You are launching us in the boat
that you made seaworthy. It scrapes against the
pebbles which shift so reassuringly when the lake
is calm. It is your boat, your day, and we are your
children. We have brought along our families,
all that we have added to your empire.

“Crazy weather we’ve been having,” an old woman said as she creaked her way forward to a row of chairs in the pharmacy, something in her knees snapping softly as she sighed and sat into the chair next to a man in early middle age, looking reflectively at his cell phone. The man called “Cuch,” which was short for Cuchullin (his Irish mother had a thing for ancient epics), had saggy, red eyes like he’d been crying. Was this why she was making small talk? Normally the man would have dismissed trivial attempts to occupy time while waiting for a prescription with a clipped yep, but today something compelled him to reach out.

A chill in the air woke Ali. It was just a slight draft but enough to brush the hairs on the back of his neck upright, if he’d had any. He’d shaved them clean off though, like the sparse hair on his head. Back in the day when hair loss was his only concern, Madiha, his wife, had caught him researching transplants online. She’d laughed, slipped off her headscarf and shaken out her hair, ‘Want some of mine?’ If he concentrated, he could still feel its soft weight and silky texture.

A large dispenser of no-name hand sanitizer should not be the first object patients see as they open the door bearing the engraved brass plaque SANDRA R. KRASNAPOL, PH.D. So, Sandra had positioned the bottle behind the lamp on the small bookshelf in the vestibule. Immediately visible, yes, but an offer rather than an outright command. She expected the alteration would not go unnoticed by her patients—and it didn’t.

I was born naked, but I got dressed up as soon as I could. Mom teased me about that when I was a kid. When I chose a fringed flapper dress for my first day of school, she rolled her eyes at my Miss Priss personality. She was a single mother, just starting out in the practice of law, had put herself through law school. And she didn’t work for some fancy-pants law firm. She was a public defender, so she didn’t have time or money for frills.

I slip the CD into the car audio slot and the music begins. As always, Cole tells me he likes riding in my tiny car because we can play CD’s and listen to music and we dance and get silly while driving. I hunt through Goodwill stores and garage sales, always looking for “hidden jewels,” preserved covers and discs without scratches on the tracks. Cole is very specific about his likes. He doesn’t much care for little kid tales. He likes The Four Tops, Jimmy Buffett, The Beatles and Raffi. This day I slip in Jimmy Buffet’s “Greatest Hits” into the slot. Track 7.

Two women walk in tandem down a cobblestoned street, one of many radiating like the veins of an emerald-green tree leaf from the metro down through the park towards a museum. The park is lined by elegant two-story mansions with beautiful balconies.
Children mount small horses inside the park in a corral of sorts, their moms adjust their helmets, while Daddy snaps pictures.

I hold the tarot card in my hand and stroke the silky surface, studying the illustration. It’s a colorful drawing of a woman seated on a throne. She’s beautifully dressed in a red billowy gown with a crown of moons on her head. I rub my fingers over the image as if using a paintbrush, imagining I’m the artist creating it. Mom’s voice interrupts my dream drawing. She directs me with her sweet sing-song upbeat tone. Put the card here on the table, face up, and then take another from the stack and flip it over next to it. Mom smiles and looks me straight in the eyes. Her cobalt blue eyes glisten and sparkle. I’m mesmerized.

It’s six years since I was last home. It’s funny how quickly you can forget yourself. London is a long way from the village in Limerick where I spent one August as a teenager. We used to go a lot when I was a small boy, but I couldn’t remember it very well. But it wasn’t until I was fifteen that it became a part of me. Until then, I never wanted to visit family. It was summer after all, I should have been with friends, but my mother made me go.

No comfort
in this world
No warmth
rising from the cracks
in this cement ground
Ice breaks
on the surface of the lake
implying your ability to drown

They say that the characters in a movie are affected by the developments the screenwriter creates between each of them, and that these characters are influenced by the paths taken within the plot. I envied characters that said or did things on the screen that they would never do in real life. In some ways, my life, or existence, was like a movie script—adventures sprouting up unexpectedly over many episodes.

If only these walls could talk
we wonder
What might goad their reluctant tongues?

