Short Story

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Short Story

Featured image for “Wine and Roses”
Victoria Shannon

Wine and Roses

First, there was Roses. She met him more than 30 years ago, at her second research job. Now, when they saw each other, he always brought her a single rose.
Roses, 6:16 a.m.: “I know this: You and I belong together. We have a beautiful future before us.”
Then, there was Wine. She broke up with him when she was 36. That was 23 years ago.

February 2020
Featured image for “A Different Man”
Sascha Goluboff

A Different Man

The day he arrived started off as usual as any for Pru. It was late spring. She stood by the stove in the summer kitchen, boiling water to wash Miss Vena’s petticoats and undergarments. Old Janie, who worked at the Moffatts’ neighboring farm, sat at the large wooden table gossiping with Aunt Betty, Pru’s father’s sister, who was Miss Vena’s cook.

February 2020
Featured image for “The Columnist”
Neal Lipschutz

The Columnist

Max Toffer was pretty much everything I wanted to be. A newspaper columnist, an author of fiction and nonfiction, a devoted advocate of the First Amendment. He was from Philadelphia before he moved to New York to become a Greenwich Village institution at The Oracle. I learned all I knew about Toffer from the about-the-author paragraphs at the back of the novel of his I just finished

February 2020
Featured image for “The Socialite”
BJ Fischer

The Socialite

Logan began looking for his friends as he waited to make a left turn at the gate. The corporate headquarters stood behind a gleaming white iron fence that stretched for furlongs. He followed four black Navigators down the long-curved driveway.
The parade of cars stopped at the valet, which gave him time to scan for the one belonging to the people he knew.

February 2020
Featured image for “The President’s Garden”
Jordan Smith

The President’s Garden

“It is with some delicacy,” began the note that May had found that morning in the wastebasket in Theo’s study when she went in search of a scrap of paper, that I phrase this apol…” And there the script sputtered and ended. May knew exactly what had happened.

January 2020
Featured image for “Bald is a Feel, Not a Look”
Jarrett Neal

Bald is a Feel, Not a Look

Byron shook the rain off his driving cap and wool blazer before he hung them on the rack by the entrance. He handed the chubby lady behind the front desk a twenty-dollar bill. She was honey-colored with glossy yellow fingernails and plump black and gold braids coiled atop her head like a nest of vipers. When she passed him his change and gave him a receipt she said, “That’s for them,” gesturing to the phalanx of barber students several feet away.

January 2020
Featured image for “The Tale of Alimona”
Margaret Sullivan

The Tale of Alimona

There lived a woman Alimona who was called so because her evil husbands had forced her to pay them alimony before they would agree to free her from their miserable reigns. Many, many evil husbands, too many to identify, lest you find her thoughtless or promiscuous, tortured Alimona’s good faith, good heart and good intentions.

January 2020
Featured image for “Saving Grace”
Reyna Marder Gentin

Saving Grace

One day, Grace Stevenson stopped coloring her hair. All those hours and all that money spent trying to keep aging at bay, and John had gone off with a younger woman anyway. What was the point? At seventy, she thought the gray made her look refined, worldly. That’s how she wanted to feel. Like she’d arrived at a certain stage in her life where her choices should be respected.
She knew she wasn’t fooling anyone.

January 2020
Featured image for “The Cave”
Ellis Shuman

The Cave

They say the cave offers a passage to the underworld. In ancient Greek mythology, a musician, poet, and prophet named Orpheus, son of the god Apollo, descended through the cave into the subterranean kingdom of Hades in search of his beloved, Eurydice. There are many versions of this legend and none of them have happy endings.

January 2020
Featured image for “Temilola”
Doley Henderson

Temilola

I see her still. Her beaded plaits, flashing smile, bubbling laugh. Temilola. She has five other names but this is the one she prefers. Lola for short.
Toronto, Canada 2019 Floating downstairs after a therapy session, I hold the invisible balloon around me, a hot golden bubble of healing light from my osteo-physio. Pain free for now, I exhale, re-enter the city.

January 2020
Featured image for “Shorthand”
Catherine Vance

Shorthand

When I went to live with my three-fourths sister Dora, I was fourteen years old.
Dora and I had the same father, and our mothers were sisters. Her mother died in the flu epidemic of 1918, and a few years later Daddy married her younger sibling, my mother Isabel.
When I was four, he died, leaving nine children from two wives.

October 2019
Featured image for “Runaway”
Laurie Zerwer

Runaway

The night before the morning that Tracey’s mother left, her dad took the early train and arrived home just past six. It was an event that occurred with less frequency since Tom had become a name partner at O’Malley, Sugarman, Rizzo, and Gray. Usually, on weekdays he was gone before Tracey left for school. She didn’t see again him until nine o’clock, when he came home smelling of single malt scotch…

October 2019
Featured image for “Moana Rising”
David Bowne

Moana Rising

I still feel them, despite all that has happened. The nerve-racking drone of rickety gears straining against gravity, the anticipation of reaching the summit, the thrill of descent, Sarah squeezing my thigh with her hand as we plummet towards the ocean’s surface, the vibrant victory kiss as we pull into the coaster’s station, I still feel them all.

