Issues

Issues

Featured image for “Lowlands”
Patti Witten

Lowlands

Cynthia had withdrawn, wrapped in a shroud of bedsheets, exhausted by weeping. In the darkened room, sounds were somehow louder — the rain, a car swishing by on the street, the faint barking of a neighbor’s dog. Water dripping from the eaves and mumbling in the downspout beside the open window. Six days since Maylin drowned. Tomorrow they would bury her.

December 2022
Featured image for “Baseball and Ballet”
Andrew Sarewitz

Baseball and Ballet

Parents want the best for their children, unless they’re psychopaths (the adults, I mean). But sometimes what a parent wants is what they believe is best, without recognizing where a child’s head and heart really are.

December 2022
Featured image for “Autobiography of the Bomb: Chapter Eight”
Jim Shankman

Autobiography of the Bomb: Chapter Eight

He was at a gathering in Berkeley at the spartan home of a man named Peters. The cigarette smoke was mixed with alcohol and the hot breath of conversation. Peters was a physician who had escaped from Dachau. He had seen things. He chose not to speak of it unless someone was being particularly pigheaded or willfully ignorant or smugly uncaring, and then he spoke in such detail that he commanded the room with the authority of a Greek messenger. “I am come from Thebes with news I dare not speak.” “Speak, man, and you shall not be harmed, I vow.”

December 2022
Featured image for ““Coming to Freedom,” “Noguchi,” and “Gypsy””
Dorothy Johnson-Laird

“Coming to Freedom,” “Noguchi,” and “Gypsy”

dressed in white
your deep eyes pierced the daylight
*Araminta, defender of the people
when you crossed the line to freedom, the stars opened up all around you

something in your heart made you pause, turn around, breathing

December 2022
Featured image for “Praise Orb”
Gloria Nixon-John

Praise Orb

We watched things change everywhere else in the world, but we never expected the whirlwind of change that showed up one day on our doorstep. (In our case, me, Mom, and Dad). The change came in the form of a little Rumpelstiltskin of a man carrying a black valise and a clipboard. (Odd, I thought, that he didn’t have a computer or smart phone.) He said he was from the Census Guard of The New Order, and that I was obliged to answer honestly. I didn’t dare ask who was doing the obliging, mostly because of the elephant-gray vehicle moving slowly down the street.

December 2022
Featured image for ““Cantúa Creek,” “Joaquin,” and “Mustang Running””
Stephen Barile

“Cantúa Creek,” “Joaquin,” and “Mustang Running”

First explored by Spanish Army troops
From Mission San Juan Baptista,
Led by Jose de Guadalupe Cantua,

Son of a prominent Californio Ranchero
In the 19th-century Mexican era
Of early California history

December 2022
Featured image for ““In the Tidal Pool,” “Weathering,” and “A Vespa Ride””
Oanh Nguyen

“In the Tidal Pool,” “Weathering,” and “A Vespa Ride”

First at sunrise,
Then at sunset
You ebb away
leaving me suspended.
My kaleidoscopic charms
laid bare at the altar
of jumbled cowries,
flowers of the sea,

December 2022
Featured image for ““Rambling Rose,” “Jake: The Best Dog in the World,” and “Truly Madly Deeply””
Debra Rose Brillati

“Rambling Rose,” “Jake: The Best Dog in the World,” and “Truly Madly Deeply”

The car I grew up in
Was a 1960 Pontiac Star Chief
Four-door sedan hardtop
In a color my Crayola 64 box called Flesh.
Even at a time when most cars
Came in a wide variety of vibrant colors,
This one stood out.

December 2022
Featured image for “Aquarium Life”
Troy Ernest Hill

Aquarium Life

I score my first soccer goal ever. It’s only practice, but still. Coach claps and shouts, “Way to go, Henry!” A couple of teammates jog by in these knee-high, stretchy blue socks we have to wear, saying, “Good job, Gollum,” and “Finally,” and kind of laughing.
My parents made me play because they said I spend too much time on my aquarium. I made it like how the ocean was before, with colored reefs and glowing fish and huge whales.

November 2022
Featured image for “A Cypress Tree Has No Shadow: Chapter Two”
Kevin Gerard Neill

A Cypress Tree Has No Shadow: Chapter Two

ALLENBY had originally been designed by an Ottoman Empire army engineer to impress the future. At first glance, the barracks looked magnificent: a pile of chiseled stone comprising two tall upper stories stacked above a main floor, each of the wings spreading at least two city blocks to form a massive, four-sided citadel. Justina knew from old photographs seen in Vienna that the wings enclosed a vast courtyard, a setting for military parades or a bloody last stand.

November 2022
Featured image for “The Poison Hill”
Laura Canon

The Poison Hill

The photograph was square, with white edges, taken with their father’s camera last summer at the lake. Gertrude remembered it well: Louis had posed in his swimsuit, one hand on his hip.
But since then, someone had scribbled all over the picture. Large, crude loops of rough blue ink elaborated her brother’s swimsuit, flaring his trunks into a skirt and blotted his head with frizzy curls, flapper-short.

November 2022
Featured image for “The Snitch”
M.D. Semel

The Snitch

When Javan was around ten years old, his parents took him and his brother to Orchard Beach. It was Javan’s first trip to the beach. The night before the trip, he couldn’t fall asleep. He crawled into bed with his parents and asked them questions. He asked his parents to explain how the beach was made and if it was safe to go there. He asked them why people said the sand at the beach was white when it was really tan.

