Issues

Issues

Featured image for “Out Stealing Water”
Roxanne Doty

Out Stealing Water

A dozen empty paint buckets rattle in the truck bed as Emily and her two uncles, Dwight and Jay, head west on Van Buren to the ragged edges of downtown Phoenix. Dwight drives, and Jay dangles his arm out the passenger window, his palm spread wide to catch the wind, his feet tapping on the floorboard.

February 2022
Featured image for “Hourglass Hostel”
Alana Hollenbaugh

Hourglass Hostel

In the few seconds it took for my eyes to adjust to the darkness of the unfamiliar room, the cloud of spiced-chai scent around me had already faded. I slowly turned, taking in the lobby where I had landed. A bar filled half of the room, with worn, dark wood chairs stacked on clean tables, and the only movement was the dust spiraling through a bit of sunlight that slanted across the room.

February 2022
Featured image for “Blood Harmony”
MoAde M. J.

Blood Harmony

Under low light, Zilla’s fingerpads brushed the floor feeling for that telltale groove. When she found it, she took hold firmly and cracked the floorboard away. It had been done many times. It would look the same after.
Here, in a shallow dug hole underneath the cabin floorboards, the wooden box came delicately as if it were made of the dirt around it, as if it crumbled.

February 2022
Featured image for ““Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz””
Malcolm Glass

“Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz”

The old canoe rests on the sand
at lake’s edge, its stern still
in the water. How many

strokes of the paddle wore away
the varnish on the gunwales?
Many. So many. And years

of sunlight and rain. Years
of snow and wind.

February 2022
Featured image for “Antidote to Truth”
Carol Ann Wilson

Antidote to Truth

Standing in Tiananmen Square that autumn day in 1998, I marveled at its vastness. The few people populating its more than fifty-three acres seemed like ants on an enormous sidewalk. The square could hold many, many more. Multitudes.

February 2022
Featured image for ““Why Our Marriage Works” and “The Widow Sifts Through the Rubble””
Linda Drach

“Why Our Marriage Works” and “The Widow Sifts Through the Rubble”

You sing songs to the pug in your fake Cantonese
and seem surprised when he doesn’t understand. You make coffee
a party: dark-roasted beans, gleaming French presses, and hand-thrown
mugs plucked from thrift-store shelves.

February 2022
Featured image for “Circling the Inferno”
Joan Drescher Cooper

Circling the Inferno

Limbo
Sometimes on the train in the morning, Melanie thought about failing to get off at her stop for work. She’d lean her head back on the tweedy headrest and close her eyes. If this was a real train instead of commuter light rail, she’d muse, perhaps she would stay on the train all the way to the next town.

February 2022
Featured image for “Watch What You Wish For”
Gerald Lynch

Watch What You Wish For

The snow, real staying snow, just won’t come this winter, and it’s already January. It has accumulated some at times, of course, if more like helpless Styrofoam pellets swept against tree trunks, where they grab at the base as if that’s the height of ambition, then climb even in a weak breeze, then give up and disappear to only God knows where.

February 2022
Featured image for “Dora’s Deathbed: First Movement”
Gary Levi

Dora’s Deathbed: First Movement

“I can’t feel a pulse,” Mae says, her rose-lacquered fingertips probing the carotid of her dying friend Dora. Mae’s a just-retired nurse, so what she says carries weight. Even though she’s here in her civilian capacity, like the rest of us, to watch Dora die.

February 2022
Featured image for “In the Pines”
Stephen Coates

In the Pines

“Some said she was surrounded by a glow like pale fire. Some said she was wearing a tattered wedding gown, hair wild and bedraggled. Some—teenage boys, mostly—said that she was naked. But none of that was true. She was just ordinary.” “You saw her?”

February 2022
Featured image for ““Three Breaths,” “They Come in Rotation” and “He Lies Dying””
Julia McDonald

“Three Breaths,” “They Come in Rotation” and “He Lies Dying”

1. Here I am
His creased dress-pants hang on bony anatomy:
pelvic brim, iliac crest. Long foreleg ankles without socks.
I don’t know why a Nuer, reputed to walk for days without rest,
measuring the horizon with metronomic femurs and tibia
reminds me of my adolescent father, but he does.

February 2022
Featured image for “Deliver Me: A Pocho’s Accidental Guide to College, Love, and Pizza Delivery”
Tomas Baiza

Deliver Me: A Pocho’s Accidental Guide to College, Love, and Pizza Delivery

Giangrande getting on me for my lack of ambition still stings. Even here, with what I am about to do, I can’t completely pry it out of my head.
The weather is uncommonly pleasant for mid-November. Crissy Field is bustling with people playing frisbee, walking their dogs, enjoying picnics in their sweaters, some even wading into the cold water of San Francisco Bay with their pant legs rolled up.

