Issues

Issues

Featured image for “Don’t Want to Go to Heaven; Just Want to Go Home”
Jamey Gallagher

Don’t Want to Go to Heaven; Just Want to Go Home

Inside the airport, Trina sat in a white rocking chair that had been set up on the side of the ramp, looking out at the tarmac, a coffee in one hand, a Danish with bright red jam and stripes of white icing in the other, her carry-on bag at her feet. Behind her was the hubbub of the terminal, arrivals and departures, announcements calling out flight numbers, transport carts carrying the elderly here and there, a young man wearing a slick blue suit and a pilot’s hat trying to convince passersby to sign up for a special program.

November 2022
Featured image for ““Duncan’s Point Along Highway 1,” “A Poem Without Poetry,” and “Nightfall””
Nick Vasquez

“Duncan’s Point Along Highway 1,” “A Poem Without Poetry,” and “Nightfall”

I.
Purple delosperma frozen on stone cliffs
windswept granite.
Permanent calligraphy on blue canvas
only tides change.

II.
Carved into a driftwood bench
three names now forgotten.

November 2022
Featured image for “Almahdi”
Sonja Srinivasan

Almahdi

The conversion was an unlikely story.
For over two decades, Professor Philippe Halston had been the rock star at Rudyard University’s history department who brought in grants, acclaim, students, and visiting lecturers from afar, an expert on the Enlightenment and pre-Industrial Revolution secular European thinking. He lived an immaculate life with an immaculate house and an immaculate career untainted by failure.

November 2022
Featured image for ““oh physics,” “Messages,” and “Elfie’s Quantum Thoughts””
Malcolm Glass

“oh physics,” “Messages,” and “Elfie’s Quantum Thoughts”

oh physics
of warped gluons in the matrix chromosomes
molding children with necks and knees

disjoint and attenuate physics of the transport
of chlorophyll far more certain
than law or reason

and the stopped blood of embryos

November 2022
Featured image for ““Self Portrait as Poet,” “Work Friends,” and “Now Playing””
Julie Benesh

“Self Portrait as Poet,” “Work Friends,” and “Now Playing”

Poet, you mama’s girl, so bad at volleyball, first dates, job interviews, your albatross of asymmetry flung floorward like an eloquent glove, ironic as that yellow pedestrian yield sign on Chestnut Street, permanently pavement-flattened.

November 2022
Featured image for ““Early Envy (1956)” and “Fantasy Football””
Robert Eugene Rubino

“Early Envy (1956)” and “Fantasy Football”

When he’s eight he envies neighbor/buddy Bobby his airline pilot father
who drives his eye-popping harlequin Ford Thunderbird
with gears-a-poppin’ engine roarin’ to and from Idlewild
before and after taking off into the wild blue yonder.

November 2022
Featured image for “Umbrellas on Water”
Lisa Voorhees

Umbrellas on Water

After her dad died, Aveline swore to herself she wouldn’t let his novel go unfinished. It had taken two weeks for the brain fog to wear off and another two after that before she’d recovered from the shock of losing him to do anything, but even now, six months later, she struggled to get any real work done. Her progress through his notes was slow to the point of agony.

November 2022
Featured image for “Purple Becomes Deirdre”
Stephen Newton

Purple Becomes Deirdre

The year she turned fifty, there were two men in Deirdre’s life: Tom and Diego. Tom was an organic farmer she met at the Open-Air Market, where he sold honey, eggs and produce on Saturday mornings. In the photograph on her refrigerator door, Tom beams at Deirdre over a mound of sweet corn. He is ruggedly handsome with a shy farm boy smile that never failed to make her feel weak.

November 2022
Featured image for “Missing Pieces”
Stephen Coates

Missing Pieces

My uncle was there. He was angry.
“Look at yourself,” he said, punctuating his words with his finger. “Pathetic. Grown man, fooling around with kids’ stuff. House looks like a bomb site. You’ll never get a woman in a dump like this, boy.”
I sat squarely in the straight-backed chair, feet planted, shoulders pressed against the wooden slats. Chin up, eyes front, not moving a muscle.

November 2022
Featured image for “Sold in Saigon”
Anthony Nguyen

Sold in Saigon

Adorned with snaring water lilies, her blood-red dress dripped down to her ankles, conservatively hiding her nearly porcelain-white skin; the only skin revealed were her perfectly slender hands and her bisected head—she had no nose, no eyes, no ears, no brain, and no consciousness.
Although her head ended right below her eyes, like the top half was sliced off clean, she still stood taller than all the Vietnamese women in the shop.

November 2022
Featured image for “The Scoutmaster’s Ultimatum”
Cameron Vanderwerf

The Scoutmaster’s Ultimatum

Mom and Dad brought me to Camp Bramble because they said I was too sad. They said I could come home when I stopped being sad. That was when I knew that I might never see them or home again.
I was eleven years old and couldn’t remember not being sad. Although I couldn’t have given you an explanation as to why. Maybe I just wasn’t satisfied with any answers that people had given me over the last decade.

November 2022
Featured image for “Two Sides of a Card”
Elizabeth Liang

Two Sides of a Card

A black, speeding phaeton overtook them. Four black stallions raced down the Ringstrasse, their black plumes billowing like smoke. The driver held his hat as he passed the promenade where whispers filled the space in his aftermath. “Cousin, who is that?” “Why Mary, that is the Crown Prince himself.” “He drives his own carriage?” “Always,” said Frederic, peering down at the laced hand of Mary.

