Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for “The Dummy”
James Hohenbary

The Dummy

Allen White, mayor of Centralia, stared at the ventriloquist dummy that reclined in the box. He had asked his political party for funding, and along with a check, the package had arrived. It sported an orange face with pink circles around the eyes. Yellow hair swooned at the front of a mostly bald head. The packing peanuts were painted gold. Like a sloppy job with a spray can.
These puppets were nothing new. Other candidates were still using them in other states, even after the last election. Allen shook his head. He personally disliked the idea. He worried that the Vaudeville antics made it harder to lead. “Should a king compete with his fool?” he asked. On the other hand, the polls had their own truth to tell.

March 2022
Featured image for “In Their Ruin: Inquisitor”
Joyce Goldenstern

In Their Ruin: Inquisitor

The first evil thing that Samuel Stone remembered doing in his life happened when he was nine years old. He burned a martyr at the stake.
Of Gladys’s three sons, Samuel was the one who listened most intently to Gladys’s stories and asked the most questions. He was a practical child who carefully counted his allowance coins, but also a child who appreciated metaphors.

March 2022
Featured image for “The Year Coffee Was Illegal: Bad Brew”
Susan Hudson

The Year Coffee Was Illegal: Bad Brew

June 1992
Scottsdale, Arizona
“So glad you could make it, Bill.” Al Church greeted his old friend, Surgeon General Dr. Bill Johnston.
“Well, under the circumstances, I think it’s better that I come to see you than the other way around. Can’t be too careful in D.C.”
“True. We both have enemies there.”

March 2022
Featured image for ““The World Is a Savage Place,” “Moon Prayer” and “Soft Body””
Christen Lee

“The World Is a Savage Place,” “Moon Prayer” and “Soft Body”

The world is a savage place. Have you read the news today? Surveyed rural highways, An elegy to wildlife speared by cars like arrows from the crossbow? Felt life fade from the one clutched in your arms? Seen a man sink to his knees as you whisper “She’s gone”?

March 2022
Featured image for “State of Affairs”
Thomas Weedman

State of Affairs

I wake for work at three, dizzy drunk sidestep in the dark to the kitchen. Thank God for stippled walls, good as cool soothing braille. My head spins, trying to recall what led to this state of affairs. Nothing yet ghosts my foggy mind. And nothing makes a sound or moves in the usually creaky Victorian apartment. Not a window rattle or even a mousy stir.

March 2022
Featured image for “Heading Home Again”
Cory Essey

Heading Home Again

Ethan’s head was humming. A nest of bees could have taken up residence inside his brain, and he doubted that it would feel less uncomfortable. The constant buzzing, the absence of a peaceful mind, was the hardest part of his job – he had decided that long ago. It wasn’t the ungodly hours or the constant stress of working under strict time limits that could mean life or death.

March 2022
Featured image for ““White on Glass,” “Auto-Genesis” and “Foreground and Background””
Jacob Weil

“White on Glass,” “Auto-Genesis” and “Foreground and Background”

I remember being thirteen And the snow falling so completely On the windshield.

It was as if I were alone. So sudden and delicate. A single open window in which the cold light expands.

March 2022
Featured image for ““Cousins,” “Origins” and “Lurking””
Deborah Filanowski

“Cousins,” “Origins” and “Lurking”

Crickets signal the need for sacrifice, a thanks for good harvest, appeasement for the war gods of winter. The frost is overdue. Near the end of October, the mosquitoes hum and bite as I still sit on the front porch.

March 2022
Featured image for “The Kid”
Michelle Spencer

The Kid

The kid’s face is good and smashed up, his nose most certainly broken. Eddy has transferred enough prisoners to know these things. On the grand scale, these injuries don’t look too bad and the easy banter between the paramedics speaks to the lack of urgency.
“Nearly there, warden,” the medic closest to Eddy says. “We should get through quick. Mondays are usually quiet. You’ll be back in no time.”

March 2022
Featured image for “The Dead Too Shall Rise”
Belle Kane

The Dead Too Shall Rise

When Victoria summoned the dead, it was an accident. The power flickered out just as Victoria locked the front door and flipped over the “We’re Open” sign. She heard the AC’s guttural last attempts at blowing cold air as it died out. She sighed, looking up at the ceiling regretfully. She would have to make do with what she had at the store.

March 2022
Featured image for “Her Own Devices: Chapter 9”
Geoffrey Dutton

Her Own Devices: Chapter 9

For fifteen minutes Anna sat on the concrete wall, fingers interlocked, rhythmically rubbing her thumbs, until the curly headed man emerged onto the taverna’s patio. He was as thin as she had remembered, but taller, with that stooped bearing tall men fall into from peering down at the world. After briefly stabbing and stroking his phone, he put it in a back pocket, glanced in her direction, and sauntered down the sidewalk. Sensing he still hadn’t recognized her emboldened Anna to get up and warily trail after him.

