“If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground”

“If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground”

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The texture of terracotta plates. A great abstract background that will suit your business.

If we couldn’t get it right the first time, then let’s forget it

Lying amidst terra cotta

shards, in backyard rituals

we stared at a bleaching dot

of sun, hoped tanning might

remind us of no—bad—days. I told you

 

how planets aligned for each

kiss. Every act blossomed

geometry. Our bodies, snapshots

of touch and breath. With sore

 

hands and heatstroke fingers

caked in musky aloe, we

rearranged bits of baked

clay, a zodiac of decimated

house plants, rippling outward

 

We painted with redness from scratches

attempts to edit our narrative a bloodletting

 

Stepped into the cool liquid of Mnemosyne’s infinity pool

 

Fear of hell                clench of neglect

       constantly bullied                    unrequited anything

                     drug induced psychosis                           standardized depression

 

You peeled back my hair, whispered into empty skull

 

Maybe, we could use one another, to predict the outcome

I forced a frown, did a handstand stretching into substrate

 

becoming roots to your

branches as you branched

to my roots, building

a future from dabs

of pale flesh, scattered

 

hair and heaping cells,

brushstrokes of bacteria,

pinch of shame mixed with

solar dust and a bucketful of

 

ego. Wire. Bone. Paste.

Sundry buttons and triggers.

Unseen. Waiting for thoughtful

collisions. Of the universe. To tangle.

Our revolving knots. Together.

hallelujah

If the balancing act was uneven, then let’s tip the scales

Are we poems                separated by pages?

Or  are                                             we                    alcoholics

 

Shattered handfuls of whiskey

kept our hands from shaking.

 

Bartenders churned wine into whatever

with cheers to wean us off whether or not.

 

Brief seditions crinkled on salt rimmed Caesars,

before biking back under moonshine to our Airbnb

 

who were they, standing pylons around our accident!

Dramatists—filmmakers—artists—voyeurs

 

Police taxi carried me to cryogenic freezing,

but I was released the next day on odd behaviour.

 

Poached pears would be just desserts between ports,

sailing home an odyssey ripe with wine dark delusion.

 

I remodeled the dinette with horse-piss sigils.

Their patina potency protected from hangovers.

 

But we still sought exorcisms to banish cravings.

Dancing across sticky linoleum, each step applauded.

 

When I dropped you mid tango,

je t’aime, you snored,

 

Amidst our blackouts, we swam deep seas,

anglerfish dangled lit lures of last calls.

 

Alike the anglers, I bit near your tail, dissolving

enzymes deconstructed the barrier between us

 

In the folds of mated flesh we permeated,

I became vital appendage, forever in vitro

 

Codependent survival, could not hold the message,

an empty bottle suggesting somewhere else.

If deconstruction is a love language, then let’s burn it to the ground

Broken schools smouldered

in our minds, old rule books

bleached by light, were useless

 

Sometimes, I imagined we were Ginsberg

and Orlovski, sending postcard poetry to

each other on different sides of the planet.

 

Or Sappho and a lover, scintillating across rough lakes.

 

On a stone bridge, we stood around a blazing bonfire.

 

Amassed here                     artifacts collected

             from each fling               every distraction

                     wan indulgences              a mock divorce

 

We bundled nude drawings from art class

and burnt them at the stake, poured vats

of phantom exes oxidizing flames, roasted

“what if” encounters until a cloud of ash.

 

After it all turned ember, spectral

architecture arose, a ghost of relics

freed now into atmospheric gases

 

I wed the spirit of your mistakes to mine,

by pouring water into blackened carbon.

 

Stirring the muck with a stick,

I dragged symbols out of obscurity,

outlining the warm mess of difference

 

Fear became boring, and after respite

between choking, shrouds of steam from

spring showers quashed conflagrations

searing up from inside of our arabesques

 

Dancing. In between grey.

Billows. I touched. Your

eyelash. With curve. Of my.

Singing. To let in. Tomorrow

About the Author

Jonathan Bessette

Jonathan Bessette has many hobbies including astrology, gaming, gardening, and anarchism and lives in the unceded and traditional territories of the xʷməθkʷəy̓əm (Musqueam), səl̓ilwətaɁɬ (Tsleil-Waututh), and Sḵwx̱wú7mesh (Squamish) Nations, so-called Vancouver. He’s a founding member of Held Magazine and has published poetry in The Capilano Review and CV2, nonfiction in Adbusters and Quill and Quire, and fiction in The Antigonish Review and Carte Blanche.