The car swayed gently through easy curves as the car slid south down the two-lane highway. The engine whispered, even at seventy-five miles an hour. David glanced at the map on the passenger seat, but he knew by heart where he was going. He pressed Play on the CD player sitting on the seat, and the Brahms Third Violin Sonata swam through the still air.

When I sold the first piece of land, I didn’t even tell my old man. I forged his signature on the papers.

My older sister Maria had left the village ages ago, she had a husband and a two-bedroom apartment in town, with hot running water, she wanted for nothing, so I was sure my mother would cover for me. In fact, I was sure I’d have her blessing by default, after all, that lot had been part of her dowry and she was nowhere as obsessed with land as my old man.

I put a pomegranate in his hands. His hands once strong and brown, long fingered, now rested empty of life. Closed. Wrapped like torn paper around the red plumpness of the fruit. I could feel the seeds resting like jewels beneath the thickness of the pomegranate’s rind. Thirteen pink paper hearts cut from what felt like my flesh I put in the pocket of his jacket,…

Jason had thought about putting New York City as his location in the online dating profile. It would almost be justifiable, since he was always thinking about moving to the city now that he was divorced. There was, Jason felt, something pathetic about a single guy in his thirties living in the suburbs, especially in a town with a ridiculous name like Valhalla and he imagined any interesting woman would probably feel the same way. At least there was a big cemetery in Valhalla, so the name wasn’t completely inappropriate.

First time I did it I was three and a half, complete with gold, bouncing curls and freckles from a summer spent in the sun. I went to daycare every day, and that night I went to daycare, too. I didn’t know what to call such a menial moment. Eventually settled on calling it a “blue-skadoo” like my favorite television show. Nobody believed me except my friends at the church.

A long time ago in Kotovsk, a small town in Ukraine, right before dusk, a little crowd of the neighborhood children gathered around the handmade, rough picnic table. The usually unruly kids sat quietly on the four wooden planks hastily attached to the table’s perimeter and waited for Baba Sasha’s arrival.

There is a photograph of the East Village that hangs on his wall . . .

Taken December 14, 1996, the subject matter: urban, brownstones unadorned, fire escapes to one side, cars parked bumper-to-bumper and of makes, models, styles that carbon-date the instant.

It saddens me that I am nothing waiting to be something
Never established yet deeply rooted
Hard to remember impossible to forget
Crisp Midwestern autumn
Chilled New England nights
A southern summer whirlwind
that haunts and tugs and teases

that vulnerable space, between thigh and throat
between tongue, and depleted serotonin
of rotten apple clusters seething with life
of elegantly draped
heavily dusted spider webs
looking more like torn rags from the thickness

first step, to take up the pen,
ponder it,
as instrument—

a piece of paper then,
as white and infinite
as the light—

At 6:10 on a March afternoon in Montgomery, Alabama, Ginnie Lackland sat on the steps of Miss Lily’s acrobatics studio, watching her classmates get picked up by their mothers. Ginnie was a big girl, almost seven, who could do front splits and a perfect backbend and was learning to flip herself completely around without touching the floor—what flying must feel like, she imagined. Miss Lily told her to think of a perfect circle.

Early Christmas morning last year, which happened to be my father’s sixtieth birthday, I was studying for my medical boards in Montreal when my mother called. I found the phone hidden under my placemat on the kitchen table. “Hi, Mom,” I said when I heard her voice. “Joelene, your father died yesterday,” my mother said.

She hates waiting. She sits on the third step in this old house and links her fingers together, sure there is nothing she detests more. This lack of control was torture, her stomach twisting, her palms clammy as she pressed them together. It felt as though she were vibrating with the nerves of it all, and yet, here she sat. Waiting.

She walks briskly through the vast hallways of the Colossal Risk. Windows upon windows line the exterior of the ship—an enormous ship that cradles hundreds of delicate souls—but she pays no attention to the scenery. On the interior walls, unmarked doorways to unknown rooms—the greenish lights that remind her of sickness—line the seemingly endless miles of corridors.

In high school, my friends played trumpets, French horns, trombones, and Risk—conquering make-believe continents while desiring real girls. We spoke on speech teams, competed on chess teams, sang in glee clubs and choirs. Popular boys played football and shot hoops. My friends and I studied Latin. One day I made the mistake of telling fellow trumpeter, Nolan Niemeyer, why I couldn’t practice with him on Saturday morning.

Long-Post-Short-Good. It doesn’t take long to become immersed in the ebbs and flows of the call schedule. On Long Days, the medical team admits patients from noon through the evening — each one requiring detailed history, a thorough physical exam, a working diagnosis, and orders for the appropriate nursing care, diagnostic testing, and medications. On Good Days, there are no new patients.

At ten o’clock on a Sunday morning in late January, the clock on the mantel chimes. I glance up from my record-keeping to stare out the paned window at the falling rain. The skies are a leaden gray, the tops of the trees swaying in the wind.
Nasty weather to be out in.
Grateful for a crackling fire in the hearth and my wool vest, I dip a pen in the inkwell and continue crafting a detailed summary of my last patient’s condition.

A tree fell across the road that leads down to the lake. There was no wind, just days and days of rain. The soil loosened its grip. The tree’s roots stretched to the sky behind yellow caution tape and a Seattle Parks Department truck with flashing lights.
We are, at the moment the tree gave up, 22.5 months into a pandemic, significantly too far into a climate crisis and leaning over the precipice of our democracy.

It was just before 9:00 a.m. Ryan had been sitting in his car at the curb for ten minutes after pulling up in front of the house he’d been looking for. His shoulders were still slumped. The place was about what he’d expected, a ramshackle little bungalow surrounded by a dried-out lawn and a low fence badly in need of paint that was missing pickets on each side. An empty bird bath perched in a bed of dying roses in one corner, a few late blooms wilting through their tarnished foliage. Where the front walk met the sidewalk, a crooked mailbox dangled partway open like a stifled yawn.

I discovered the babysitter looking through a taboo photo collection with my five-year-old daughter as I stepped through my front door. My quickening heart beat faster and faster and, fearing it could explode out of my chest, I focused my sights on control. Gliding into the living room, I channeled my perfect Stepford-wife-voice, and asked, hey, how was your night?

The first time I took someone’s life I did so with a whisper.
I was just a child back then. Mamma owned a small pocket-size revolver that she had bought at a discount from a gypsy who was passing through one rainy afternoon, but I wasn’t allowed anywhere near it; therefore, all I had at my disposal to rid the world from the man who had tormented me to the very core of my bones…

At the aptly named Jackson Theater
when you were twelve
you saw John Wayne’s visually ambitious
gloriously fictitious
version of The Alamo
— yet another story already told to you through TV
— and so of course yet another lie.

Nadia Kowalski snuggles closer to her husband, Josef, wrapping the wool blanket tight around them as her breath fogs the cold air. Traveling with all their possessions piled high on their cart has gotten harder as fall moves to winter, but now that a few months have passed with no pursuit from the authorities, they can use the better roads. Nadia watches the mules pull them through the puddles left by the rain. The slow movement and rhythmic clanking of the pots and pans lulls her to sleep.

In my early, disruptive thirties,
I wondered through
An aimless, broken land,
With a slew of past sins as my guide.

Along my travels,
I found a temple made of marble stone
Standing in the middle of nowhere.