Issue 68, December 2022

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 68, December 2022

Featured image for “A Cypress Tree Has No Shadow: Chapters Three and Four”
Kevin Gerard Neill

A Cypress Tree Has No Shadow: Chapters Three and Four

SYBILLA steered Justina by the arm out of the office and down a hallway of high, dulled walls that looked shadowy even in daytime despite the frail radiance of bulbs in widely spaced, brass chandeliers. There were few people around; mostly Palestinian staff with UN identity badges around their necks going from office to office. Others – Justina took them to be refugees – appeared to be drifting aimlessly.

December 2022
Featured image for “Dismantling Rollo Bay”
Karin Doucette

Dismantling Rollo Bay

Here, in a wallpapered room under a dark mansard roof, the voice of the wind outside lifts and twirls memories in me of the humble farmhouse that I once called home. Still my heart’s home.
It’s in Rollo Bay, only thirty miles down the road. But a lifetime away. Tomorrow I will go there.

December 2022
Featured image for “Lowlands”
Patti Witten

Lowlands

Cynthia had withdrawn, wrapped in a shroud of bedsheets, exhausted by weeping. In the darkened room, sounds were somehow louder — the rain, a car swishing by on the street, the faint barking of a neighbor’s dog. Water dripping from the eaves and mumbling in the downspout beside the open window. Six days since Maylin drowned. Tomorrow they would bury her.

December 2022
Featured image for “Baseball and Ballet”
Andrew Sarewitz

Baseball and Ballet

Parents want the best for their children, unless they’re psychopaths (the adults, I mean). But sometimes what a parent wants is what they believe is best, without recognizing where a child’s head and heart really are.

December 2022
Featured image for “Autobiography of the Bomb: Chapter Eight”
Jim Shankman

Autobiography of the Bomb: Chapter Eight

He was at a gathering in Berkeley at the spartan home of a man named Peters. The cigarette smoke was mixed with alcohol and the hot breath of conversation. Peters was a physician who had escaped from Dachau. He had seen things. He chose not to speak of it unless someone was being particularly pigheaded or willfully ignorant or smugly uncaring, and then he spoke in such detail that he commanded the room with the authority of a Greek messenger. “I am come from Thebes with news I dare not speak.” “Speak, man, and you shall not be harmed, I vow.”

December 2022
Featured image for ““Coming to Freedom,” “Noguchi,” and “Gypsy””
Dorothy Johnson-Laird

“Coming to Freedom,” “Noguchi,” and “Gypsy”

dressed in white
your deep eyes pierced the daylight
*Araminta, defender of the people
when you crossed the line to freedom, the stars opened up all around you

something in your heart made you pause, turn around, breathing

December 2022
Featured image for “Praise Orb”
Gloria Nixon-John

Praise Orb

We watched things change everywhere else in the world, but we never expected the whirlwind of change that showed up one day on our doorstep. (In our case, me, Mom, and Dad). The change came in the form of a little Rumpelstiltskin of a man carrying a black valise and a clipboard. (Odd, I thought, that he didn’t have a computer or smart phone.) He said he was from the Census Guard of The New Order, and that I was obliged to answer honestly. I didn’t dare ask who was doing the obliging, mostly because of the elephant-gray vehicle moving slowly down the street.

December 2022
Featured image for ““Cantúa Creek,” “Joaquin,” and “Mustang Running””
Stephen Barile

“Cantúa Creek,” “Joaquin,” and “Mustang Running”

First explored by Spanish Army troops
From Mission San Juan Baptista,
Led by Jose de Guadalupe Cantua,

Son of a prominent Californio Ranchero
In the 19th-century Mexican era
Of early California history

December 2022
Featured image for ““In the Tidal Pool,” “Weathering,” and “A Vespa Ride””
Oanh Nguyen

“In the Tidal Pool,” “Weathering,” and “A Vespa Ride”

