Creative Nonfiction

Creative Nonfiction

Featured image for “I Am Racist”
CJ Acosta

I Am Racist

I started out the day like I always do. I took a shower. I got dressed. I went to my local cafe for some coffee. I generally try to stay away from my phone during this time. This is my time to relax and write and prepare for the day.
I am glad I checked my phone.
When I did, I saw a flood of criticism of the police. Criticism of the police, the government and the “system.” I am not blind to the intolerable acts of our current administration. I am not ignorant to racism.

July 2020
Featured image for “Passing on the Insights”
Craig Etchison

Passing on the Insights

I went to Vietnam in 1968 as a young, naïve kid, serving with the First Cavalry Division. By the end of my tour, I was no longer quite so naïve. Typical, I think, of so many kids who went to Vietnam thinking they were serving freedom and democracy when, in fact, we were serving the political ambitions of dictators in Vietnam and the political ambitions of those running our country at the time.

July 2020
Featured image for “Summon Up an Old Friend”
Meg Lewis

Summon Up an Old Friend

Look out of the window. Focus in on the droplets streaming across the glass. Focus back out on the road, the lampposts zipping past in blurred grey stripes. Summon up your old friend, the giant orang-utan, who swings from the T-bar of one lamppost to another, keeping up with the cars as they speed down the M25. Get bored with the orang-utan – you are too old for this now. Shuffle, look straight ahead. Change the radio station to Kiss FM, even though the music makes you feel uncomfortable.

July 2020
Featured image for “Just Listening”
Pat Hulsebosch

Just Listening

“I can’t. I can’t open this car door,” wails seven-year old Samantha, hand tugging awkwardly – ineffectively – on the inside handle of her parents’ bulky old Suburban station wagon. I was in Florida for a weekend visit from Chicago. We’d spent the morning at Lowry Park Zoo. Although it wasn’t quite naptime, both of us were a little worn from an overabundance of orangutans and ostriches on a hot tropical day.

July 2020
Featured image for “A Holy Man of God”
Rebecca Jeeves

A Holy Man of God

I have a clear image of myself: I’m looking for my bicycle in the garage. I needed it to bike to my friend Abigail’s house but couldn’t find it anywhere.
Turrets of dust particles floated upwards. Exposed by horizontal, flat rays of light breaking through the dust-heavy aluminum window blinds. I watched as they rose, spiraling around and around, higher and higher up into the garage rafters until out of sight.

July 2020
Featured image for “And Then I Was Happy”
Gloria Buckley

And Then I Was Happy

It was the late 1970s and I sat so young and gullible while a moderator caught a glimpse of my sorrow mirrored in the reflection of his warm brown eyes as I listened intently to words of mass emotional destruction. I wanted to sort out grief and identity issues, and so I enlisted in a weekend of minimal bathroom breaks, minimal sleep, and meditative moments where I traversed the galaxies into my own creative process.

May 2020
Featured image for “The Flavor of Ice Cream”
Shabnam Curtis

The Flavor of Ice Cream

One June day of my freshman year/ninth grade, in 1985, I needed a break from studying. My mother suggested we go out for ice cream to Tajrish Circle. Tajrish, a shopping area on the skirt of the mountains in the northern part of Tehran, was a favorite place for my mother and me to wander, especially for window shopping and mouthwatering snacks. My father disagreed.

May 2020
Featured image for “This Will Be the Happiest Time of Your Life”
Shannon Andrada

This Will Be the Happiest Time of Your Life

I’m sitting in my grandmother’s backyard, lying in the sun on a lounge chair. Tears fill my eyes, and soon I’m sobbing. At times I justify my crying at everything, saying that sensitive people are the best kind of people, but at other times, like now, I do not justify it. I know that I am behaving like a fool.

May 2020
Featured image for “Skar”
Liza Porter

Skar

When I learned at my high school reunion that Mr. Skar had died, I felt relieved, almost giddy. Though not still musically inclined, I could’ve played a beautiful song—call it an ode to joy—to celebrate his death.

I was shocked at my reaction. Despite the decade-plus of recovery from addiction I had put together and all the therapy I’d done, it was apparent how much of my hatred of perpetrating men I’d put on Skar,

May 2020
Featured image for “The Dying Gladiator”
David Kennedy

The Dying Gladiator

Kate had calculated that meeting the presidential carriage as it pulled up the drive at Edgewood would serve her interest, but that did not deprive the gesture of its heartfelt quality. The carriage had been specially made in New York. It was dark green in color, Arthur’s favorite, with that hue presenting the central theme on the exterior paint and the interior upholstery, trimmed in morocco and cloth.

May 2020
Featured image for “Strangers in the Park”
Gerry Moohr

Strangers in the Park

You probably know about the violence that struck Charlottesville, Virginia, on August 12, 2017. Demonstrators from thirty-five states rallied in Lee Park to protest the removal of a statue of Robert E. Lee, Commander of the Confederate Army. I saw a lot of what happened that day.

May 2020
Featured image for “The Road to Bohemia”
Martha Branson

The Road to Bohemia

There should have been French-Creole farmhouses overlooking the Mississippi River, wide gallery porches under deep overhangs, rockers waiting for hot, humid summer evenings spent in society with neighbors. The yards should have been surrounded by weathered brick and iron fences and concrete statuary.

March 2020
Featured image for “Does Anybody Really Know What Time It Is?”
Vicky Oliver

Does Anybody Really Know What Time It Is?

