Coaxed by his roommate to attend a séance where Simon, the special guest, leads seven participants on the Ouija board, the narrator goes through rapid-fire emotions as he and Simon connect in a paranormal drama.

Jacqui teaches AP English at a Catholic school and her curriculum is more radical than Father Glenn likes. She loses her hat—a precious gift from Aunt Gwen—on the day Joseph brilliantly elucidates Thoreau. The hat is gone but Joseph’s eyes are brimming.

It is Alexandria during Ramadan, a year or so after the Egyptian revolution in 2011 and Mohamed Morsi is president. Political conflict threatens Egypt, but a different kind of trouble looms within a group of expats. Things don’t always glimmer.

Ten middle school students help Jason clean up the mess of his mother’s house. Some scrape cemented egg whites off counters; others pull weeds. A week later, the mother has a clean kitchen and bathroom and a slanted floor to walk upon.

Riding the bus from Granada to Salamanca, Spain, they arrive in pouring rain and run to find shelter. Luckily a taxi pulls up and drives them to the Hostal Plaza Mayor. Jimmy has never met a girl like Vera before. This is his love story.

Leaving the convention center, he chastises himself for his “addiction” although he just bought “Dangerous Dosage: Chronicles of Jason Archer,” the VR Experience that landed him on the floor. It was so real. But upon arriving home, he so easily returns to that “world.”

Pariya’s son narrates the times his father turns into an octopus when he feels romantic love. Later, Pariya marries Ammya and things seem normal—except they aren’t. Years later the son learns the truth through a suppressed dream.

On the father’s eightieth birthday, he tells his oldest son he wants to celebrate it in a funeral parlor. There are the usual expatiations and songs and food and drink, but alone in the chapel, the father reveals to the son how his mother really died.

In an inflatable mess tent for refugees, an attendant learns the story of the bearded man who travels from Greece to Macedonia by foot, then to Serbia and eventually to Budapest seeking asylum. Danger arrives and so does white dust.

Falling in love with the yellow house on the hill, she enjoys her own art studio. And visitors: a neighbor with brownies; a young mother with her baby and a fruit basket; Marvin with banana bread; and a young man with a photo and a revelation.

A sixty-five-year-old man holds hostage three children and a twenty-something woman. They have strength in numbers but he threatens and lies. They are now the family he never had. He is husband to the oldest, Dad to the children. His family ties.

On the staid street in Boston, Vinita manages a manicure business for her cool boss Leo while he’s on a short vacation. But Vinita makes plans, and they have nothing to do with staying where she is.

Aaron J. Heil’s story steps ever so sensitively into the marriage of Justin and Renee, which is complicated by a family wedding, a misunderstanding, and a junk mail offer for on-demand weather.

In the tender love story by Robert Hilles, Scott sees his wife Cheryl holding his six-month-old daughter Denise, reminding him of the dream he had earlier that morning. It was the happiest he had ever been.

Daniel Bartkowiak knows how to make a sentence glide and dialogue slip into your mental sphere in a most understated way: “We have to go soon.” “Better start drinking then.” And this story is not quite what it seems.

“Rummage Sale” features Mathilda Dupre, the main character in a short story series by Piper Templeton, whose sixth sense leads her to problematic situations and compels her to act in the most surprising of ways.

In the Gothic horror tradition of Edgar Allan Poe and E.T.A. Hoffman, Tim Rico brings us a gripping tale of a purloined galleon, a grotesque prisoner, and a shipwreck in “The Foundering.” The ending satisfies horror expectations.

Stela Dujakovic meets men and draws them as characters in fictional realms, sometimes several into one in “Half As Good.” The story explores the tension between reality and imagination.

“A Boy Who Was an Orca” is one of those stories that come along every once in a while to upend one’s notion of perception and intuition. By rainteller, it is mystical, spiritual, and transcendent.

Michael Chapey’s uplifting story is about a dad who ruined his iPhone in the pool and is generously helped by an Apple “genius.” The name of the Apple genius? Carlos.

The push and pull in Samuel Cole’s “2 Regular & 26 Long” reaches deep between the married Mitch and Victoria, who play an alphabet computer game which Victoria has compiled and which Mitch can hardly bear.

“In The Past,” Maria Savva takes us into in the lives of Roger Bainsford and Paul Squires who have “issues” from the past. One wants a job; the other gives it. It is a synchronous moment in the lives of both.