His fingers “as strong as steel,” Carlos the Uncanny performs out-of-this-world flips on the trapeze bar when he hears Wagner’s music. Then he starts losing years and life isn’t the same in “Flight of the Valkyries” by Amanda Pampuro.
“Old Blue” by Bryn Chamberlain is a tender coming-of-age story about a teenager; his black Labrador “Blue”; and a power lawn mower, also named “Blue.” This trio makes the difference after his father leaves. Love and ambition—“inextricably entwined.”
With anti-depressants in hand, Anthony Capitanio catches the bus to attend a Catholic High school. His severe anxiety disorder ramps up when he sees Joe, the best pitcher in the little league. Then things go haywire in Chris Pellizzari’s “Game-Winning Hit.”
At a Halloween party, a man in a horrific Scream Ghostface mask tells Jane he’s on his way to collect “an unfortunate soul from Scotland.” In Maria Savva’s “Where Do We Go?”, the divide between life and death is as slim as to be nothing at all.
Their mother is proud and calls them her famous sons on television no less. Except: Billy and Danny are videotaped stripping the renovated church, whereas Jacob absconds with the wad of cash leaving his brothers to pay for the crime.
After her mother’s death, Gretchen gets a call from Miguel inviting her to retrieve her mother’s possessions. When she visits, she notices new wallpaper and a Persian rug. But she sees something else—an unexpected insight into her mother’s next life.
Gen chased insurgents, rode Humvees across Iraq, peeled walls with the .50 caliber machine gun. Once when he got back home he grabbed his pregnant wife Karen to dig a foxhole in the front yard and she wants mangoes in the morning.
Around a tiki bar in Ecuador, visitors from Germany, Canada, Texas, and California recount their travelogues, holding forth for hours on end. And then there is the reticent Scotsman who sees a new tale beginning—in the surf’s retreating tide.
Mark Krainin disappeared ten years ago. Signs went up: Tommy Luna, Dorothy Copewell, Andrea Whitman, Justin Kint, and Edith Maynard. Ash Denton talks to them and everyone thinks he has lost his mind. And then it happens.
Adenocarcinoma lines his lungs; not what Richard wants to hear. He plays the tape of his father on the ledge, in the air, plunging seven floors down. Richard wonders if he himself had “always been falling and only now looked down.”
On a blank page a poetic story is told about the woman who finds her light in the moon amid the darkness and solitude; who opens like a flower; who is timeless and makes your heart beat faster. You want to hold her and never let her go. Who is she?
This is a tale about Nora’s mother Julie who has dementia and resides in Butterfly Residence. But it is also about the underside of the small town of Long River—a colony founded by women who had escaped brutal husbands.
Penny, Elayna, Loulla, Sally—women Lucas juggles to make up for “the dread of humiliation that followed Olivia’s betrayal.” Even after he gets caught, he can always rely on Paris and Delphine, and maybe Debbie too.
Coaxed by his roommate to attend a séance where Simon, the special guest, leads seven participants on the Ouija board, the narrator goes through rapid-fire emotions as he and Simon connect in a paranormal drama.
Jacqui teaches AP English at a Catholic school and her curriculum is more radical than Father Glenn likes. She loses her hat—a precious gift from Aunt Gwen—on the day Joseph brilliantly elucidates Thoreau. The hat is gone but Joseph’s eyes are brimming.
It is Alexandria during Ramadan, a year or so after the Egyptian revolution in 2011 and Mohamed Morsi is president. Political conflict threatens Egypt, but a different kind of trouble looms within a group of expats. Things don’t always glimmer.
Ten middle school students help Jason clean up the mess of his mother’s house. Some scrape cemented egg whites off counters; others pull weeds. A week later, the mother has a clean kitchen and bathroom and a slanted floor to walk upon.
Riding the bus from Granada to Salamanca, Spain, they arrive in pouring rain and run to find shelter. Luckily a taxi pulls up and drives them to the Hostal Plaza Mayor. Jimmy has never met a girl like Vera before. This is his love story.
Leaving the convention center, he chastises himself for his “addiction” although he just bought “Dangerous Dosage: Chronicles of Jason Archer,” the VR Experience that landed him on the floor. It was so real. But upon arriving home, he so easily returns to that “world.”
Pariya’s son narrates the times his father turns into an octopus when he feels romantic love. Later, Pariya marries Ammya and things seem normal—except they aren’t. Years later the son learns the truth through a suppressed dream.
On the father’s eightieth birthday, he tells his oldest son he wants to celebrate it in a funeral parlor. There are the usual expatiations and songs and food and drink, but alone in the chapel, the father reveals to the son how his mother really died.
In an inflatable mess tent for refugees, an attendant learns the story of the bearded man who travels from Greece to Macedonia by foot, then to Serbia and eventually to Budapest seeking asylum. Danger arrives and so does white dust.
Falling in love with the yellow house on the hill, she enjoys her own art studio. And visitors: a neighbor with brownies; a young mother with her baby and a fruit basket; Marvin with banana bread; and a young man with a photo and a revelation.
A sixty-five-year-old man holds hostage three children and a twenty-something woman. They have strength in numbers but he threatens and lies. They are now the family he never had. He is husband to the oldest, Dad to the children. His family ties.