Issue 87, September 2024

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 87, September 2024

Featured image for “Out”
Stefan Kiesbye

Out

Perhaps these notes will help explain the events of the past few weeks, so that not everything I have been witnessing will be lost to speculation and hearsay. Maybe I’ll be back in due time and will tear up these pages with deep embarrassment; I will cut ties with Ethan and refer him to one of my colleagues. Though, should he ever be allowed to tell his side of the story, everyone in my profession will shake their heads and use my case to warn their disciples against grotesque transgressions.

September 2024
Featured image for ““Footprints,” “Lost faith and constant love,” and “Formless””
Patrick T. Reardon

“Footprints,” “Lost faith and constant love,” and “Formless”

His footprints are still there to see
on the stone on the Mount of Olives
where he pushed off, like a power forward
rising to the rebound, to ascend.

September 2024
Featured image for “Lost in Polar Night”
J. M. Platts-Fanning

Lost in Polar Night

Bold charcoal lines slithered across the canvas of the huntress’s blue gaze. Her fingers dipped into the inky mixture, then ran thick, twin nocturnal serpents under her blackberry-stained bottom lip and down her chin. Her framed eyes glinted with raw focus as she worked, fully immersed in the ancient custom meant to intensify deep forest vision, connecting her to the fire that bore the dark origin of this war paint and to the fierce spirit of the hunt.

September 2024
Featured image for ““string theory in RWJ Hospital,” “this land,” and “birthing heaven beneath feet””
Jaweerya Mohammad

“string theory in RWJ Hospital,” “this land,” and “birthing heaven beneath feet”

time in hospitals is not linear.
the past and future lives of patients
dangle
by wires and rolling IV carts,
souls spread thin beneath bleached sheets.

September 2024
Featured image for “The Bicycle”
Ben Raterman

The Bicycle

Clement shivered. Rain fell heavy, filling the runnels on either side of the bridge’s supports. He surveyed his home in the dim light of the evening, reaching, feeling for the tent, his clothes and sleeping bag. His neighbors had left, fearing the predictions: the river would soon crawl up the bank and sweep everything to the bay. He looked up at the underside of a steel beam, an arm’s length from his head. The river spoke in a rush at his feet. He must leave his carved-out dirt space of a home.

September 2024
Featured image for “Vivian Maier Framed”
Axel Forrester

Vivian Maier Framed

Words are my enemy. Spoken. Written. It doesn’t matter. They’re out to get you. Birth certificates, applications, references, diplomas, licenses, interviews, gossip, whispers, family stories, newspapers articles, books, magazines, all of it, all of it, is just waiting to do you in. Words are a trap, a snare. They will catch you, crush you, cripple you. They push you around from the moment you’re born.

September 2024
Featured image for ““Grasshoppers,” “Harvest,” and “Fishing””
Joshua Kulseth

“Grasshoppers,” “Harvest,” and “Fishing”

When in the rainless weeks of summer the mulch pile dried,
and worms we hooked for bait would burrow
deeper than our reaching fingers could grope,
we’d sweep with bare feet the hay fields for grasshoppers…

September 2024
Featured image for “password must be at least seven characters”
Emily Brown

password must be at least seven characters

I received an email saying that my work account password is about to expire, but I am not sure which work account this pertains to, since we have multiple. Any help would be greatly appreciated. I feel like I am lost in a sea of passwords.

September 2024
Featured image for “Reverie”
Michael McQuillan

Reverie

Serenity before dawn’s waking human world disrupts pristine Creation. I and my companion share psalms we read aloud, a sacred veil ensuring inner peace. With opened hearts we rise as sparks in spans of history…

September 2024
Featured image for “The Gilded Cage”
David Kennedy

The Gilded Cage

The Chief Justice would not consent to die. He had felt the tremors first in his fingers, when the train had departed Niagara Falls, but dismissed the barely perceptible tingling as the motion of the locomotive over the rails. But now, the right side of his mouth began to droop, and he sought to speak but could not. He tried to lift his arm, to motion to the other gentlemen in the first-class compartment, the rocking of the train having lulled them to sleep, but it was too late.

September 2024
Featured image for “The Fire in You is the Fire in Me”
Logan Anthony

The Fire in You is the Fire in Me

When the old horse ‘n hay barn came down off 450 South, smoke rose for days, carried for miles. A great gray cloud come to overtake. No one thought Old Man Neeri was tethered up inside. Days later, after the coals had quit their smoldering, the authorities picked through to find the cause of the burn.