January 2022
Featured image for “Sleep of Bronze: An Iliad”
Dawid Juraszek

Sleep of Bronze: An Iliad

What if it was a god?
Shivering, I look down. Parched earth. Withered vegetation. My own bruised feet. I feel the might of the heat on the back of my neck. The stream, its life-giving waters too close to bear, might just as well be flowing beyond the horizon. What’s below is hard as stone, what’s above is just as heavy. Me, I am petrified.

January 2022
Featured image for “Rumspringa”
Meredith Spitzmiller

Rumspringa

As dawn breaks, sunlight creeps into the mostly deserted parking lot of a decrepit convenience store. Abandoned items and trash litter the pockmarked asphalt. An exhausted young woman sits in the front seat of a filthy Chevy, so dirty, it’s hard to tell what color the car used to be. Kate slowly peels back the wrapper of a candy bar but does not consume a bite.

January 2022
Featured image for ““Why I Wear the Hijab” and “Octopus””
Ilari Pass

“Why I Wear the Hijab” and “Octopus”

اماذا أر تديي الحجاب

The clouds are filled with rain
but they do not bring rain
just like a woman
sometimes
does not bring any current
so, look again

January 2022
Featured image for “Born Still”
Anna West

Born Still

I was watching a gothic tableau play out from the corner of a hospital room. A pale girl lay on the bed below. Dark hair on white pillows. White sheets between her legs stained with blood. I felt compassion for the pale girl and the three people bending over her. Two nurses and a young doctor. A cry caught in his throat. “We’re losing her!”

January 2022
Featured image for ““Is This Thing Loaded?” “Junk Mail” and “New(s) Headlines””
Tina Lear

“Is This Thing Loaded?” “Junk Mail” and “New(s) Headlines”

It’s late, and I’m doing the last dishes of the day. I rinse them, swing the door down, pull out the lower rack, and then I sigh. Every time.

Someone designed this machine with a lot of thought. There is a right way to load it.

January 2022
Featured image for “Hope”
Madelaine Zadik

Hope

Hope is what filled Helga’s letters, in fact, they were overflowing with hope. Hard to imagine so much hope inside a prison cell. That first year awaiting trial moved slowly, with little to do inside that cell. Helga was in solitary confinement for over eight months.
My mother and her sister, Helga, were part of the resistance in Nazi Germany. As teenagers they worked as couriers, smuggling anti-Hitler newspapers across the mountains from Czechoslovakia into Germany.

January 2022
Featured image for ““A girl called Time,” “Sleep” and “Sunfall””
Freddy Lond

“A girl called Time,” “Sleep” and “Sunfall”

Once she’d been busy,
unapproachable,
hard to get in touch with,
too cool for the likes of me.

Now she’s here to stay,
not leaving me for a second,

January 2022
Featured image for “Bobby’s Irish Goodbye”
Joyce McKenna

Bobby’s Irish Goodbye

It’s always been remarked upon in my family — by family I include all my cousins — that whenever there’s a large gathering, my brother Bobby, youngest of all the twenty-one cousins, will slip away unnoticed, thus aptly demonstrating the “Irish Goodbye.” He began his disappearing act at the age of two and a half.

January 2022
Featured image for ““Glass Coffin” and “See You at the Air Down””
Trapper Markelz

“Glass Coffin” and “See You at the Air Down”

I’m not going to be famous,
but my kids might remember me.

Perhaps I’ll have the luck
to kiss a child and be forgotten,
a lingering creation left upon the earth,
consumed by a mad dash to replace us all.

January 2022
Featured image for ““Busy Being Eve,” “Bright Highway” and “A Sort-of Sonnet for the Night In””
Yvonne Morris

“Busy Being Eve,” “Bright Highway” and “A Sort-of Sonnet for the Night In”

She drowns on the sofa for two weeks. But each day she makes herself rise and wobble to the kitchen for water, a bite of toast. The blistering pain in her pneumonia-filled lungs causes her to grab the counter as if it’s an overturned boat, yet she hangs on, gasping for dear life.

January 2022
Featured image for ““What I Learned from Someone I Love” and “Exploring””
Ian Naranjo

“What I Learned from Someone I Love” and “Exploring”

Tell your kids that love is essential but do not love yourself. Keep a spider inside your shoulder. Let it tuck itself there as it protects a lead ball residing in your stomach.

January 2022
Featured image for “Flanked By These Heroes”
C.W. Bigelow

Flanked By These Heroes

One hundred stitches winding like a leafy vine across his backside kept Dorrey on his stomach and abruptly delayed his induction into the army. The weapon that wielded the damage had been the sharp edge of a tin can top, just an innocent bystander minding its own business. The blame lay somewhere between Dorrey, a fifth of Jack and a group of our friends gathered at a going-away party.

January 2022