bush, how to express the way my hands
are left a misty purple,

March 2020
Featured image for ““A Walk on the Edge””
Jill Bronfman

“A Walk on the Edge”

Let’s go to the beach today
It’s closed, I know, the Great Highway, the great expanse
But I know a way in-
I’m a scientist.
I’ll show them my credentials, say you’re my assistant
We’re here to study the shoreline, what’s left of it

March 2020
Featured image for ““Up & Down 
Or  Cutting 
Across Chess 
Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?””
Gerard Sarnat

“Up & Down Or Cutting Across Chess Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?”

Just as Technology
has shifted from
being a vertical —
organizationally
in a stack above or
below other usual
equal silos

March 2020
Featured image for ““Amazon Burning,” “Slow Creep” and “So Long””
Brad Garber

“Amazon Burning,” “Slow Creep” and “So Long”

I will never see your secret spaces
listen to the bold songs of birds
or the screeches of primate tribes
in trees along slow muddy waters.
Nor will I spy the silhouette
of the silent jaguar’s shadow

March 2020
Featured image for ““A Sestina for Turbulent Times””
Ada Jo Mann

“A Sestina for Turbulent Times”

Our kids march in the streets for Climate Change.
They’re chanting we are running out of time
disturbed by watching all the rising seas
from hurricanes, huge fires, torrential rains.
Their fears and tears give me a bit of hope
that our vast world will flourish when I’m gone.

March 2020
Featured image for ““Prisoner Earth,” “Suffocation” and “Melting Wax””
Jennifer Schneider

“Prisoner Earth,” “Suffocation” and “Melting Wax”

I served 20 years 4 months 3 days
for a theft I didn’t commit.
Solitary. Abuse. Neglect.
Suffering. Shame.
Victim of mistaken identity.
Suggestive questioning. Self-interest.
Gross negligence. Prosecutorial misconduct.

March 2020
Featured image for ““The Last Days of the Dinosaurs””
Kathleen Holliday

“The Last Days of the Dinosaurs”

In third grade, one afternoon,
we were ushered into the auditorium
for a 16mm animated film
about dinosaurs.
As comets and asteroids fell,
pocking the earth,
so did the huge creatures,

March 2020
Featured image for ““The Serpent: Smog in the City” and “To Soy, My Soul””
Nam Nguyen

“The Serpent: Smog in the City” and “To Soy, My Soul”

Mascara swirling down her face,
the woman with sagging eyelids
stands on the chipped concrete
like the tall factory pipe
connected to the power plant machines.
She doesn’t think about her plight,
only the fact that she must make the ends meet
in order to feed her 2 children.

March 2020
Featured image for “Elephant in the Room”
Lucas Klesch

Elephant in the Room

these days the smiles are scripted
to induce the flow of joy
in hopes
they amplify an initial step
to overcome the inertia
of years of climate induced apathy
i still remember the days
when i did not have to remind myself
to smile or breathe deep

March 2020