Creative Nonfiction

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Creative Nonfiction

Featured image for “Redemption”
Emil Rem

Redemption

It was almost six in the evening as he stared out of the large bay window of his sons’ 34th-floor suite in Essex House. Central Park sprawled beneath him.

As the sun set on the park, it too was setting on the penultimate day of their Christmas sojourn in Manhattan. The trees turned copper under the fading sun.

October 2022
Featured image for “Life in the Liminal”
Clint Martin

Life in the Liminal

I’m on my back. Lazing between sleep and awake, dream and reality. It’s morning’s blurry edge, so comforter reaches cheeks, just below closed eyes. Right leg stretches uncovered, cool in our hotel room’s conditioned air. Left side warmed by wife’s breathing body. Florida’s proud light spills into the room, so behind shut lids, it’s not dark. It’s red.

October 2022
Featured image for “My Supposed Amish Life”
Marianne Dalton

My Supposed Amish Life

I stood like a marble statue, reverential and composed when that Amish horse and buggy came within inches of me. The driver, passengers, and even the horse glided past me unfazed, as if floating on air. Now, moments later, and alone on this rural road, there’s an even greater serenity in me. My mood mirrors the tranquil violet-blue sky darkening overhead.

October 2022
Featured image for “Blue Sky and Britches”
Ned Weidner

Blue Sky and Britches

Whenever it rained, my grandma always used to say, “If there is enough blue in the sky to stitch a pair of britches, it is going to get sunny again.” As a child I didn’t know what that meant.
I looked up into the sky and cried. How much blue is needed to make britches, I asked myself. Heck…I wasn’t even sure what britches were. They are pants right? Jeans? Or do those old school cotton pants count too? In any case, I didn’t understand. How was I to know when the good times were going to roll again, if I didn’t know how to stitch?

September 2022
Featured image for “What Does It Take to Swim Around Manhattan?”
Julie Labuszewski

What Does It Take to Swim Around Manhattan?

August 19, 1989 in the East River
My breathing to the right. My breathing to the left. My breathing to the right. My breathing to the left. My escort boat on my right with the official race observer, the boat captain, Coach Foster, and my dad. My dad concerned about his twenty-seven-year-old daughter in a 28 ½-mile, non-stop race around Manhattan Island. My coach reassuring my dad.

August 2022
Featured image for “Lucky Number 57”
Kimberly Horg

Lucky Number 57

Nowadays, it might be hard to imagine food tasting so terrible that you must cover the taste to eat it. Sad but true. Many people lived with dirty water and tainted food in the 1800s. It was a leading cause of death. Much of society drank alcohol daily because they had no other choice; clean drinking water was not an option, and soda and sparkling water were yet to be invented.

August 2022
Featured image for “Before the Call”
Sandra Schnakenburg

Before the Call

I stared at the phone, wondering what to say to a man I thought all my life— was dead. In 2008, two years before the call, everything I once knew had vanished. My angel Mom, who had given me hope, had passed away. I pondered what I would do next. After some inner work, my purpose crept up inside me like a wildfire needing to be tamed. I heard the call.

July 2022
Featured image for “Shiva’s Tears”
Clare Simons

Shiva’s Tears

A mongoose scurried along the mossy rock wall, darted under a pile of wood and dashed in front of my feet in search of tasty vermin. Its beady eyes glared up at me as if to say, “Entrance not for everybody.” The lumberyard stocked cremation woods heisted by timber smugglers from endangered forests, carried by porters, hauled by lorry drivers, and sold on the black market with bribes paid at every junction.

July 2022
Featured image for “To Grandmother’s House We Go”
Robert Eugene Rubino

To Grandmother’s House We Go

When you were thirteen, your paternal grandparents Nonnina and Nonno already seemed ancient, having been married fifty years. Now you’re older than they were then. But you remember … Three things hang on their walls: a gruesome crucifix, a framed wedding photograph, and a billy club.

July 2022
Featured image for “Comfort Hill”
Jeniah Johnson

Comfort Hill

Despite its cozy name, despite its gentle rise and dive through corn fields and cow pastures, Comfort Hill Road has its hazards. In the warmer months, when driving to and from town, I watch for entitled tractors, escapee cows, flocks of cyclists racing for the cure. But today, a January afternoon in Vermont, it’s just “Collie Lady” on the road.

July 2022
Featured image for “Conscience Calls”
Michael McQuillan

Conscience Calls

Jesus lived and died in vain if he did not teach us all to regulate the whole of life by the eternal law of love, the Mahatma Gandhi said. Solidarity with the poor set both men’s moral conduct beyond mortal norms, but we placed them on pedestals rust-crusted with age.

June 2022
Featured image for “Church-Sized Tarantulas and Other Realistic Threats”
Chan Brady

Church-Sized Tarantulas and Other Realistic Threats

First time I did it I was three and a half, complete with gold, bouncing curls and freckles from a summer spent in the sun. I went to daycare every day, and that night I went to daycare, too. I didn’t know what to call such a menial moment. Eventually settled on calling it a “blue-skadoo” like my favorite television show. Nobody believed me except my friends at the church.