I was in a meeting when the mysterious email arrived: “Need to talk to you today. What’s your phone number?” The message was so curt, that I didn’t think my friend John could have possibly written it. He was a native New Yorker with the soul and demeanor of a Southern gentleman.

March 2020
Featured image for “Waiting for the Bikaner Express”
Christopher Johnson

Waiting for the Bikaner Express

On a journey to ‘discover’ myself, or at least try and escape the blur and whirl of dead-end jobs and lacklustre ambition, I decided to embark on a trip to India, jewel of the now defunct British Empire. I had hoped that such a voyage could liberate my restlessness, give some catharsis to the plague of self-obsession and stagnation that consumed me

March 2020
Featured image for “Alchemy of Gambling”
Catherine O'Neill

Alchemy of Gambling

The whole process threw me for a loop. I spent over forty years of my life in Nigredo living in the darkness of the disease of gambling. Gambling is in my blood; I carry the ancestral glow of an epigenetic behavior which goes down to the bedrock of my DNA. If you didn’t gamble in my family, there was something radically wrong with you.

February 2020
Featured image for “The Most Dangerous Pitch”
BJ Neblett

The Most Dangerous Pitch

Victims of automobile accidents often report that at the moment of impact time seems to move in slow motion. I now understand what they experience. For one protracted fraction of a second time stood still. The din of the spectators faded to a distant thunder in my ears. My gloved hand crept skywards.

February 2020
Featured image for “Knots”
Liz Wasson Coleman

Knots

Any of the stories about why we left could be true, but I gravitate toward the one about the middle-aged father threatening to drive the Jeep off a cliff. I don’t know whether he imagined his family in the vehicle with him. The little boys wouldn’t have been wearing seatbelts in 1979. The infant would have been crying in her mother’s weak arms.

February 2020
Featured image for “A recipe for apple pie”
Janette Schafer

A recipe for apple pie

First, gather the apples. After the neighbors move out, in the seclusion of nightfall, crawl with your little sister beneath a gap dug by their brown dog underneath the fence between their yard and yours. Shimmy on your belly like a snake. Once you are safely inside their abandoned homestead, reach up to take a large bowl your mother hands you over the wooden fence posts.

February 2020
Featured image for “Memorial in Sand”
Mark Carter

Memorial in Sand

Three statues stand together at the edge of the tree line. Alert, deliberately calm, they look in the same direction, though not precisely at the same place. Boonie-rats. Grunts. They are looking, always will be looking at The Wall: a great gash of black stone slabs in a green civilian lawn. A carefully shaped pile of black sand.

February 2020
Featured image for “Black, Yellow, Blue”
Rebecca Larivee

Black, Yellow, Blue

Black. Yellow. Blue. The painting in the hall showed a man, a woman, and a big yellow dog Ð falling from the Earth into the atmosphere. The dog looked so helpless as he fell with his legs spread out, away from green earth and blue oceans toward the blackened sky. The thick strokes of paint gave the images an added dimension Ð as if the paint was also falling away from the wooden frame. Even then, at the tender age of nine, I was most concerned about the dog.

February 2020
Featured image for “Clean”
Micah L. Thorp

Clean

I stood in the hallway of the African Hotel in Tunis wearing a bathrobe and sandals unsure which way to turn. Flanked on both sides by large ornate doors encrusted with mosaics of translucent tiles artfully lettering something in Arabic, I had no idea where to go. At front desk, using my mostly forgotten college French, IÕd inquired about the spa (la source mineral) initially uncertain whether I would be directed to a steam room or rock quarry.

February 2020
Featured image for “Loma Prieta”
Helen Beer

Loma Prieta

October 17, 1989. 5:04 P.M. I’d just left the Moscone Convention Center with my colleague, Jacqueline. We were exhibiting at a conference on water pollution and had just settled into our seats on one of the buses shuttling exhibitors and attendees to their hotels for the evening. And then it struck. For fifteen seconds it felt like a carnival whirlybird ride.
The windows in the buildings around us seemed to breathe in and out, until, released from their frames, these great panes exploded, showering fragments of glass, glittering in the traffic’s lights.

January 2020
Featured image for “I Am a Stalwart: Part Two”
David Kennedy

I Am a Stalwart: Part Two

There was shouting along the banks of the East River, but Arthur could not quite make it out.
He stood upon the deck of the Saint John, the steamboat that he and Conkling had caught very early that morning, and peered across the morning fog that now was lifting from the waters of that tributary that shot north from New York Harbor, cleft the island of Manhattan from the cities of Brooklyn and Queens, swept heedlessly through the sharp breaks at Spuyten Duyvil, then rushed into the great Hudson River and ran up to Albany. But the return of Conkling and Platt to Albany had proven less triumphant than anticipated.

January 2020
Featured image for “Hashish and Mother Goose”
Jeanne Wilkinson

Hashish and Mother Goose

Val has received a Christmas gift from the old lady of one of his clients: some hash brownies. Hashish is from the cannabis plant but purified and intensified, with a pungent, soil-like flavor that doesn’t do much for the brownies but chocolate and sugar make the hash itself somewhat palatable. I’ve smoked it before – since it’s not from a test tube, it’s on my okay list. Val gets it in a compressed form and sometimes sprinkles it in a joint. I’m not too excited about eating it, but I’ll do it. I’m on the magic bus; might as well go with the traffic. Within reason, of course. Within my code.

January 2020