Poem for Glockenspiel & Didgeridoo
As sticky as syrup-soaked gruel
eyes closed with dreamy leftovers
eyes closed tightly as if seamstresses
sewed those viscous visions inward.
At times it’s like that … this reluctance
to greet a day’s reality using this excuse
or that excuse or playing blame game
on colder darker dawns or aging aches.
At last eyes open and outward bound
seeing every single human everywhere
as their newborn blank-slate selves
crying hungry sightless bloody needy.
At last eyes open and bound to see
every single human everywhere
as sooner-or-later life-expired husks
crying done hunger gone sightless still.
At last eyes open and bound to see
one’s mirrored self as nothingness
reflected from the moment before
the eternity before one’s conception.
Sunrise Bloody Sunrise
Two young lovers see sky ablaze
one with blinding innocence
one with omissions lousy with lies.
Two young lovers but one secretly
in love with someone else someone
with whom tomorrow’s sunset
will be shared a continent away.
Two young lovers see sky ablaze
one buries cowardice in nuclear silo
as barn-burning sky bears witness.
Bring Your Son To Work Day
(Garment District, New York City, 1961)
High school dropout in the 30s
World War II combat veteran in the 40s
freight elevator operator in the 50s and beyond
same union job his first-generation father held
and in the same building too —
dusty grimy busy boring noisy quiet stuffy drafty
with assembly-line sweat shops on all ten floors
assembling stuffed toys and purses and corsets
and clocks and socks and shirts and sweaters
where he jokes with the men flirts with the women
and makes baseball bets with the truckers
and where in the basement at lunchtime
he eats a sandwich from the next-door deli
and feeds the sleek rat-catching black cat
and reads the Daily News and listens
to big-band music on his transistor radio.
Subway-plus-bus commute
totals two-plus hours roundtrip.
Saturday might be a half-day of overtime.
Only twenty-two years to retirement.