Issues

Issues

Featured image for “A Punk Like Me”
Marianne Dalton

A Punk Like Me

I discovered the babysitter looking through a taboo photo collection with my five-year-old daughter as I stepped through my front door. My quickening heart beat faster and faster and, fearing it could explode out of my chest, I focused my sights on control. Gliding into the living room, I channeled my perfect Stepford-wife-voice, and asked, hey, how was your night?

May 2022
Featured image for “Tempestad”
Miguel Guerrero Becerra

Tempestad

The first time I took someone’s life I did so with a whisper.
I was just a child back then. Mamma owned a small pocket-size revolver that she had bought at a discount from a gypsy who was passing through one rainy afternoon, but I wasn’t allowed anywhere near it; therefore, all I had at my disposal to rid the world from the man who had tormented me to the very core of my bones…

May 2022
Featured image for ““Forget the Alamo,” “Eliot Ness Noir” and “Major Case””
Robert Eugene Rubino

“Forget the Alamo,” “Eliot Ness Noir” and “Major Case”

At the aptly named Jackson Theater
when you were twelve
you saw John Wayne’s visually ambitious
gloriously fictitious
version of The Alamo
— yet another story already told to you through TV
— and so of course yet another lie.

May 2022
Featured image for “The Healer’s Stone”
Mary Paliescheskey

The Healer’s Stone

Nadia Kowalski snuggles closer to her husband, Josef, wrapping the wool blanket tight around them as her breath fogs the cold air. Traveling with all their possessions piled high on their cart has gotten harder as fall moves to winter, but now that a few months have passed with no pursuit from the authorities, they can use the better roads. Nadia watches the mules pull them through the puddles left by the rain. The slow movement and rhythmic clanking of the pots and pans lulls her to sleep.

May 2022
Featured image for ““The Temple,” “Alexandria” and “Mother’s Lament””
Nathan Mears

“The Temple,” “Alexandria” and “Mother’s Lament”

In my early, disruptive thirties,
I wondered through
An aimless, broken land,
With a slew of past sins as my guide.

Along my travels,
I found a temple made of marble stone
Standing in the middle of nowhere.

May 2022
Featured image for ““Solomon’s Song””
Begonya Plaza-Rosenbluth

“Solomon’s Song”

Sleepless cities hate shutting down, but also,
Distancing protocols dismantle congregations in dozy towns.
Trauma afflicts the already jobless.
New York nights avoid turning dark & idle,
Yet theatres close-down & spotlights shut-off,
Covid has proven that seductive consumptions are not worth the cough.

May 2022
Featured image for ““Earthquake,” “Reflection” and “What Remains””
Linda Laderman

“Earthquake,” “Reflection” and “What Remains”

Flying home from Seattle,
A man behind me mentions
The 2011 Christchurch earthquake.
I turn to see if it is you. A crazy thought.
Why would you be here?
Fifteen years since I heard your voice.
Still, I recall its timbre.
When you talked it sounded as if
You had a mouthful of stones.

May 2022
Featured image for ““In the Quiet Room,” “Watching Her Niece Marry Jesus in the ‘60s” and “Sirens Howling Overhead””
David Goodrum

“In the Quiet Room,” “Watching Her Niece Marry Jesus in the ‘60s” and “Sirens Howling Overhead”

I walk back from intensive care,
automatically shuffle for solitaire
and report the numbers to siblings
as I try to deal:
pressure urine cc’s and temp,
peeling off the first three cards
and nothing changing.

May 2022
Featured image for ““Loss,” “Walking the dog” and “How It Began””
Patricia Hemminger

“Loss,” “Walking the dog” and “How It Began”

I’ve read that visual memories
are easier to recall than words,
so when I can’t remember the name
of the tree by the garden hedge
white blossoms in springtime,
I think of our dog, Finn, basking
beneath it, long ears stroking the earth,
know it is a dogwood tree.

May 2022
Featured image for ““Faded Blue,” “The Soft Dust of Memory Settles on My Tongue” and “August Lust””
Tiffany Santos

“Faded Blue,” “The Soft Dust of Memory Settles on My Tongue” and “August Lust”

Waking at 6:00 am, she would sit all day on a wooden stool,
listening to country music on a radio.
Coffee gave her the neuralgia along her nose, so she gave it up years ago,
drank hot water from McDonald’s Styrofoam cups.

Only bone and sinew, papery, thin skin,
her gnarled hands could crush
plants or animals or a small child.

May 2022
Featured image for “The Reader”
Ricardo José González-Rothi

The Reader

It was a balmy 97 degrees when he stepped out of his truck into the parking lot outside Sunny Acres Nursing and Rehab Center. He looked forward to the sliding doors welcoming him into the air-conditioned lobby. It was Monday, and just like every Monday at 3 p.m. with a book tucked under one arm and a bag of peppermints clipped between the thumb and index finger of the ipsilateral hand…

May 2022
Featured image for “Bus Stop”
Rebecca Godwin

Bus Stop

At 6:10 on a March afternoon in Montgomery, Alabama, Ginnie Lackland sat on the steps of Miss Lily’s acrobatics studio, watching her classmates get picked up by their mothers. Ginnie was a big girl, almost seven, who could do front splits and a perfect backbend and was learning to flip herself completely around without touching the floor—what flying must feel like, she imagined. Miss Lily told her to think of a perfect circle.