October 2019
Featured image for “Kip’s Choice”
Alice Faryna

Kip’s Choice

Kip tapped his fingers impatiently on the steering wheel. The traffic on State Route 33 had slowed to 25 MPH. Four inches of snow had accumulated and more was still coming down. The plows were busy clearing the interstates and would not get to the other highways for hours. The secondary streets would be impassable until tomorrow. He glanced at the packages on the passenger seat.

October 2019
Featured image for “The Bet & The Dirge”
Thomas Weedman

The Bet & The Dirge

I walk the orchard in my Sunday suit, black Oxfords dusted with gypsum and dirt. Ten thousand apple trees bower sans scabbed bark or a plague of beetle borers. Hard to believe the ginger dwarfs grew at all. They bulge trunks and muscle boughs heaped with green leaves and red apples. Rows even hummock deer shit without fences to keep out the wildlife that feast on the fallen fruit. It’s sweltering out.

October 2019
Featured image for “Describe How You Feel in One Word”
Ali Wilding

Describe How You Feel in One Word

Left with no alternative, Kate had decided to believe in God. She prayed to him each morning on her knees.
And then this, sudden as rain.
She stood alone in their bedroom, reflected in the long mirror that had once belonged to her mother.

October 2019
Featured image for “Von Lindemann’s Proof”
Michael Peppergrass

Von Lindemann’s Proof

The warehouses lining the arrival and departure lanes of the space port are constructed out of red brick instead of the traditional glass and steel common to the colony of New Guadeloupe. They tower high above Leif, as he dashes in between them through an alleyway. Surely, he cannot keep this tempo up for much longer.

September 2019
Featured image for “Nyama”
Glenn Schiffman

Nyama

“Put lice on pillow,” Anan said. “Efa woman annoy you, put lice on pillow. Dat’s how you break da connection.”
Anan and I were sitting on a bench on the quay by the St. Laurence River.
“Is that an old country adage?”
“I don’t know dis word, adage. You want get rid of da old lady, put lice on pillow. Next you know, she kick you out.”

September 2019
Featured image for “The Prince’s Gargoyles”
Maria Thompson Corley

The Prince’s Gargoyles

They were circling again, their leathery wings flapping slowly, noiselessly. Through a small square window lodged high in a stone wall of my cottage, I could see a large gargoyle passing just in front of me, so close that I could have touched its gray, scaly hide or wrapped my fingers around its slender neck if not for the barrier between us.

September 2019
Featured image for “The Conspiracy”
Robert Klose

The Conspiracy

I was not alone. Every resident I knew had toyed with giving up. Even though I was several years older than the others it was still, sometimes, simply too much: the workload, the hostile or uncooperative patients, the long hours, the smug attending physician who, even at this juncture of our education, conveyed the impression that if we so much as considered quitting, maybe we should.

September 2019
Featured image for “Purity”
Robert Stone

Purity

Edward and Marcia had got into the habit of walking along the cliff-top at dusk. What, here on Auskerry, Edward was tempted to call the gloaming. The sultry day was much cooler now and, indeed, would soon be cold. At this latitude the summer sky was still pale, but the first stars could already be made out. Marcia had something she wanted to tell Edward and Edward did not want to hear it.

September 2019
Featured image for “Pecan Pie and Psychosis”
Lara Colrain

Pecan Pie and Psychosis

Please don’t be dead.
Yet June knows the words in her head are hollow. Insubstantial. He has either done it right this time, or he hasn’t, and she can’t do shit about it if it’s the former. She hates it in here. She and Johnny always joked that the hospital’s waiting room was like depression cramped into airless chemical space. It makes her want to retch. As if she is looking into a glass of curdled milk and knows she has no choice but to gulp the lumps down.

September 2019
Featured image for “The Black Phone”
Alexandra Loeb

The Black Phone

Carolyn drew a deep breath and tried to ready herself for her mother’s invasion. It was a damp spring Saturday morning and as she stood on the top of the brick steps of her front porch, drinking tea from her favorite handle-less mug, she looked at the wet cherry tree blossoms on the stairs and wished she had felt well enough to sweep them off yesterday.

August 2019
Featured image for “Someday”
Alexa Dodd

Someday

She is still in love with Brandt the night she bumps into Adam at a bar in uptown. She still likes the way Brandt styles his hair with pomade and a fine-toothed comb, like an old-fashioned gentleman, the boy-next-door from the 1950s.

August 2019