Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Pat”
Quin Yen

Pat

“I’m not going to help you! Look at him! He has the same surgery and he’s older than you. He can walk to the washroom by himself. Why can’t you?” The voice sounds like it’s coming from a grinding saw, piercing into my ears. My heart trembles. I am a coward.

November 2021
Featured image for “The Grace That Comes By Violence”
Joanna Acevedo

The Grace That Comes By Violence

Lorrie called it “The Lost Weekend.” Roger called it “The Last Weekend.” Annabel was pregnant, so she wasn’t drinking. Designated driver, everyone said. Lou didn’t say anything at all. They met on a Friday at a bar none of them had been to before. It was a dive. Roger was getting married a week from Tuesday. He had a reckless, harried look about him,

November 2021
Featured image for “Pasteboard Houses”
Rebecca Jung

Pasteboard Houses

In the 1950s, you could tell you were getting close to Akron before you saw it—an acrid smell of burning rubber and sulfur permeated everything. Tall brick smokestacks above dark, dingy tire factories coughed up oily black soot that coated everything—your clothes, your hair, even the insides of your nostrils.

November 2021
Featured image for “House Hunting with Castro”
S. Blair Jockers

House Hunting with Castro

1962. Eddie and Percy crouched on the wood floor of their private fort, a three-foot deep pit in Eddie’s backyard, destined to be a small pond after the next serious storm. The plywood roof Eddie’s father Raymond built from an old drafting table in his architect’s office was braced six inches above the edge, providing views in all directions like the rotating gunner’s station on top of a tank.

November 2021
Featured image for “The Procedure”
Polly Richards Babcock

The Procedure

When blonde, angelic-looking Annie asked if she could stay with me while she recovered from her intended abortion, I concealed my shock and said, “Sure. You can sleep on the sofa.” At nineteen, a decade before Roe v. Wade made abortion legal, I naively relied on inconsistent condom deployment and boys’ assurances that withdrawal was effective. This was the first time I had been confronted with the consequences of my bohemian carelessness.

November 2021
Featured image for “Feast”
Emily Corak

Feast

The first time I decided to uproot my life entirely came after a lazy morning lying in bed and watching reruns of How I Met Your Mother. I’d recently moved to Portland right after college because of a boy, and I had settled in nicely. I had an apartment, a job, and this boy and I were on the verge of cohabiting.

November 2021
Featured image for ““Bernadette at Lourdes” and “Lolita Condemned””
Robert Eugene Rubino

“Bernadette at Lourdes” and “Lolita Condemned”

Sister Mary Rose (so young she could’ve been your actual sister)
marched you and her other seventy-two second-grade students
(no teacher aides, no volunteer parents, just the good nun)
eleven blocks west toward the Fifty-Ninth Street Bridge
to the palatial Hobart Theater

November 2021
Featured image for ““Intact,” “Bloom” and “Return””
Alex Starr

“Intact,” “Bloom” and “Return”

Whatever anyone
tells you know
it is possible
common in fact
to exist
in one place in
another two time
transience one
location contains
many dancing

November 2021
Featured image for ““PhD Friends,” “I Let Myself Feel” and “Kamloops Garden””
Johanna Donovan

“PhD Friends,” “I Let Myself Feel” and “Kamloops Garden”

You’d think 2AM conversations would be nonsensical and funny,
not rational and sober avenues to despair. Round and round
and round we go, down the looped rabbit hole all new methods,
medicines, discoveries have to go to become less… detrimental.

November 2021
Featured image for ““Activated,” “All Things Considered” and “Drugstore Backpack””
Corie Johnson

“Activated,” “All Things Considered” and “Drugstore Backpack”

There isn’t such thing as flat emerald and agreeing to a suicide pact with a falsely familiar stranger is not worth the novelty. We are all children of divorce. Olive, teach me the art of being quaint. Show me how to construct the soundproof walls you’ve built for proper use to love as loudly as we do.

November 2021
Featured image for ““The Yolk of the Neighborhood,” “Afraid of Your Sobriety” and “Rented Halves””
Monica Viera

“The Yolk of the Neighborhood,” “Afraid of Your Sobriety” and “Rented Halves”

I was walking in the hot, still LA heat
That blows nowhere, so your own thoughts begin to circulate
And you go mad
And upon walking on some particularly rocky asphalt,
I lost my footing
And hit the back of my head and heard a
CRAACK

November 2021
Featured image for “Glass Houses”
Victoria Costello

Glass Houses

No one, not even Sunny Fox, knew that Sunday, December 22, 2019, marked the start of the final week of the before times. Leading astrologers around the world, Sunny included, had seen and discussed among themselves the fact that the planetary transits due in 2020 signified a terrible reckoning. They could not agree on the precise kind of comeuppance they expected to be visited upon humanity—just that it would be very, very bad.

