Creative Nonfiction

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Creative Nonfiction

Featured image for “On the Thigh, Write the Enemy’s Given Name”
Kathryn Stam

On the Thigh, Write the Enemy’s Given Name

Caveat Lector (Let the Reader Beware).
There may be dangerous rocks in this lake. There may be swift currents. The water looks smooth, but the chasm is unfathomable and the path is precipitous (Sandberg, 1894).
I suppose you are curious about how to subdue your enemy. I mean, to really quash and quell them. Is that right? First, you’ll want to think about your enemy. What do they look like? Sound like? Smell like?

September 2020
Featured image for “Carving Compassion”
Linda MacDonald

Carving Compassion

It was cantankerous Tony who got me thinking about suicide again—the middle-aged widower played by Ricky Gervais in the Netflix series, “After Life,” struggles to move forward after losing his wife to cancer. When he finally succumbs to peer pressure and goes on a blind date, he’s set up with a contented widow. Rather than commiserate with him, she challenges him on his desperation and desire to just put an end to it all. Suicide is easy, she claims.

September 2020
Featured image for “Some Girls Have Auras of Bright Colors”
Sandee Gertz

Some Girls Have Auras of Bright Colors

The first thing you need to know is that some girls have auras of bright colors, but mine were silver stars on walls, tears when I sat at mother’s bay window, and sometimes an odd feeling of time over a never-ending space, where I followed a dark hole, layer through layer, opening to a time before me, God, and a time before that, until the emptiness settled into stones in the pit of my stomach and I had to touch anything: a polished shoe, a porcelain cup, to be sure I was in this world before it shifted and fell.

September 2020
Featured image for “Jumping Off Place”
Lisa Grantham

Jumping Off Place

Since I learned I was pregnant, every drink has been my last. But I haven’t stopped. I can’t. I keep promising myself I’ll give it up tomorrow. But I’m out of tomorrows. My baby either has fetal alcohol syndrome, or he doesn’t. Abstinence is no longer about my son’s well-being. Now it’s about getting a few days sober so I won’t go into withdrawal in the delivery room or give the staff a reason to test my baby for alcohol.

July 2020
Featured image for “Dear Young Queer Non-binary Poet”
Carla Schick

Dear Young Queer Non-binary Poet

Dear Young Queer Non-Binary Poets, Thank you for creating new avenues of exploration, and this is what we experienced:
Older than you, I wandered wide, but infinitely narrow, New York, Queens streets in search of my body. Yes, my body. I sat in the drip drip drip of basement pipes with my best girlfriend as we promised to grow up together. This didn’t happen. I grew up. Left. She shattered under the weight of her father’s history of mental depression.

July 2020
Featured image for “Injury Reports”
Kristen Gidel

Injury Reports

September 2016
Folded neatly in the front pocket of my older son’s preschool bag is an injury report form.
And my own heart trips, unable to catch itself from falling.
Not in concern for his scraped hand. Not in surprise that his teachers even filled out and sent a form for an injury that, when I check, is not evident. Not in gratitude that they cared for my son, though I am grateful. Grateful every day that I have complete confidence in his caregivers.

July 2020
Featured image for “I Am Racist”
CJ Acosta

I Am Racist

I started out the day like I always do. I took a shower. I got dressed. I went to my local cafe for some coffee. I generally try to stay away from my phone during this time. This is my time to relax and write and prepare for the day.
I am glad I checked my phone.
When I did, I saw a flood of criticism of the police. Criticism of the police, the government and the “system.” I am not blind to the intolerable acts of our current administration. I am not ignorant to racism.

July 2020
Featured image for “Passing on the Insights”
Craig Etchison

Passing on the Insights

I went to Vietnam in 1968 as a young, naïve kid, serving with the First Cavalry Division. By the end of my tour, I was no longer quite so naïve. Typical, I think, of so many kids who went to Vietnam thinking they were serving freedom and democracy when, in fact, we were serving the political ambitions of dictators in Vietnam and the political ambitions of those running our country at the time.

July 2020
Featured image for “Summon Up an Old Friend”
Meg Lewis

Summon Up an Old Friend

Look out of the window. Focus in on the droplets streaming across the glass. Focus back out on the road, the lampposts zipping past in blurred grey stripes. Summon up your old friend, the giant orang-utan, who swings from the T-bar of one lamppost to another, keeping up with the cars as they speed down the M25. Get bored with the orang-utan – you are too old for this now. Shuffle, look straight ahead. Change the radio station to Kiss FM, even though the music makes you feel uncomfortable.

July 2020
Featured image for “Just Listening”
Pat Hulsebosch

Just Listening

“I can’t. I can’t open this car door,” wails seven-year old Samantha, hand tugging awkwardly – ineffectively – on the inside handle of her parents’ bulky old Suburban station wagon. I was in Florida for a weekend visit from Chicago. We’d spent the morning at Lowry Park Zoo. Although it wasn’t quite naptime, both of us were a little worn from an overabundance of orangutans and ostriches on a hot tropical day.

July 2020
Featured image for “A Holy Man of God”
Rebecca Jeeves

A Holy Man of God

I have a clear image of myself: I’m looking for my bicycle in the garage. I needed it to bike to my friend Abigail’s house but couldn’t find it anywhere.
Turrets of dust particles floated upwards. Exposed by horizontal, flat rays of light breaking through the dust-heavy aluminum window blinds. I watched as they rose, spiraling around and around, higher and higher up into the garage rafters until out of sight.

