Issues Archive

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Why I Couldn’t Embrace the Catholic Church”
Michael McQuillan

Why I Couldn’t Embrace the Catholic Church

Childhood trauma and immoral exemplars in teen years pushed me from the Catholicism that meant much to my mother. The above-altar crucifix with blood dripping from the tortured body of Christ at the Church of Saints Philip and James in the Bronx where I often spent Sundays lies vivid in memory.

February 2021
Featured image for “My Trieste”
Pamela Hartmann

My Trieste

When I woke up, I knew it was an emergency room. This was back in 1958, and it looked like scenes in Young Dr. Kildare on Million Dollar Movie.
“Take it easy, Kiddo,” I heard my father say, as I tried to sit up. He was hunched on a stool next to my bed, with an unlit cigarette clenched in the corner of his mouth.

February 2021
Featured image for “To Where We Came From”
Richard Lin

To Where We Came From

I realize that Jacqué is probably not the best influence. Troy likely is. Despite being whitebread, Troy is as wholesome as multigrain. However, there is an edge to Jacqué that I enjoy. With him, I am Rick, cool and tough. As my first nonwhite friend, Jacqué innately understands what it is like to grow up amongst those that do not look like me or understand the culture of my parents. True, he and I look nothing alike, and the cultures of our people are vastly different. However, the experience of immigrants’ sons is near universal.

February 2021
Featured image for “The Last of the Dinosaurs”
Anna Persky

The Last of the Dinosaurs

Jay Rowland died on May 5, 2020. His name was listed between Olga Masterson and Stefan Stuart in a Herald News story entitled, “Area Nursing Homes Ravaged by Coronavirus.”

Jay’s nickname was “Dog Ears.”

February 2021
Featured image for “Breathing”
Charlotte Evans

Breathing

“It’s never really over between us, is it?”

He looked at me, smoothing the hair back from my forehead. My cheeks flushed as soon as the words left my lips. I hadn’t meant to say it out loud, but that’s what had been running through my head.

February 2021
Featured image for “Ether”
T.D. Calvin

Ether

December 1990
She heard Ruth lock the front door behind them. In the hall Fiona caught the smell of varnish, a hint of juniper and that human odour of someone else’s home. It felt like warmth was barred from leaving, winter kept outside and the rest of her evening secure in the heat of those rooms. She set her bag down and Ruth helped her out of her coat without offering – her friend never waited for permission to be considerate.

February 2021
Featured image for “The Brown Man”
Frank Haug

The Brown Man

The Brown Man collapsed. Tan dust rose up in plumes from the desert ground. He sucked at the speckled air with stiff and halting gasps. All the muscles in his body were tired, especially his legs. He struggled to gather himself and get moving again. On this last trip he’d barely been able to get across the river. Years of wandering had left him thin and ragged and weak.

February 2021
Featured image for “The Witch Window”
Rhiannon Catherwood

The Witch Window

“Dad’s dead” are the first words of any substance that my sister has said to me in ten years. The phone call came at 5:34 A.M. It started with “hello” and “that is you, isn’t it Jimmy?” and “don’t hang up.” But we came pretty quickly to “Dad’s dead.” Those are the words that stuck.

February 2021
Featured image for “Lettie”
Molly Seale

Lettie

He left her with six children, a few acres of poor farm clay, no money, and a house plain and sturdy. “You’ll have to send them away, Lettie,” the relatives told her. “There’s an orphanage over in Masonville. You can’t keep them.” They told her this when he was barely gone, his body cold but not yet in the ground.

February 2021
Featured image for “Iben… I’ve Been Through Some Sh#@!: Unbroken”
K.E. Mullins

Iben… I’ve Been Through Some Sh#@!: Unbroken

I looked at myself in the rearview mirror one last time before entering the building. The gym was packed. As I took the podium, one young man, then another, clapped. “Thank you,” I said before beginning. “I’m Iben Okafor and it’s a pleasure to have the opportunity to address you today. Before I get started, how many of you have brothers and sisters?”

February 2021
Featured image for “I Don’t Swoon: Chapter 1”
Esperanza Cintrón

I Don’t Swoon: Chapter 1

The Reverend Cletus Jenkins was stretched out in the front yard of Miss Mattie’s whorehouse. Stiff like that wooden Indian that Virgil Parker sets outside his general store every morning, Jenkins looked like somebody had shoved him off the porch with the business side of a heavy boot and he’d landed splat on his back.

February 2021
Featured image for “The Serpent Papers:  The Serpent of the Apocalypse”
Jeff Schnader

The Serpent Papers:  The Serpent of the Apocalypse

The reality of the draft and the resultant paranoia which had descended upon my collegiate brothers precipitated a sense of indecision in me. Forgetting about the library, I grabbed my coat and fled the dorms like a shell from a cannon, my trajectory at random. Questions squirmed in my head, challenging me as to why I, son of a warrior, would be so panicked by talk of the draft or possible rendezvous with war.

