Footprints
His footprints are still there to see
on the stone on the Mount of Olives
where he pushed off, like a power forward
rising to the rebound, to ascend.
The mystic traded his penknife
as if to a scalper
to see again the impressed rock
to determine which way the right foot was pointing
and which way the left. To get out,
he gave away his scissors.
Later, the monk waved his staff so much,
the mystic feared a beating.
But it was only a warning not to go where he had been.
And it was as if, for the mystic,
Paul’s bright light illumined the road,
and he held onto the monk to avoid falling
from the horse he was not riding,
the moment of ball to bat, solid contact.
And it shall come to pass, all blessings shall come.
You will be overtaken by joy.
Blessed will be your city,
the furrows of your farm fields.
A holy people. Hearken.
Turn from gods of wood and stone.
In the forest, I mourned my brother.
On the arable steppe, I reaped wheat.
I was left sweaty, drained, empty on the dry steppe.
Soldiers swarmed the breadlands,
trampling the flat fields of grain,
four horsemen and a hundred.
I will give due to the illness he suffered,
but he was more than his sick.
He played the game, as each one does.
He knew failure and
the full-feel crunch of a tackle well-made.
His blood moved through the body
that held the man
who followed the dry, weak, easy star,
out of fear of other cosmos corners.
He gave up joy in moment,
demanding an un-pain always.
He chose un-pain with the gun.
He was imbalanced. He imbalanced himself.
He saw the highway out of town,
away from the miserable lessons he was taught,
the wounds he hugged to his chest,
but never took it.
Lost faith and constant love
(Brother Elbow and Little Sister poem #18)
We ride the three-seat bike, Brother
Elbow in front, Little Sister in the
middle, and I in the back, frustrated
that clenched-teeth Brother Elbow
goes where he wants and listens not
at all to my shouts over the wind.
Eventually, he and I bore of the
shouting and not listening. His
control loses its zest, my lack its
angst. We ride through city streets,
and Little Sister sings a song about
God’s toy and an ache-full ballad of
lost faith and constant love.
Formless
(Brother Elbow and Little Sister — 16)
Brother Elbow, Little
Sister and I sit at the
small round table and
look into the black
hole in the center of
the wood, an abyss
without bottom, a
tunnel without arrival,
a cauldron smelling of
gasoline, antiseptic,
chicken curry, mown
grass, shit and the
breath of a six-week
-old baby, a Ouija
board in an unknown
alphabet, a spy photo
of Hiroshima ruins and
the Louvre gardens,
Rosehill Cemetery and
Guaranteed Rate Field,
Gethsemane and Calvary,
a television screen of
Job carping and the
girl singing a song of
sultry songs for her lost
lover, an antelope on
her slopes, and back
to the beginning, the
formless void and the
deep covering all and
every thing.