First at sunrise,
Then at sunset
You ebb away
leaving me suspended.
My kaleidoscopic charms
laid bare at the altar
of jumbled cowries,
flowers of the sea,

December 2022
Featured image for ““Rambling Rose,” “Jake: The Best Dog in the World,” and “Truly Madly Deeply””
Debra Rose Brillati

“Rambling Rose,” “Jake: The Best Dog in the World,” and “Truly Madly Deeply”

The car I grew up in
Was a 1960 Pontiac Star Chief
Four-door sedan hardtop
In a color my Crayola 64 box called Flesh.
Even at a time when most cars
Came in a wide variety of vibrant colors,
This one stood out.

December 2022
Featured image for ““Aut Pax Aut Bellum,” “Three Sisters,” and “Quiet the Celebration””
Michele Parker Randall

“Aut Pax Aut Bellum,” “Three Sisters,” and “Quiet the Celebration”

Mother needles & threads her way into conversations,
as she does with everything,
tacking here
& there, piercing
the cotton weave of our family, her place secure.

December 2022
Featured image for ““I will not die,” “Wednesday,” and “calendar””
Esme DeVault

“I will not die,” “Wednesday,” and “calendar”

last Wednesday night
on the phone
you said
I want my kids
to know you
as you leaned toward
the darkened future

December 2022
Featured image for ““Death Means Not Sleeping,” “Ghazal from a Bottle,” and “On Tuesdays””
Fran Abrams

“Death Means Not Sleeping,” “Ghazal from a Bottle,” and “On Tuesdays”

How do you keep on getting out of bed each morning?
A bed that is half empty since the day your husband died.
A life that seems like a flight of stairs missing a step
and you always seem to trip on that one.

December 2022
Featured image for “Biter”
Emma Wells

Biter

Teethmarks protrude, even now, from the skirting boards of his childhood home. Gnawed memories and pitfalls of what once was, yet persists now only in peripheral reaches, dusty nooks and edges. He’s learnt to resist the urge, or the medication has straight-laced him to perform as wider society deems fit…

December 2022
Featured image for “Duck & Cover Season”
Larry Thacker

Duck & Cover Season

I was looking at the guitar amps in the Cumberland Street Pawn when Janie Sizemore crashed her car into the front of the shop. She’d struck two American Pekin ducks waddling through the main intersection. She’d tried swerving to miss them but ended up running them over anyway and hopping the curb and smashing the pawn shop’s only front window.

December 2022
Featured image for “The Voiceless”
Ashley Goodwin

The Voiceless

Tommy looked in all directions before confirming they were completely alone on their hidden path in the woods. They had never done something so risky in public before. They knew getting caught for Public Display of Affection would have consequences. But due to his mother’s recent shift change, he couldn’t hide his relationship behind closed doors anymore. Regardless, they were sixteen, in love, and couldn’t fathom being separated.

December 2022
Featured image for “Flesh and Ghost”
Adam Cheshire

Flesh and Ghost

Ghosts have terrible memories. Turns out that the physical body is integral to particular recollections. Mass, matter, moving through space, imprinting on the world; being imprinted upon. Art has helped me bridge that gap (of not having a body); allowed me an entry point. Music, movies—literature especially—flesh things out. The imaginative world anchors me. Still. There’s always something a little slant to my impressions of the past. My young moments among the living.

December 2022
Featured image for “The Rubicon”
Mark Williams

The Rubicon

Spring semester, my senior year of college, I won Jenny Muller in a game of Trivial Pursuit. The winning question was, What Native American tribe assisted the Corps of Discovery through the winter of 1804–1805? I couldn’t believe my luck. With the question or the prize.

December 2022
Featured image for “Just Be Nice”
Aisha West

Just Be Nice

I was still stoned when I got back home that Saturday – the first Saturday we had a family dinner planned since I’d gotten my license the previous year. We, well, my mom planned this dinner to welcome my dad back from his first tour of duty as a trucker. I was late. And my mom told me so.

December 2022