November 2022
Featured image for “Autobiography of the Bomb: Chapter One”
Jim Shankman

Autobiography of the Bomb: Chapter One

You may think you know me but you don’t. Our acquaintance only goes so far. You see how I act, but you do not know my thoughts and feelings. You do not know me from the inside. And so I often feel misunderstood and unfairly judged. You can infer a great deal about people from their actions. But literature confers one great advantage over life. It allows you to see a person as if from within. Perhaps this is only illusion.

November 2022
Featured image for “Paradigm Shift”
Michael McQuillan

Paradigm Shift

Holy light fills window’s tree at dawn. Autumn leaves as angels embrace our white-haired God. There is peace as people sleep. I pray. May heart’s compassion bridge mental walls to unite and not divide. The youthful idealism mourned in my bones with Gandhi’s maxim to “be the change you wish to see in the world” mandates clarity: what values dear to me must I enact to infuse good where I can?

November 2022
Featured image for “My Whole Heart”
Krista Lee Hanson

My Whole Heart

My son’s kindergarten teacher was a big, bearded man, generous with hugs and laughter. His old-school version of early education focused on teaching kids how to love each other and share, how to be kind to each other and silly together. He taught them to run and fetch a seat for a visitor and to pay compliments to everyone.

November 2022
Featured image for ““Abduction on the Canyon Rim Trail,” “Hair Stylist,” and “Martin””
Kathy Pon

“Abduction on the Canyon Rim Trail,” “Hair Stylist,” and “Martin”

I don’t expect
a soupy river to steal you away.
White blood cells explode into whitewater,
filaments of breath sweep
downstream.
A confounding disappearance into
the thundering confluence.

November 2022
Featured image for “You Are Your Only Competition”
Swetha Amit

You Are Your Only Competition

During my initial days of running, I’d look at the runners on the road and wonder why I was not as fast as them. Bitten by the competitive bug, I’d try and match up to their speed and experience a temporary high of overtaking them until all the air was sucked out of my lungs. The pain of watching them run past me was nothing compared to the injuries and niggles I faced later.

November 2022
Featured image for ““The Long March,” “Sunday Sunday,” and “Marie””
Jack D. Harvey

“The Long March,” “Sunday Sunday,” and “Marie”

Bound on some skillful retreat,
a long march
north and west;
cut off from the rest
we end up foraging
in some scanty orchard,
the two of us.

November 2022
Featured image for “Don’t Want to Go to Heaven; Just Want to Go Home”
Jamey Gallagher

Don’t Want to Go to Heaven; Just Want to Go Home

Inside the airport, Trina sat in a white rocking chair that had been set up on the side of the ramp, looking out at the tarmac, a coffee in one hand, a Danish with bright red jam and stripes of white icing in the other, her carry-on bag at her feet. Behind her was the hubbub of the terminal, arrivals and departures, announcements calling out flight numbers, transport carts carrying the elderly here and there, a young man wearing a slick blue suit and a pilot’s hat trying to convince passersby to sign up for a special program.

November 2022
Featured image for ““Duncan’s Point Along Highway 1,” “A Poem Without Poetry,” and “Nightfall””
Nick Vasquez

“Duncan’s Point Along Highway 1,” “A Poem Without Poetry,” and “Nightfall”

I.
Purple delosperma frozen on stone cliffs
windswept granite.
Permanent calligraphy on blue canvas
only tides change.

II.
Carved into a driftwood bench
three names now forgotten.

November 2022
Featured image for “Almahdi”
Sonja Srinivasan

Almahdi

The conversion was an unlikely story.
For over two decades, Professor Philippe Halston had been the rock star at Rudyard University’s history department who brought in grants, acclaim, students, and visiting lecturers from afar, an expert on the Enlightenment and pre-Industrial Revolution secular European thinking. He lived an immaculate life with an immaculate house and an immaculate career untainted by failure.

November 2022
Featured image for ““oh physics,” “Messages,” and “Elfie’s Quantum Thoughts””
Malcolm Glass

“oh physics,” “Messages,” and “Elfie’s Quantum Thoughts”

oh physics
of warped gluons in the matrix chromosomes
molding children with necks and knees

disjoint and attenuate physics of the transport
of chlorophyll far more certain
than law or reason

and the stopped blood of embryos

November 2022
Featured image for ““Self Portrait as Poet,” “Work Friends,” and “Now Playing””
Julie Benesh

“Self Portrait as Poet,” “Work Friends,” and “Now Playing”

Poet, you mama’s girl, so bad at volleyball, first dates, job interviews, your albatross of asymmetry flung floorward like an eloquent glove, ironic as that yellow pedestrian yield sign on Chestnut Street, permanently pavement-flattened.

November 2022
Featured image for ““Early Envy (1956)” and “Fantasy Football””
Robert Eugene Rubino

“Early Envy (1956)” and “Fantasy Football”

When he’s eight he envies neighbor/buddy Bobby his airline pilot father
who drives his eye-popping harlequin Ford Thunderbird
with gears-a-poppin’ engine roarin’ to and from Idlewild
before and after taking off into the wild blue yonder.

November 2022