“Propaganda for the Self”: Understanding the Female Gaze through Portrait of a Lady on Fire
On an island off the Breton coast in the late 18ᵗʰ century, a woman, Marianne, stands behind an easel and canvas. The camera frames Marianne at work. Most of her body is obscured, but her eyes conjure details to enhance her painting. She faces another woman—her subject, Héloïse.