October 2022
Featured image for “The Visit”
Lisa Voorhees

The Visit

Nita Walsh’s parents had promised her a weekend trip to the Pocono Mountains for her seventeenth birthday. Her parents were normally super thrifty, but just this once, she’d been able to convince them to splurge. Less than two hours after they’d left home in Piscataway, New Jersey, and headed west, a storm battered the roof of their dilapidated station wagon. The wipers beat a furious rhythm against the pelting rain as it poured down the windows in transparent sheets.

October 2022
Featured image for “A Week and A Day”
Cathy Robertson

A Week and A Day

Charlie was scared, all right. More frightened than they could ever remember being. The razor-shaved hairs on the back of Charlie’s neck stood straight out as the deafening scream of terror rent through the darkness once again. What the hell could make this horrendous noise that tore at their flesh and flipped the heart into a mass of quivering gel? This, they decided, had to be stopped. “Aiyeeeeeeeeeee!!!!!” Charlie’s eardrums reverberated in their head. Their blood ran cold, and Charlie wanted to scream back in response.

October 2022
Featured image for “Life in the Liminal”
Clint Martin

Life in the Liminal

I’m on my back. Lazing between sleep and awake, dream and reality. It’s morning’s blurry edge, so comforter reaches cheeks, just below closed eyes. Right leg stretches uncovered, cool in our hotel room’s conditioned air. Left side warmed by wife’s breathing body. Florida’s proud light spills into the room, so behind shut lids, it’s not dark. It’s red.

October 2022
Featured image for “Dinah”
Meital Sharon

Dinah

“Good morning, Dinah, It’s Wednesday”, I greet myself aloud daily. Gad has greeted me every morning since we got married and moved in together fifty-two years ago. The alarm clock would go off at six forty, and Gad would snooze it, and still asleep, would say: Good morning, Dinahdin. Then he would rearrange his pillows, put a hand on my hip and go back to sleep. Since he passed away, I started saying this to myself.

October 2022
Featured image for “My Supposed Amish Life”
Marianne Dalton

My Supposed Amish Life

I stood like a marble statue, reverential and composed when that Amish horse and buggy came within inches of me. The driver, passengers, and even the horse glided past me unfazed, as if floating on air. Now, moments later, and alone on this rural road, there’s an even greater serenity in me. My mood mirrors the tranquil violet-blue sky darkening overhead.

October 2022
Featured image for “The Language of Birds”
Catherine Puckett

The Language of Birds

Renata stares at the electric knifefish and eel exhibit at the New Orleans Aquarium. She thinks that if she knew there would be passion in heaven and that heaven existed, the whole thing would be easier to bear. Marital dissatisfaction, she suspects, is one of the great underlying reasons for belief in an afterlife. She grips four-year-old Noah’s hand so he can’t wander away again. Noah is quick and curious, like she was as a child, and because he is like her, she already hurts for him.

October 2022
Featured image for ““Windsong: Solo Flute,” “The Dig,” and “Sudden Gasp””
Russell Willis

“Windsong: Solo Flute,” “The Dig,” and “Sudden Gasp”

The flutes of those
who live
with,
not just in,
nature,
mimic windsong.

Even accidental noise
blown by untrained lips
echoes the haunting, ethereal
whistle of wind
through limbs and grass, crops and structures.

October 2022
Featured image for ““By Saturday,” “Aqualung,” and “Tumble and Fall””
Melody Wilson

“By Saturday,” “Aqualung,” and “Tumble and Fall”

something settles. Next week’s
oatmeal eases into simmer,
the wide slow mouths of the first
few bubbles no longer startle
and pop as the surface smooths,
heaves with the humility

of normal mornings. It’s a chore—
the boil, filtering through
what I know, what is new.

October 2022
Featured image for ““Traveling with Natalie,” “Subjunctive Mood,” and “We Walked Three Miles in Snow””
Joan Mazza

“Traveling with Natalie,” “Subjunctive Mood,” and “We Walked Three Miles in Snow”

Propped on three pillows, another
under my knees, I am following
Natalie Goldberg as she travels
to Japan and France, sits zazen
with her students, through walking
meditation, writing longhand
in a café, always in a spiral notebook
with a pen that lets me write fast…

October 2022
Featured image for ““thirty days after,” “Pivot,” and “Sour””
Margaret Sayers

“thirty days after,” “Pivot,” and “Sour”

the time for grieving ends
grief does not

so I unfurl what is no longer and smooth out the
wrinkles
my soul loosens and leans in to the unwanted hereafter
the before murmurs just beyond my hearing
my heart skips in a dissonant rhythm
comfort strikes a truce with disquiet

October 2022
Featured image for ““Inverse Blankets,” “Bloat Textures,” and “Grope Commerce””
J. Parker Marvin

“Inverse Blankets,” “Bloat Textures,” and “Grope Commerce”

compensation blankets
barrier the solitude
cold air :: we are aware
that skin is unsuitable ::

we are a perfection :: the mass
of an ego returns
#DIV/0! :: and we understand
we are not portioned ::

October 2022
Featured image for ““Partly Because of Your Love for Yogurt,” “Half Dark,” and “You asked if we would always be friends””
Abigail Chorley

“Partly Because of Your Love for Yogurt,” “Half Dark,” and “You asked if we would always be friends”

it was the way you stood in the dark kitchen long after
the oven had already cooled, slurping
just out of date yogurt but also because the first
time we talked, you listened, swaying me gently
in constant commas shifting slightly
(while everyone else played poker for crisps)…

October 2022