“Go Somewhere,” “Before I Leave My Body” and “Grave”

Issue 52 by Leon Fedolfi

“Go Somewhere,” “Before I Leave My Body” and “Grave”

Go Somewhere

Martha would read the newspaper more than once;

box scores, her favorite, and cartoons that made her laugh.

Small stories with big fame: mothers lifting cars

and the obituaries of the not so named —

Martha liked that math.

The smell of Sunday mornings — vanished,

once travelled her hands and rested hair, as

she would return to her favorite lawn chair over and again,

gaze at the willow trees in her yard, and wonder

what roots beneath and holds her in place.

She would think of Mark and caress a jawline of bones

punched and shaped to the hand that made them.

His love for her was formed in misshapen acts and words —

little mutes that look up to take faith.

Forgive me, he said. Over, and again.

In the end, he would take his own life before hers.

In her mind, she buried him in the junkyard where he worked.

Under still vehicles, tortured steel — leaves of small mirrors.

The names of cars were like Saints to him.

Martha was not marked in her religion. A choice of breath

over brethren. She took her suffering as sacrament —

someone to entwine with in the soil of being.

So, in a fall of feats, when she had hit her head

against the rails of living, she chose to also

make her repose in the ground of working men.

For them both, a thousand Chevy engines

poised in silent prayer, run all over —

southern human, humid days.

Before I Leave My Body

A penance to make. A reading through writing

one more page —

a float for consciousness.

I will gather from sun and gravity,

lift once more above natural domain.

There, make a door to open sky —

peak of unexpected sight —

a fish within my final wave.

Before weight spills all our time

— music for their sleep.

Those that live along the shore, hear the dissemble and feel its foam.

In a dream, I am the fish that grows legs and

walks past them in their peace.

Towards the inland. Where astronaut owls see

beyond the moon —

surrounded by air, and staircase to air.

Pointed up, their cool vision collects the universe.

Before they hoot it out to precarious —

perches in the forest —

listening ears.

I catch one in mine.

Now I am my feet in the sand of all deserts. My right hand

on that moon. I kneel before Mt. Everest and

look upon her makeshift graves.

Others who have travelled hard

where I will be soon —

I am made of this place.

Grave

Days grow short as all stories end. There are many authors,

but only one resolves the journey.

From the land, I take what is less — less from Carousel,

less to feed my body.

A strategy to preserve a flame above its candle.

Always one more thought aimed at escape.

Cognition and emotion.

The light flickers delusion and biological function.

The certainty of beginnings and endings —

things in between, we never really see as they are.

Viking ships excavated from soil,

far from where they were beautiful.

My ribs are oars, and final thoughts — sails,

raised along a wistful mast.

Reaching up as my arm,

long into a sky

that was like a painting all the while.

About the Author

Leon Fedolfi

Leon Fedolfi is an avid reader and aspiring writer of poetry. He has published in the Raw Art Review, Prometheus Dreaming, Rumble Fish Quarterly and Cathexis Northwest Press. Leon has a book of poetry, The Uninvented Ear, coming out with UnCollected Press in the Fall of 2020.