Issues

Issues

Featured image for ““Fred’s Theory of Relativity” and “Heaven’s Rules””
Mark Williams

“Fred’s Theory of Relativity” and “Heaven’s Rules”

“Stupid is as stupid does,” said Forest Gump. So true.
Like the time nine-year-old me, batting eighth,
squared around to bunt and took a Larry Broerman
fastball in the groin that dropped me to the ground,
where the coaches and umps huddled around
and unbuttoned my pants so I could breathe.

April 2022
Featured image for “Traps”
Randy Mackin

Traps

Coyotes dangled like Christmas ornaments from the tree. Coup D. Gracen closed the gate and stopped beside his pickup to admire his work. He didn’t take credit for inventing this trap—someone else somewhere must have tried it too—but he had perfected it: 150-pound test fishing line and 14 ought treble hooks triple-knotted and baited with pig liver. The limb would break before Coup’s tackle gave way.

April 2022
Featured image for ““A Move More Permanent,” “Main Character” and “Snail””
Kira Rosemarie

“A Move More Permanent,” “Main Character” and “Snail”

Invisible in the everyday view of my myopic mind,
The breezes blow palm fronds into
Paintbrush-stiff attention on the edges of I-95.

So rarely now do I look up
And see the lemon twist of sunlight in the trees
That I’m shocked my eyes still recognize color.

April 2022
Featured image for “A Colony of Mutant Flamingos”
Thomas Small

A Colony of Mutant Flamingos

Jeremy Wilkins died the summer I was fourteen. Accident was noted as the official cause of death. That was more a testament of his father’s ability to control the situation, by keeping the word suicide off the death certificate. I spent a lot of time with Jeremy that last summer and was overwhelmed with the enormity of what he’d done. Mostly, I was surprised by people’s reactions to it.

April 2022
Featured image for ““seen // unsent””
Kate MacAlister

“seen // unsent”

it split my lip // I will always be a little bit in love with you… too
just a little bit // more and we would witness the shadows of
some sort of situation alienated // a surplus fairytale of a couple of normative years

April 2022
Featured image for “The Woman of the House”
Camila Santos

The Woman of the House

They had arrived early on a Thursday afternoon, just in time for lunch. Mr. Oswaldo carried two suitcases. A curvy, short brunette in a miniskirt and high-heeled sandals walked into the house right behind him. She wore too much lipstick. As Silmara went into the kitchen to get them a glass of water, she wondered, how old is she? Silmara was not as shocked about the girl’s youth, but rather, at the audacity of bringing her to the house when Ms. Cecília had only moved out a month ago.

April 2022
Featured image for ““Words,” “Paradoxical Undressing” and “They Say Trauma Makes the Best Art””
Sabrina Herrmann

“Words,” “Paradoxical Undressing” and “They Say Trauma Makes the Best Art”

I didn’t like animals
until I started naming them.
The intimate knowledge
of a word,
a string of syllables,
made everything safe.

April 2022
Featured image for ““Chicago (After Ginsberg),” “When You Spot Your Flower” and “The Spring-Bringer””
Julie Benesh

“Chicago (After Ginsberg),” “When You Spot Your Flower” and “The Spring-Bringer”

Chicago I fell in love with you at first sight in May 1975.
I wore that green dress and you wore the Lake.
You were the Big Man in the Midwest.
I was 15, you were 138.
I gave you the best years of my life when I thought you had given them to me.

April 2022
Featured image for ““Fear of Missing Out,” “Inscrutable” and “Grace””
J.E. O'Leary

“Fear of Missing Out,” “Inscrutable” and “Grace”

in a deliberate silence, there are no words really,
except those you might expect,
describing what you’re hearing to yourself.

to me they’re describing the winter white noise:

radiators, cars idling outside,

April 2022
Featured image for “City of Colour”
C. H. Weihmann

City of Colour

Standing centre stage, I look out at the faces of farmers with straw-coloured hair and bland bovine eyes, eyes that have never seen the ocean. Only the yellow wheat fields that stretch horizon-wide and whispering. That’s the closest thing they have: the dry, dull wheat fields pretending at ocean depth, and the vast, unending sky. There is no underwater here. There is no freedom. There is no escape.

April 2022
Featured image for “The Price of Sunshine: “Returning””
Susan Wan Dolling

The Price of Sunshine: “Returning”

In 1990, I was invited to participate in a delegation of “U.S. writers and publishers” to visit China. Ever since I left Hong Kong all those years ago, I have often felt half in and half out of every place I have lived, not entirely belonging anywhere. On this trip, my role was particularly tricky, as the Chinese treated me as one of the visiting Americans, while the Americans saw me as Chinese.

April 2022
Featured image for “Facing Mecca”
Kathleen Tighe

Facing Mecca

Viewed from the top of the minaret, the desert stretches for miles until it touches a brilliant cerulean sky. On the horizon a blazing sun moves toward its afternoon descent. Even now, all these years later, I can still feel the rays of that sun burning my scalp, still feel my parched lips sucked dry of moisture. The desert sand shimmers in the sun.