March 2022
Featured image for “Good Luck Finding August”
Erynn Wakefield

Good Luck Finding August

The air was crisp. I felt it on my lips as I took deep breaths, trying to prove my mom wrong. I didn’t need a coat; plus, it would’ve covered up my brand-new Avril Lavigne shirt. I wasn’t waiting for Halloween like the other kids, I never liked it much. I think I was too self-aware at a mere twelve years old.

February 2022
Featured image for ““Gwembe Valley” and “Saliya’s Calabashes””
Palisa Muchimba

“Gwembe Valley” and “Saliya’s Calabashes”

Valley of the living
Valley of the dead
You call me back to my roots
Here, I can pause & look
I see
I see my people
I see me
Who am I?
I am a part of Gwembe

February 2022
Featured image for ““No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.””
Joanne Jagoda

“No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.”

There will be no words,
no tributes, sonnets or verses of consolation,
borrowed from the great poets or philosophers
for an angel called up too soon.
Only the cries of infinite mourning rambles will reach the heavens.

February 2022
Featured image for “A Father’s Arms”
Su Cummings

A Father’s Arms

The thermonuclear bomb and I practically share a birthday—that was the first hydrogen fusion device with the power of 800 Hiroshima bombs. They called it the superbomb, the “city killer.” Physicist Enrico Fermi said its “practical effect is almost one of genocide.” I always knew the fear-begotten arms race and I grew up together.

February 2022
Featured image for “Uphill”
Pernille AEgidius Dake

Uphill

You have to live somewhere. But the Woodhills Preservation Tract, a private homeowners association on the outskirt of Hopscotch Mills, N.Y., where every street ends in -wood: Beechwood, Pinewood, Ashwood, Alderwood, Oakwood, Wedgewood, Westwood, Sycamorewood, Hollywood, Gingkowood, and Cedarwood, is a far cry from where Eliza Volk used to live in Manhattan.

February 2022
Featured image for “Brighton Beach”
William Mager

Brighton Beach

Chrissie’s just leaving the office when she sees him standing at the 23rd St subway entrance, looking up at the sky. When his eyes drift down to meet hers, the jolt of sudden intimacy sends her walking in the opposite direction. She never took the New York City Subway.

February 2022
Featured image for “Indigo Lace”
Noelle Nori

Indigo Lace

The rest of March was not kind. The wind screamed off the harbor and whipped Nell’s hair from under its pinned hat as she walked to work each day. It seemed an endless series of gray days. She wrote to Mrs. Reilly, but with each day that passed without a reply, her hopes of a response grew dimmer.

February 2022
Featured image for “The Hunter Was Late for the Circus”
Orleans Saltos

The Hunter Was Late for the Circus

The Hunter avoided public venues, well-traveled roads, and any place where officers might be present. He didn’t want any more incarcerations, DNA tests, or looks of disgust from self-entitled bureaucrats. Running into anyone who would detain him, even if only temporarily, would delay his intended mission. His immediate goal was to track down the circus that had recently entertained the residents of a small Peacelands town near the border.

February 2022
Featured image for ““Nana’s Hutch” and “Untamed””
MD Bier

“Nana’s Hutch” and “Untamed”

I loved you since I was a small child. We all did. You went to my aunt first. Then me. Initially there was a little jealousy. My aunt lavishly gave out other heirlooms to compensate. My grandfather created a special built-in place ~ a cut out in the dining room wall. You fit there perfectly.

February 2022
Featured image for “Out Stealing Water”
Roxanne Doty

Out Stealing Water

A dozen empty paint buckets rattle in the truck bed as Emily and her two uncles, Dwight and Jay, head west on Van Buren to the ragged edges of downtown Phoenix. Dwight drives, and Jay dangles his arm out the passenger window, his palm spread wide to catch the wind, his feet tapping on the floorboard.

February 2022
Featured image for “Hourglass Hostel”
Alana Hollenbaugh

Hourglass Hostel

In the few seconds it took for my eyes to adjust to the darkness of the unfamiliar room, the cloud of spiced-chai scent around me had already faded. I slowly turned, taking in the lobby where I had landed. A bar filled half of the room, with worn, dark wood chairs stacked on clean tables, and the only movement was the dust spiraling through a bit of sunlight that slanted across the room.

February 2022
Featured image for “Blood Harmony”
MoAde M. J.

Blood Harmony

Under low light, Zilla’s fingerpads brushed the floor feeling for that telltale groove. When she found it, she took hold firmly and cracked the floorboard away. It had been done many times. It would look the same after.
Here, in a shallow dug hole underneath the cabin floorboards, the wooden box came delicately as if it were made of the dirt around it, as if it crumbled.

February 2022
Featured image for ““Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz””
Malcolm Glass

“Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz”

The old canoe rests on the sand
at lake’s edge, its stern still
in the water. How many

strokes of the paddle wore away
the varnish on the gunwales?
Many. So many. And years

of sunlight and rain. Years
of snow and wind.

February 2022