June 2022
Featured image for “Baba Sasha”
Etya Krichmar

Baba Sasha

A long time ago in Kotovsk, a small town in Ukraine, right before dusk, a little crowd of the neighborhood children gathered around the handmade, rough picnic table. The usually unruly kids sat quietly on the four wooden planks hastily attached to the table’s perimeter and waited for Baba Sasha’s arrival.

June 2022
Featured image for “The Pomegranate”
Anna West

The Pomegranate

I put a pomegranate in his hands. His hands once strong and brown, long fingered, now rested empty of life. Closed. Wrapped like torn paper around the red plumpness of the fruit. I could feel the seeds resting like jewels beneath the thickness of the pomegranate’s rind. Thirteen pink paper hearts cut from what felt like my flesh I put in the pocket of his jacket,…

June 2022
Featured image for “Good Day”
John Sanderson

Good Day

Long-Post-Short-Good. It doesn’t take long to become immersed in the ebbs and flows of the call schedule. On Long Days, the medical team admits patients from noon through the evening — each one requiring detailed history, a thorough physical exam, a working diagnosis, and orders for the appropriate nursing care, diagnostic testing, and medications. On Good Days, there are no new patients.

May 2022
Featured image for “Reckoning”
Siobhan Ring

Reckoning

A tree fell across the road that leads down to the lake. There was no wind, just days and days of rain. The soil loosened its grip. The tree’s roots stretched to the sky behind yellow caution tape and a Seattle Parks Department truck with flashing lights.
We are, at the moment the tree gave up, 22.5 months into a pandemic, significantly too far into a climate crisis and leaning over the precipice of our democracy.

May 2022
Featured image for “A Punk Like Me”
Marianne Dalton

A Punk Like Me

I discovered the babysitter looking through a taboo photo collection with my five-year-old daughter as I stepped through my front door. My quickening heart beat faster and faster and, fearing it could explode out of my chest, I focused my sights on control. Gliding into the living room, I channeled my perfect Stepford-wife-voice, and asked, hey, how was your night?

May 2022
Featured image for “Facing Mecca”
Kathleen Tighe

Facing Mecca

Viewed from the top of the minaret, the desert stretches for miles until it touches a brilliant cerulean sky. On the horizon a blazing sun moves toward its afternoon descent. Even now, all these years later, I can still feel the rays of that sun burning my scalp, still feel my parched lips sucked dry of moisture. The desert sand shimmers in the sun.

April 2022
Featured image for “Dead End”
Mary Jumbelic

Dead End

“Mom, why are all the police cars and fire trucks here?”
“What did you say, honey?” I said, covering my free ear. “Police? Fire trucks?” Noise at the reception counter made it difficult to hear. I gestured to co-workers to lower the volume. A quick reply of silence followed. They listened to the boss, my prerogative as the Chief Medical Examiner.

April 2022
Featured image for “Watercolor for Beginners”
Janna Whitney Rider

Watercolor for Beginners

It was as if all my colors had changed. There was no control or curation to my feelings anymore, only raw and wild outbursts. I tried explaining to a friend, “I’m a Jackson Pollock painting right now. Red! Blue! Yellow! I prefer a bit more nuance. Something impressionistic typically suits me, like shadows that fade in the afternoon sun. Purple and gray into peachy yellow ochre – these are my colors.”

April 2022
Featured image for “A Bright Cold Day in April”
Michael McGuire

A Bright Cold Day in April

It was a bright cold day in April of 1984 when I tested positive for the HIV virus. I remember the date and the weather because not only does the devastation of life-altering news make one hyperconscious of his environment and bring the physical world into magnified bold relief, I was that week also reading Orwell’s 1984 for the third time…

March 2022
Featured image for “Ignoring Vital Signs”
Hilton Koppe

Ignoring Vital Signs

These days I see my mum less often. But I see her better. Since I moved from the city to work as a country doctor twenty-five years ago, she visits a few times a year. She stays for a week or more. We get to share breakfast, lunch and dinner. Tonight, I am sitting with her in our lounge room. My kids are in bed. My wife is out. We are watching Fiddler on the Roof.

March 2022
Featured image for “Papa’s Mysterious Rex”
Etya Krichmar

Papa’s Mysterious Rex

It happened a long time ago in a small town of Kotovsk, located in Eastern Ukraine, which belonged to the Soviet Union. Mama, Papa, and I sat in the back of the menacing-looking, Khrushchev-Era four-story building in front of our ground floor apartment’s window. The three of us enjoyed the last few days of the good weather. It was pleasantly warm for an October evening.

March 2022
Featured image for “Dora’s Deathbed: First Movement”
Gary Levi

Dora’s Deathbed: First Movement

“I can’t feel a pulse,” Mae says, her rose-lacquered fingertips probing the carotid of her dying friend Dora. Mae’s a just-retired nurse, so what she says carries weight. Even though she’s here in her civilian capacity, like the rest of us, to watch Dora die.

February 2022