Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for ““Somewhere,” “Evensong” and “Rattus Rattus””
M. Terry Pettit

“Somewhere,” “Evensong” and “Rattus Rattus”

Somewhere beyond the order of the sun
I would crouch sullen in the steppe wolf’s lair,
Gather the darkness into bloodlit eyes,
Tune raw sinews to a pitch of rage,
Howl incessant fury to the sky.

December 2021
Featured image for ““Paladin,” “Zeus” and “Cartography of Accident””
Leon Fedolfi

“Paladin,” “Zeus” and “Cartography of Accident”

In the woods behind her house,
in a season where the world tilts most
from its ball of light,
upon her small part of Earth’s
rounded back —
naked oak branches covered in white:

December 2021
Featured image for “Blue Moon On Riverside”
Penny Jackson

Blue Moon On Riverside

At fifteen years old, I was a pyromaniac. I would try to set my hair on fire with the fancy matches my mother collected from Manhattan’s finest bars: Lutèce, The Carlyle and The Plaza. I would steal them from a back drawer in the kitchen and my mother never noticed.

December 2021
Featured image for “Birds at Night”
Cory Essey

Birds at Night

We could hear the music, muted out here on the balcony, but lovely and soft, and we swayed slowly all alone, a quiet world with no one else in it to burst the dream that we had carefully weaved and convinced ourselves was reality.

December 2021
Featured image for “A Portrait of Winter”
Marvin Cheiten

A Portrait of Winter

I have always loved snow scenes. I am not talking about snow: I find snow to be brutally cold and harsh. Even snow’s whiteness reminds me not of purity but of a world devoid of color and nuance, a world that has had the life bleached out of it.

December 2021
Featured image for “A Train Whistle Blows”
Seth Foster

A Train Whistle Blows

Sitting on the edge of her bed, early evening sunlight stretching narrow shadows across the polished wooden floor, Mama whispers with her hands folded, “Dear God please, please let things go right. Please God, oh please.”

December 2021
Featured image for “Things Left Behind on the Moon”
Mark Wagstaff

Things Left Behind on the Moon

I was ten, I didn’t want to change school. But my father died. It wasn’t important he left us with nothing. We had nothing before, his death made no difference. We moved from a flat in the town to a house in wretched country. A suburb, tethered meaninglessly five miles from anywhere. Overnight I lost my friends.

December 2021
Featured image for “Durango”
Jeff Schnader

Durango

Back in the seventies, J-Bee drove a cab in New York. Tips were in nickels and dimes. When he’d saved enough, he hitched across the country. He arrived in Berkeley in summertime, land of eucalyptus trees and soup kitchens where the sun sets backwards, over the vast, sleepy, amnesic Pacific.

December 2021
Featured image for “A Different Kind of Sameness”
Randy McIntosh

A Different Kind of Sameness

Do you need comfort? Is the world getting you down? Need company during the lockdown but don’t want the risk? Do you need a quick fix of unconditional love but don’t want the commitment? Then you need Kitten Balls, the latest from XCorp in artificial pets.

December 2021
Featured image for “The Other in Paris”
N. M. Campbell

The Other in Paris

Marianne paced as she walked around the space praying. It was a lull between the movements, so she took a moment to stretch her legs. Fourteen years ago and a month, she did not remember this being so hard.
“Mama!” Marianne ran back to her daughter’s side and squatted down next to her.

December 2021
Featured image for “Lavender Roses”
Carol Pierce

Lavender Roses

My grandmother is in the hospital. Two weeks ago, on a Saturday, she lay down in the middle of the afternoon to take a nap. She was asleep for almost an hour, and when she awoke, she didn’t recognize her surroundings.

December 2021
Featured image for “Lost And Found”
Aida Bode

Lost And Found

The decade of childhood – 1981
The little girl’s red hair looked like a splash of sunrise on the white pillowcase. She moved her head to the edge of the bed and then opened her hazel eyes that shone like two big pieces of amber that had just started to cool down.