May 2022
Featured image for “The Key to Catastrophe Management”
Mary Lannon

The Key to Catastrophe Management

I’ve finally figured it out, I mean, about the weather and all: how important it is to me, to you, to everyone, to our well-being. For a long time, I thought it was Charlie who figured it out first. But before that—Charlie and I—we were in the same boat. Neither of us knew of our complete and utter ignorance. No, neither of us had any respect at all for the weather that last semester of senior year when we first met searching—in what can only be understood as a mockery of our ultimate fate—for a meteorology class.

April 2022
Featured image for ““Fred’s Theory of Relativity” and “Heaven’s Rules””
Mark Williams

“Fred’s Theory of Relativity” and “Heaven’s Rules”

“Stupid is as stupid does,” said Forest Gump. So true.
Like the time nine-year-old me, batting eighth,
squared around to bunt and took a Larry Broerman
fastball in the groin that dropped me to the ground,
where the coaches and umps huddled around
and unbuttoned my pants so I could breathe.

April 2022
Featured image for “Traps”
Randy Mackin

Traps

Coyotes dangled like Christmas ornaments from the tree. Coup D. Gracen closed the gate and stopped beside his pickup to admire his work. He didn’t take credit for inventing this trap—someone else somewhere must have tried it too—but he had perfected it: 150-pound test fishing line and 14 ought treble hooks triple-knotted and baited with pig liver. The limb would break before Coup’s tackle gave way.

April 2022
Featured image for ““A Move More Permanent,” “Main Character” and “Snail””
Kira Rosemarie

“A Move More Permanent,” “Main Character” and “Snail”

Invisible in the everyday view of my myopic mind,
The breezes blow palm fronds into
Paintbrush-stiff attention on the edges of I-95.

So rarely now do I look up
And see the lemon twist of sunlight in the trees
That I’m shocked my eyes still recognize color.

April 2022
Featured image for “A Colony of Mutant Flamingos”
Thomas Small

A Colony of Mutant Flamingos

Jeremy Wilkins died the summer I was fourteen. Accident was noted as the official cause of death. That was more a testament of his father’s ability to control the situation, by keeping the word suicide off the death certificate. I spent a lot of time with Jeremy that last summer and was overwhelmed with the enormity of what he’d done. Mostly, I was surprised by people’s reactions to it.

April 2022
Featured image for ““seen // unsent””
Kate MacAlister

“seen // unsent”

it split my lip // I will always be a little bit in love with you… too
just a little bit // more and we would witness the shadows of
some sort of situation alienated // a surplus fairytale of a couple of normative years

April 2022
Featured image for “The Woman of the House”
Camila Santos

The Woman of the House

They had arrived early on a Thursday afternoon, just in time for lunch. Mr. Oswaldo carried two suitcases. A curvy, short brunette in a miniskirt and high-heeled sandals walked into the house right behind him. She wore too much lipstick. As Silmara went into the kitchen to get them a glass of water, she wondered, how old is she? Silmara was not as shocked about the girl’s youth, but rather, at the audacity of bringing her to the house when Ms. Cecília had only moved out a month ago.

April 2022
Featured image for ““Words,” “Paradoxical Undressing” and “They Say Trauma Makes the Best Art””
Sabrina Herrmann

“Words,” “Paradoxical Undressing” and “They Say Trauma Makes the Best Art”

I didn’t like animals
until I started naming them.
The intimate knowledge
of a word,
a string of syllables,
made everything safe.

April 2022
Featured image for ““Chicago (After Ginsberg),” “When You Spot Your Flower” and “The Spring-Bringer””
Julie Benesh

“Chicago (After Ginsberg),” “When You Spot Your Flower” and “The Spring-Bringer”

Chicago I fell in love with you at first sight in May 1975.
I wore that green dress and you wore the Lake.
You were the Big Man in the Midwest.
I was 15, you were 138.
I gave you the best years of my life when I thought you had given them to me.

April 2022
Featured image for ““Fear of Missing Out,” “Inscrutable” and “Grace””
J.E. O'Leary

“Fear of Missing Out,” “Inscrutable” and “Grace”

in a deliberate silence, there are no words really,
except those you might expect,
describing what you’re hearing to yourself.

to me they’re describing the winter white noise:

radiators, cars idling outside,

April 2022
Featured image for “City of Colour”
C. H. Weihmann

City of Colour

Standing centre stage, I look out at the faces of farmers with straw-coloured hair and bland bovine eyes, eyes that have never seen the ocean. Only the yellow wheat fields that stretch horizon-wide and whispering. That’s the closest thing they have: the dry, dull wheat fields pretending at ocean depth, and the vast, unending sky. There is no underwater here. There is no freedom. There is no escape.

April 2022
Featured image for “The Price of Sunshine: “Returning””
Susan Wan Dolling

The Price of Sunshine: “Returning”

In 1990, I was invited to participate in a delegation of “U.S. writers and publishers” to visit China. Ever since I left Hong Kong all those years ago, I have often felt half in and half out of every place I have lived, not entirely belonging anywhere. On this trip, my role was particularly tricky, as the Chinese treated me as one of the visiting Americans, while the Americans saw me as Chinese.

April 2022