July 2020
Featured image for “And Then I Was Happy”
Gloria Buckley

And Then I Was Happy

It was the late 1970s and I sat so young and gullible while a moderator caught a glimpse of my sorrow mirrored in the reflection of his warm brown eyes as I listened intently to words of mass emotional destruction. I wanted to sort out grief and identity issues, and so I enlisted in a weekend of minimal bathroom breaks, minimal sleep, and meditative moments where I traversed the galaxies into my own creative process.

May 2020
Featured image for “The Flavor of Ice Cream”
Shabnam Curtis

The Flavor of Ice Cream

One June day of my freshman year/ninth grade, in 1985, I needed a break from studying. My mother suggested we go out for ice cream to Tajrish Circle. Tajrish, a shopping area on the skirt of the mountains in the northern part of Tehran, was a favorite place for my mother and me to wander, especially for window shopping and mouthwatering snacks. My father disagreed.

May 2020
Featured image for “This Will Be the Happiest Time of Your Life”
Shannon Andrada

This Will Be the Happiest Time of Your Life

I’m sitting in my grandmother’s backyard, lying in the sun on a lounge chair. Tears fill my eyes, and soon I’m sobbing. At times I justify my crying at everything, saying that sensitive people are the best kind of people, but at other times, like now, I do not justify it. I know that I am behaving like a fool.

May 2020
Featured image for “Skar”
Liza Porter

Skar

When I learned at my high school reunion that Mr. Skar had died, I felt relieved, almost giddy. Though not still musically inclined, I could’ve played a beautiful song—call it an ode to joy—to celebrate his death.

I was shocked at my reaction. Despite the decade-plus of recovery from addiction I had put together and all the therapy I’d done, it was apparent how much of my hatred of perpetrating men I’d put on Skar,

May 2020
Featured image for “The Dying Gladiator”
David Kennedy

The Dying Gladiator

Kate had calculated that meeting the presidential carriage as it pulled up the drive at Edgewood would serve her interest, but that did not deprive the gesture of its heartfelt quality. The carriage had been specially made in New York. It was dark green in color, Arthur’s favorite, with that hue presenting the central theme on the exterior paint and the interior upholstery, trimmed in morocco and cloth.

May 2020
Featured image for “Strangers in the Park”
Gerry Moohr

Strangers in the Park

You probably know about the violence that struck Charlottesville, Virginia, on August 12, 2017. Demonstrators from thirty-five states rallied in Lee Park to protest the removal of a statue of Robert E. Lee, Commander of the Confederate Army. I saw a lot of what happened that day.

May 2020
Featured image for “The Road to Bohemia”
Martha Branson

The Road to Bohemia

There should have been French-Creole farmhouses overlooking the Mississippi River, wide gallery porches under deep overhangs, rockers waiting for hot, humid summer evenings spent in society with neighbors. The yards should have been surrounded by weathered brick and iron fences and concrete statuary.

March 2020
Featured image for “Does Anybody Really Know What Time It Is?”
Vicky Oliver

Does Anybody Really Know What Time It Is?

I was in a meeting when the mysterious email arrived: “Need to talk to you today. What’s your phone number?” The message was so curt, that I didn’t think my friend John could have possibly written it. He was a native New Yorker with the soul and demeanor of a Southern gentleman.

March 2020
Featured image for “Waiting for the Bikaner Express”
Christopher Johnson

Waiting for the Bikaner Express

On a journey to ‘discover’ myself, or at least try and escape the blur and whirl of dead-end jobs and lacklustre ambition, I decided to embark on a trip to India, jewel of the now defunct British Empire. I had hoped that such a voyage could liberate my restlessness, give some catharsis to the plague of self-obsession and stagnation that consumed me

March 2020
Featured image for “Alchemy of Gambling”
Catherine O'Neill

Alchemy of Gambling

The whole process threw me for a loop. I spent over forty years of my life in Nigredo living in the darkness of the disease of gambling. Gambling is in my blood; I carry the ancestral glow of an epigenetic behavior which goes down to the bedrock of my DNA. If you didn’t gamble in my family, there was something radically wrong with you.

February 2020
Featured image for “The Most Dangerous Pitch”
BJ Neblett

The Most Dangerous Pitch

Victims of automobile accidents often report that at the moment of impact time seems to move in slow motion. I now understand what they experience. For one protracted fraction of a second time stood still. The din of the spectators faded to a distant thunder in my ears. My gloved hand crept skywards.

February 2020
Featured image for “Knots”
Liz Wasson Coleman

Knots

Any of the stories about why we left could be true, but I gravitate toward the one about the middle-aged father threatening to drive the Jeep off a cliff. I don’t know whether he imagined his family in the vehicle with him. The little boys wouldn’t have been wearing seatbelts in 1979. The infant would have been crying in her mother’s weak arms.

February 2020
Featured image for “A recipe for apple pie”
Janette Schafer

A recipe for apple pie

First, gather the apples. After the neighbors move out, in the seclusion of nightfall, crawl with your little sister beneath a gap dug by their brown dog underneath the fence between their yard and yours. Shimmy on your belly like a snake. Once you are safely inside their abandoned homestead, reach up to take a large bowl your mother hands you over the wooden fence posts.

February 2020