April 2022
Featured image for “Dead End”
Mary Jumbelic

Dead End

“Mom, why are all the police cars and fire trucks here?”
“What did you say, honey?” I said, covering my free ear. “Police? Fire trucks?” Noise at the reception counter made it difficult to hear. I gestured to co-workers to lower the volume. A quick reply of silence followed. They listened to the boss, my prerogative as the Chief Medical Examiner.

April 2022
Featured image for “Watercolor for Beginners”
Janna Whitney Rider

Watercolor for Beginners

It was as if all my colors had changed. There was no control or curation to my feelings anymore, only raw and wild outbursts. I tried explaining to a friend, “I’m a Jackson Pollock painting right now. Red! Blue! Yellow! I prefer a bit more nuance. Something impressionistic typically suits me, like shadows that fade in the afternoon sun. Purple and gray into peachy yellow ochre – these are my colors.”

April 2022
Featured image for “The Cold Place”
Connor Fineran

The Cold Place

When my parents disappeared, I didn’t understand at first. I always expected difficult things in my life to come later when I was prepared. But nothing could prepare me for what happened the day I found the hole under the couch.
It was September. I’d just started seventh grade. My parents were out running errands, so I did what anyone would do: I wandered around the house, bouncing a ball up and around everywhere that it could be bounced.

April 2022
Featured image for “Canción de Fermín”
Marcia Calhoun Forecki

Canción de Fermín

Fermín Calderón accepted that his actions caused his brother-in-law Tavito to die. Accepting responsibility was the first step toward being forgiven. As a child in a village outside of Acapulco, Fermín heard the priest explain repentance and forgiveness. “First you must admit what you have done. Confess your sins. Only then may you ask to be forgiven.” He buried the words in his heart.

April 2022
Featured image for “The Fairy Statue”
Lisa Voorhees

The Fairy Statue

The face of the fairy statue that sits in the middle of my overgrown garden is covered with moss. Her exquisite features appear altered. The fairy used to be joyful, her stone eyes etched full of delight, tilted up at the corners. They reflected the smile of her pretty, carved mouth. Now her eyes are downcast, that mouth pulled into a frown. She’s been laid to waste by the ravages of time, incessant dampness, and years of neglect.

April 2022
Featured image for “The Narrow Path to Heaven”
Amy Monaghan

The Narrow Path to Heaven

In the church-like silence of the Pennsylvania night, a clothesline of white nightdresses billowed like captured ghosts above the grass. Dark fields drenched in dew stretched out in all directions, the careful rows of tobacco plants and corn waiting for their time to come. At the edge of the farmland, on a small hill above the house, stood an imposing oak tree. It looked down at the property like a sentinel.

April 2022
Featured image for “A Bright Cold Day in April”
Michael McGuire

A Bright Cold Day in April

It was a bright cold day in April of 1984 when I tested positive for the HIV virus. I remember the date and the weather because not only does the devastation of life-altering news make one hyperconscious of his environment and bring the physical world into magnified bold relief, I was that week also reading Orwell’s 1984 for the third time…

March 2022
Featured image for “Ignoring Vital Signs”
Hilton Koppe

Ignoring Vital Signs

These days I see my mum less often. But I see her better. Since I moved from the city to work as a country doctor twenty-five years ago, she visits a few times a year. She stays for a week or more. We get to share breakfast, lunch and dinner. Tonight, I am sitting with her in our lounge room. My kids are in bed. My wife is out. We are watching Fiddler on the Roof.

March 2022
Featured image for ““To the Race of Giant Fiberglass People Standing in Front of Illinois Businesses,” “On the Burlington Formation” and “Surprised by Phenology” ”
Steve Fay

“To the Race of Giant Fiberglass People Standing in Front of Illinois Businesses,” “On the Burlington Formation” and “Surprised by Phenology” 

I want you to know I honor each of you, how your shadows fully cross our streets

just after dawn, how you never bend to ridicule, or to rain, how you never lower

your standards, or your arms.

March 2022
Featured image for ““Objects,” “Womanhood” and “3awrah””
Hejaz Jalal

“Objects,” “Womanhood” and “3awrah”

This boy that I loved, my first love, named parts of me Names full of admiration Names that never addressed me Foreign names of white women

Aurora I don’t like those names

March 2022
Featured image for “Leopard Road”
Ethan Steers

Leopard Road

There is a road that follows three miles along the banks of the Ganges, leading through the village of Chatwapipal and on to Tibet. From 1918 to 1920, a man-eater dubbed the Man-Eater of Garhwal devoured thirty-seven people on that road, plucked from their carts and pilgrimages like coconuts from a tree. The leopard ruled with an iron fist until being killed by the Anglo-Indian hunter Rao Whittaker with the help of his friend Sayyad.

March 2022
Featured image for “Riverine”
Kayann Short

Riverine

By the bank of a winding river near the mouth of a mountain canyon lived a woman named Riverine. Which river she lived near, you must imagine for yourself. Any river that comes to mind will do, as long as it flows from a wild place with untamed edges ravining its course. Just picture the river you know best, even if it’s only the river you see when you close your eyes, and there you will find Riverine.
Riverine’s cabin seemed just another element of the rocks, soil, and sand that channeled the water in its banks. Built of logs long ago and surrounded by trees, her home was more of the river than on it. Yet whoever had built the cabin had sited it far enough on the upward slope from the river to protect the house from floods.

March 2022