November 2021
Featured image for “A Virtuous Man”
Joyce Myerson

A Virtuous Man

I lied to her. Again. Will it be the last time? Can I go back and make it all right? I know, you’re always telling me to make up my mind before. Do I want to impress or do I really want to know someone for longer than a week? How come I haven’t learned?

November 2021
Featured image for “The Snitch: Lonzo”
M.D. Semel

The Snitch: Lonzo

The elevator doors were almost closed when Lonzo jammed his foot between them. He was late. The doors reversed themselves and slid back open. He squeezed in, compacted his body and side-eyed the crowd. It was like riding the subway at rush hour except all of the occupants were men and most of them were white.

November 2021
Featured image for “Curious Fictions”
Seth Kristalyn

Curious Fictions

Before you regretted voting for that one president, but after your favorite sports team fell out of relevance, all the books were digitized. All the publishers became E-Publishers. The presses stopped. A few libraries remained open as museums, and you remember going to one with a woman you thought you would marry.

November 2021
Featured image for “Signs of Amelia”
Kathleen Shemer

Signs of Amelia

Great whooping sounds, a furious rattling, and a pounding like thunder spread through the lab. Brad felt the concrete building vibrate under him. The chimpanzees were banging and smashing on the steel slats of their cages, using their hands and feet. He dropped the bolt cutters he had used on the loading dock door and pushed into the sound. He had to find Amelia before someone found him.

October 2021
Featured image for “Plan B”
Diana McQuady

Plan B

Joanna Gentry hadn’t been inside the building in over a decade, though throughout the first year following Patrick’s murder, she went to the parking lot daily. Coleman’s employees came by her Camry during those early months and stopped to speak, awkward conversations avoiding the mention of what had happened or even her presence there at all. Soon enough, they only waved.

October 2021
Featured image for “The Prayer”
Matthew Downing

The Prayer

Ashley moved to New Mexico because her mother’s relentless grief was driving her mad. It’d been six months since Dad died, and she couldn’t brush her teeth in the morning without hearing Mom’s moans drift down their lifeless hallways like a specter cursed to haunt her every waking breath. She tried to hide Dad’s pictures in the attic, but she saw his waxy corpse in every tear that slipped off Mom’s hollow cheeks.

October 2021
Featured image for “Men Will Be Men”
Andrew Sarewitz

Men Will Be Men

We haven’t spoken in years, but I almost always remember George’s birthday. The first day of summer. This year, it landed on Father’s Day. Without a message attached, he texted me a photograph of his family. Not the one that raised him when he and I were growing up. This is of him, his wife and three kids.

October 2021
Featured image for “Seed of Doubt”
Stephen Newton

Seed of Doubt

It was late afternoon, with the room temperature well over ninety degrees, before Prominence County Sheriff Eli Martin was called to the stand and sworn in to testify for the prosecution against Gerald Hartley. Hartley faced charges of vehicular manslaughter, but so much time had passed since his arrest, there was little public interest in the trial. Most people assumed Hartley was guilty as charged.

October 2021
Featured image for “A Run Home”
Jennifer VanIwarden

A Run Home

It is important that you know that I am a very sensitive person. So much so I have worked really hard to not be. I have found it too difficult to feel all the world’s problems on top of my own. I have worked to build walls so as not to feel it all.

October 2021
Featured image for “The Snitch: Hector”
M.D. Semel

The Snitch: Hector

Someone yanked the watch cap off Hector’s head, and it took him a moment until his eyes adjusted to the light. His lids felt droopy, and his brain fogged in. With his head slumped down, he looked to his left, tried to orient himself and saw the jean clad legs of one of Tino’s cousins. He glanced right and saw Julio sitting next to him.

October 2021
Featured image for “Oubliette”
David Kennedy

Oubliette

New York City had never seen such dreadful weather. The rain poured on Sunday with such ferocity as to relieve wavering worshippers from attending services, for it suggested that the heavenly deity would rather that they stay at home. No sooner had night fallen, however, than a bitter cold set in, first freezing the remnants of the day’s precipitation upon the streets, then turning the rain into heavy snow.

October 2021
Featured image for ““Olive,” “Dishwasher” and “Orange””
Steve Brammell

“Olive,” “Dishwasher” and “Orange”

Who was the first to try
an olive ripe from the tree,
the paltry flesh over stony seed
so bitter it must be poison?

Who learned the magic
to make it succulent?

October 2021