Wondered more often
by those who would be betrayed or wounded by the
small talk or gloating of these walls

The song begins—
the first beat calls forth
an aroma of strawberry syrup
from your vape as its smoke
dances with the music, past my nose,
and out through the windows
of your 2012 red Toyota Camry.

Good riddance, alcohol.
Good riddance mary-jane.
Good riddance hashish and uppers and downers.
Good riddance Timothy Leary … we hardly knew ye.

Good riddance to
those bottles of quenching cold ice-cold cottonmouth-inducing beer & ale
and those steins of on-tap room-temp Guinness stout
— it’s good for you the billboard said and the billboard wouldn’t fib.

Henry Baker sat in his wheelchair outside the Caring Hearts assisted living facility in Mañana under the shade of a tree that he reckoned might be almost as old as him. Then again, maybe not. He was eighty-five and the home was built in the early 1950s, so unless the tree was already here, it may be only about seventy years old. He remembered when the building went up.

At twenty-three, Marion Jennings (née Gustavson) is too old to be homesick.
Or so her mother says during their once-a-month, long-distance chat.
“There’s no time for wallowing, Marion Louise. You have a husband and a new baby to care for,” she tells her. “Instead of crying about living in paradise, you should be attending to your husband’s career.”
This is not what Marion wants to hear.

It was good weather for May. People were lying in the park, wearing short-sleeved tops against all odds and calling it summer. You walk outside with a jacket out of habit and regret it twenty minutes later. You’ll sunbathe but you won’t wear sun cream because somehow it feels like the sun can’t hurt you. If you’re so inclined, you start thinking those romantic springtime thoughts, where you wonder what summer might be like and whether you will be happy because happiness seems a right when so many people are smiling in front of you.

That couldn’t be my father on the phone. Forty years had gone by without a single card or message from him, and for all I knew he was dead. No, my elderly neighbor was teasing me.
“Pete dear, I’ve got a client on the other line,” I said.
“Mary Edwina, please listen.”
I listened. Pete could not have known my horrid middle name.
“I’m Edward Keller. I’m your father.”
“Hold on,” I said. “I’ll be right back.”

It was Friday in Madrid. Hot. Humid. Noisy. The streets of the Centro were crowded with tourists foreign and domestic. By eleven A.M. it was almost impossible to move through the Prado for the crowds. Tour guides drilled pathways through the mobs with their colored pennants. Echoing off the marble walls and high ceilings, the din was as loud as the inside of a railway station at rush hour. The air dripped with garlic and stale breath.

From this distance, he’s not easy to see. Not with the naked eye. He’s old. I know that’s true. How old, I don’t know. He sits there on a beat-up couch on the porch, a big porch that wraps around part of the house and has screens on the sides to keep the bugs out. But it can’t do that too well if it’s just on the sides. I see him use his hand to swat away the eye gnats. They can be irritating late on a warm desert evening.

At times it seems that just when life seems to be going your way, every little thing you could possibly imagine goes wrong. Everything you take for granted comes into view. The simple mornings, the perfect nights, the sleepy smiles, the warm dinners, the last hug you gave someone, the last words you said to another becomes permanent, fossilized in their memory, trapped in the coffin we call a body.

Amanda, our hospice nurse, answered the door when I rang the doorbell, showed me where to leave my shoes and escorted me into the den, where I found Faiz’s mother, Haima, sitting on the floor. Haima apologized that the air conditioner was out again, for the second time in a week. Within minutes, my slacks and blouse stuck to my skin, and the air in the den felt heavy despite a frantic fan and the open window in the breakfast room.

When Rómulo and Julissa met at the Salsodromo, not knowing that was the moment when the past and the future were forever riven asunder, they both blatantly lied to each other, knowing there was nothing else to do. Each of them had an inadmissible secret. Rómulo could not tell Julissa he was a lieutenant in the Peruvian military. The Shining Path had “a thousand eyes and ears,” and if he disclosed he was a soldier, his life would be in mortal danger.

My students are working their way through The Rime of the Ancient Mariner when the superintendent’s voice crackles over the loudspeaker. “Excuse me teachers and students. We will now conduct a hard lockdown drill. Hard lockdown.” My class responds immediately, leaving their desks and joining me in the corner furthest from the room’s single entrance. Cody flicks the light switch off, and all sink to the floor.