February 2021
Featured image for “Her Own Devices: Part 2, Chapter 8”
Geoffrey Dutton

Her Own Devices: Part 2, Chapter 8

For his imminent fifth birthday Ramadi told Anna he would like pizza and cake and an airplane and certain of his preschool pals in attendance. That would be awkward, Anna explained, as Daria, the mother of Yasmin, the girl he wished to exclude, had volunteered her four-room flat for the festivities. Ramadi considered Yasmin a bit of a show-off, he had complained, who went on and on about the clothes she wore and the clothes she wanted next.

February 2021
Featured image for ““Dinner Prep,” “Mythos” and “Ignorance””
Dannielle Pendzich

“Dinner Prep,” “Mythos” and “Ignorance”

Away from myself, always, the blade angles
to save – dulls itself to keep, the hands wanting
to preserve even as the soul soils. I crave the bone
the meat the only thing hunger simmers under,
simmers for, for loneliness the gnaw (the echo
died, do you even beat) of never being touched.

February 2021
Featured image for ““Angel Fire, New Mexico, August 2020,” “Passing Down Recipes” and “Tenderness””
Christa Lubatkin

“Angel Fire, New Mexico, August 2020,” “Passing Down Recipes” and “Tenderness”

we landed here
a reprieve
from Arizona heat
from reminders
of a house needing
paint and spackle
and a yard drowning in sun

February 2021
Featured image for ““Reading Octavio Paz””
Claudia Putnam

“Reading Octavio Paz”

Midnight
between
Mexico City and the highlands
the night
spun
into deep velvet
air so dense I couldn’t understand
how we could pass

February 2021
Featured image for ““Castle Recursion” and “Castle Omnipresence””
Shyla Shehan

“Castle Recursion” and “Castle Omnipresence”

On Tuesday
I wake early and fix breakfast
turn over the hourglass on the table
Out the door as chauffeur by 7:30
Personal trainer and nutritionist at 8:30
Errand maid at 9:30
Data Engineer from 10:30 to 3
I want to quit my job

February 2021
Featured image for ““A Kiss on the Lips,” “The Wolf on the Fold” and “Make Eve the Apple””
Jack D. Harvey

“A Kiss on the Lips,” “The Wolf on the Fold” and “Make Eve the Apple”

A kiss on the lips,
my lover,
is all I wanted,
when the lights
got low and
time got short;

February 2021
Featured image for “Called Home”
Diane S. Jarrett

Called Home

Screened doors slamming and the calls of “Can you play now?” echoed between the houses on Rose Lane during Raleigh summers in the late 1950s and early ‘60s. Sometimes it was hard to tell which child lived in which house.

February 2021
Featured image for ““Heron,” “Liberty” and “Odyssey””
Patrick T. Reardon

“Heron,” “Liberty” and “Odyssey”

Great blue heron, white in high green,
folds on self, forward falls toward water,
clear space, wingspan wind-catch, rise in flight.

I am semi-trailer truck in someone else’s tender canoe
— steep banks through suburbs, six crows
from one bank to the other frenzy a hawk

February 2021
Featured image for “How the Legend Ends”
Matthew Dentice

How the Legend Ends

The sky had been an unusually brilliant shade of blue that day. Not that it mattered much now. Billowing smoke rendered it a kind of sooty grey against the approaching twilight. At least, that is how it looked in the small bit of sky which was visible through the high bows of the trees. A harsh, pungent smell wafted on the early evening breeze. The smell of burning.

January 2021
Featured image for “A Compromising Photograph”
Sarah Roff

A Compromising Photograph

It was six o’clock on an August morning when an old war hero hobbled up to the front door as Anni was sitting in the kitchen drinking a cup of the bitter chicory that now stood in for coffee. Anni was listening to a bird and trying to decide what kind of warbler it was when its song was drowned out by the sharp trilling of the bell, a signal that traveled from the front door of the big house down a cable in the hall to the kitchen, where a series of clappers mounted on the side wall vibrated with alarm. She stood up from the table. Her mother had come down from upstairs, where she had been putting an inexperienced young housemaid through her paces. There was murmuring in the hallway that passed into the parlor. A few minutes later, the front door opened again, and the old soldier took his leave in low tones, his single boot crunching on the gravel as he retreated down the path.

January 2021
Featured image for “The Tenant”
Melinda Keathley

The Tenant

When the doorbell rang, Shelley looked at the grandfather clock, wiped her mouth and hands with her napkin, placed her plate in her lap, and with one fluid motion reversed and turned her wheelchair out from the kitchen table. She rolled (the term she most often used to reference her method of self-propulsion) to the sink where she placed the plate to be loaded in the dishwasher later. It was 8:45 a.m. The showing was early, but Shelley appreciated the potential tenant’s punctuality.

January 2021
Featured image for “Eagle Beach”
Jim Fairhall

Eagle Beach

Toward the end of the monsoon, after humping the green-roofed mountains and the elephant-grass hills southwest of Hué so long that they’d become my home, I got a rear job. There was an opening in the security platoon at Eagle Beach: I’d finish my tour of duty there. This was a lucky break, since the Army could just as well have made me a clerk in muddy Phu Bai, the rear area of my battalion.

January 2021