December 2021
Featured image for “Crystal Spirit”
Karen Toralba

Crystal Spirit

I can’t recall if I’ve ever been down such a long, narrow road—if you can call it a road—before or since. The word rural just doesn’t seem to accurately describe the area. Think the middle of nowhere but then go behind the shed of middle of nowhere, down by a creek, into the woods, and get lost, and that’s where I ended up.

December 2021
Featured image for “Who Do You Trust?”
Bridget Verhaaren

Who Do You Trust?

The baja sauce zings my tastebuds with fire from the ancho chili peppers. The light, flaky sauteed mahi mahi and fresh guacamole with lime make for fish taco perfection. Digging my toes deeper into the sand, I take another bite – a Chronic Taco party in my mouth. Gary and I sit on the warm sand and watch the waves crash onto the beach.

December 2021
Featured image for “Peter and the Fisherman”
Ed Connor

Peter and the Fisherman

“Mom! Mom!” Danielle yelled from the bedroom all three children would share during the annual beach vacation. “Mom! Kyle and I were playing with my dolls and Peter threw them all over the floor! Make him stop. Now!”
Hearing her daughter yell for the fourth time in the last fifteen minutes, Maggie O’Brien left the unpacking and stomped into the bedroom.

December 2021
Featured image for ““It’s October,” “Professin’” and “Fitting In””
Julie Benesh

“It’s October,” “Professin’” and “Fitting In”

and, just back from the Farmer’s Market, the last of the year, I’m wearing a summer sweatshirt the amber and aubergine of falling leaves. The cats mill expectantly, for what I know not.

December 2021
Featured image for ““Facts & Wonder””
Silvia Bonilla

“Facts & Wonder”

1. Saturdays in their kitchen,
my mother watering her cactus, my father
pulling out mozzarella and bread I have lost joy for.
The drowsy sadness on my father’s face whenever I didn’t want one.
Changing my mind was the gift. The day moved on sweeter.

December 2021
Featured image for ““An Honest Assessment””
Chris Dupuy

“An Honest Assessment”

Evil whispers echo through the space behind my eyes
penetrating to the core, they absorb my last drops of youthful exuberance
“it’s safe here, no need for change”

December 2021
Featured image for ““Windsong:  Grand Opera,” “Full-ness of Time” and “Shadow Play””
Russell Willis

“Windsong: Grand Opera,” “Full-ness of Time” and “Shadow Play”

The first strains of the overture
Intrudes on the calm of normalcy.
Several measures of gentle breeze
Slowly crescendo into true wind.
The key and rhythm suddenly change,
Then revert to the original.

November 2021
Featured image for “Three”
Steve Biersdorf

Three

The three little pigs enjoying an elegant repast on the waterfront, quiet water reflecting neon from high-rise resorts. Sequestered at a table with a Lazy Susan, each partaking of the abundance by turns, washed down with a discriminating Pouilly-Fuissé with white flower accents.

November 2021
Featured image for “The Bicycle Crash”
Adrian Fleur

The Bicycle Crash

Once it was June it was hard to remember the despair of March. The winter was always slightly too long, the dark skies and short days lingering just past what was reasonable for any human to endure. It was a despair which infused all former pleasantries with an unexplainable sourness; you could hardly bother with hellos or how are yous.

November 2021
Featured image for “Second Best”
Dave Wakely

Second Best

‘Every time I see you, Mr Woodcock, you look a little taller.’ Unaccustomed to displays of diplomacy or flattery, and still learning to acquire the habit of booking restaurant tables, Bernard smiled shyly at Sergio’s greeting. Back in England, his expectations had been distinctly lower.

November 2021
Featured image for “Wealth”
Linda Heller

Wealth

Sharon asked Daniel, a young ceramist—they were at a month long glazing workshop in upstate New York—how he supported himself. Most ceramists didn’t earn much and she wondered how he managed to drive a brand-new fully loaded Land Rover.

November 2021
Featured image for “Handprint”
Andreas Hasselbom

Handprint

Three helicopters flew overhead, seemingly pulling the clouds across the sky as they went. Jake knew the sound very well and didn´t bother looking up. Instead, he looked at the road ahead of him. The tall pine trees on either side created a corridor which covered the dirt road he was on. The forest fanned out in every direction. It wasn´t old, though.

November 2021