September 2024
Featured image for “Eileen”
Alicia McGill

Eileen

I loved my babysitter, Eileen. She ran cross-country track and strutted around bare legged in a varsity warm-up jacket. Her name was emblazoned in gold letters on the back, and there was a sneaker with wings on the sleeve.

September 2024
Featured image for ““With Me Between the Lines,” “Knowing That You Knew Joy,” and “Until Tomorrows Are Swallowed By Yesterdays””
Russell Willis

“With Me Between the Lines,” “Knowing That You Knew Joy,” and “Until Tomorrows Are Swallowed By Yesterdays”

There are those who live
between the lines of life
who once were my story
but came not to fit,
not them in mine
nor me in theirs;

September 2024
Featured image for “The Old Man & Tomás”
Thomas Weedman

The Old Man & Tomás

The bearded old Mexican operating the levers of the yellow forklift sings, “Tomás, ooh-ooh-ooh.” He is singing to me even though my name is not Tomás – first or last. But I am a bit of a doubting Thomas. And a peeping Tom as a kid. But not a Tomás.

September 2024
Featured image for “Requiem”
Chad Gusler

Requiem

Hannah’s death was doubly final. Lizzie burned her, then took the whole urn with her when she left for Indiana—you don’t get any part of her, Lizzie told me.
And then Lizzie buried her.
Heaven and Earth are full of thy glory, the preacher said.
But I keep her toenails around my neck, in a locket strung on a silver chain.
Hosanna in the highest, the preacher said.
Holy shit.

September 2024
Featured image for “What Happens?”
Jeff Hennelly

What Happens?

“What happens after we die?” is a question that has intrigued humanity for millenniums and is perhaps the greatest enigma of all time. Of the estimated 118 billion humans that have died, zero returned with conclusive proof of an afterlife.

September 2024
Featured image for ““Radishing,” “I Roll Over,” and “Tongue of Love””
Rachel Chamberlain

“Radishing,” “I Roll Over,” and “Tongue of Love”

will we ever know ourselves as well
as we know the radish we pull from the garden bed?
know our readiness as its, as it bulges at the surface dirt
with rusty shoulders that promise spicy delight?

September 2024
Featured image for “The Flak House”
Harvey Huddleston

The Flak House

August 15, 1945
Betty shows me her scar. Dark purple it runs six inches down her belly. She says it’s ugly and I say it’ll fade in time.
Drove through town on my way back. Jap surrender is all over the news so people hold up two fingers for victory. It’s when I get away from the crowd.

September 2024
Featured image for “When We Were Wild”
Shelagh Powers Johnson

When We Were Wild

The memory is barely a memory. The night is a wound healed over, skin knit back together until it’s almost eerily smooth—a silky stretch of scar tissue betraying its otherness. It’s flashes of light cutting through trees, hot salt on my tongue, gurneys bumping over the curb and sliding into the backs of ambulances. It’s needles stabbing flesh, hands examining every inch of me, searching for answers.

September 2024
Featured image for “Teresa”
Margaret Taylor-Ulizio

Teresa

Chelsea Hartman stared out of her bedroom window, a dull ache deep within her chest. Her once vibrant world had become a monochromatic landscape, devoid of laughter and girlhood friends. Just like every morning for the past few weeks, she watched as the sun peeked through the clouds that hung over Southern California. The sudden closure of her school just as she was about to return after Spring Break marked the beginning of her isolated life.

September 2024
Featured image for “Death and Surviving”
Andrew Sarewitz

Death and Surviving

When I was in my late teens, seven of my father’s male friends died within a year and a half. Not husbands of my mother’s women friends. These were men my father knew independent of Mom. I don’t remember him outwardly showing emotion though I’m sure he was, at the very least, sad.

September 2024
Featured image for “Coastal Grey”
Miki Simic

Coastal Grey

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

September 2024
Featured image for “Symphony  in Green”
Patrice Sullivan

Symphony in Green

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

September 2024
Featured image for “The Banks of Meadow Creek”
Kelly Lynn

The Banks of Meadow Creek

If you head downstream, there’s a waterfall that empties into a natural pool so deep that no one has found the bottom yet, which means it’s perfect for practicing the fanciest of dives and biggest of cannonballs. But it was also a great place to lazily float in large, gentle circles.

September 2024