Issue 37, May 2020

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 37, May 2020

Featured image for “Maybe, If, and What Might’ve Been”
Nick Gallup

Maybe, If, and What Might’ve Been

You’ve got to trust me on this, but back in the early sixties they had a thing called drive-in movies. The movies were actually shown outdoors, after dusk, of course. You pulled your car into a spot where there was a speaker mounted on what looked like a parking meter, except that the parking meter part was a speaker you could detach and place in your car.

May 2020
Featured image for “Strangers in the Park”
Gerry Moohr

Strangers in the Park

You probably know about the violence that struck Charlottesville, Virginia, on August 12, 2017. Demonstrators from thirty-five states rallied in Lee Park to protest the removal of a statue of Robert E. Lee, Commander of the Confederate Army. I saw a lot of what happened that day.

May 2020
Featured image for “The Dying Gladiator”
David Kennedy

The Dying Gladiator

Kate had calculated that meeting the presidential carriage as it pulled up the drive at Edgewood would serve her interest, but that did not deprive the gesture of its heartfelt quality. The carriage had been specially made in New York. It was dark green in color, Arthur’s favorite, with that hue presenting the central theme on the exterior paint and the interior upholstery, trimmed in morocco and cloth.

May 2020
Featured image for “The Prophet of Vultures and Beasts”
Andreas Hasselbom

The Prophet of Vultures and Beasts

Daniel remembered fishing with his father just four months earlier at a small lake near the Czech border. It had been a tradition for years, but Daniel knew now that it couldn´t continue. His father had never been a patient man, but he possessed a strong attention to detail, which only grew stronger over the years. Making sure the fishing pole had no scratches, ensuring that the line wasn´t about to wear out. And worms, always a full box of writhing earthworms.

May 2020
Featured image for “Scales”
Joti Bilkhu

Scales

“Four bronzes,” I say before the man can even ask.
He lifts up a large striped fish off my makeshift table, inspects it and asks, “You gut and clean this, boy?”
I nod once.
“It’s well done. You been doing this long?”
“My father says I could gut a fish before I could walk.”

May 2020
Featured image for “Before We Were The Land’s?”
James Joaquin Brewer

Before We Were The Land’s?

He was no longer alive; and for his oldest child, recollections of the words that had been spoken (and the thoughts that had been thought) at the funeral a few years before were becoming less distinct as they became more distant. As the anniversary of his father’s passing neared, Lee was once again regretting that he had more or less “squandered” the few opportunities for memorable communication that had presented themselves during the last year or so of his father’s life –

May 2020
Featured image for “Scorch Earth”
Derek Fisher

Scorch Earth

An earwig slithers across the little black plastic air-conditioning vent. I examine this earwig with intention as Father drives. I at once want and want not to touch it.
I do not like how Father drives the van. I find he is too slow the majority of the time, and then in little unpredictable bursts, too fast. Father is not prone to rage, but behind the wheel he is a different version of himself. Docile, with a chance of acrimony.

May 2020
Featured image for “Esther of the Hearts”
Liza Porter

Esther of the Hearts

Sarah jerked awake on the couch, the dream still swimming in her mind. Or was it a visitation? Where was she? She looked around, face damp with sweat. Of course…long underwear, down sleeping bag, heat on full blast. Minnesota. She sat up and turned on the lamp, shook her head. Another dream about Esther. Every night since she’d died.

May 2020
Featured image for “Pancreatic Cancer”
Douglas Brouwer

Pancreatic Cancer

“Pancreatic cancer” were not the two words I was expecting to think about today on my long drive home from the university hospital on other side of the state. I knew, of course, that something wasn’t quite right, but always, in the past, the something that was not quite right could be treated promptly and effectively with an antibiotic.

May 2020
Featured image for “Baba Ji’s Handyman”
Kabir Mansata

Baba Ji’s Handyman

Jay ran away from her home in Salt Lake, Kolkata, at the age of seventeen. She had an abusive father and an absent mother. Her parents’ were relieved when she left as they had one less mouth to feed.

She moved to Bombay and began a career as a part-time actor and a yoga instructor. Life was looking up for her –

May 2020
Featured image for “The Bear”
Mary Kate Baker

The Bear

I was a child and already I could tell my dad was not paying attention the way he should. It was as if he had forgotten that living things grew. He forgot with my older brothers, lanky-limbed with pants that grew too short, leaving their bony ankles exposed. He forgot with me, my little girl body moving toward a brink of change that no one would explain to me.

May 2020
Featured image for ““Dirt Clouds,” “Accentuating Florence” and “Saying Goodbye to Florence Is Filled with Mud””
Shelby Stephenson

“Dirt Clouds,” “Accentuating Florence” and “Saying Goodbye to Florence Is Filled with Mud”

At my picture window, I raise the blinds
On the graveyard side. And, it’s you, July,
Lovely ghost? Not changed much since you were ten.
That’s how old I was when Pap George sold me
To Seth Woodall. I was thin as a seam,
Fearless, too; Runaway? Not so bold, see?

May 2020
Featured image for ““In the Key of Keystone,” “Lost & Found & Lost” and “Winter Wind””
Robert Eugene Rubino

“In the Key of Keystone,” “Lost & Found & Lost” and “Winter Wind”

It was all that jazz
it was the city — San Francisco
it was the venue — Keystone Korner
a former topless bar on Vallejo Street transformed
into a world class club its interior intimate its memory indelible
& all that jazz

May 2020
Featured image for ““The Sherman, the Grant, The Eldest,” “Eyes in the Warehouse” and “Musket””
Matthew Mitchell

“The Sherman, the Grant, The Eldest,” “Eyes in the Warehouse” and “Musket”

The General Sherman bounds 1,487m
all wood
***
Like a bird god lean and hard
Sherman surveys Atlanta
His face bewhiskered, pockmarked
his choice to end this here

May 2020
Featured image for ““House at Night,” “My Life Map” and “Just Another Brunch””
Katerina Canyon

“House at Night,” “My Life Map” and “Just Another Brunch”

Gold-flecked dust ignites in waves.
I kiss my desert skin.

The coyote’s song lulls me
before I count the sheep.

The doorknob will turn
before the lock’s clasp

May 2020
Featured image for ““Rock Paper Pictures,” “Of Voices, Waters, and Fires” and “Samsara Serenade””
Khalil Elayan

“Rock Paper Pictures,” “Of Voices, Waters, and Fires” and “Samsara Serenade”

It’s called The Cave of Forgotten Dreams
this place where handprints
with broken finger
wave at squint-eyed scientists

where prehistoric rhino, too,
looks up and down

May 2020
Featured image for ““Stiletto,” “Redeeming Time” and “Successive””
Ryan Krause

“Stiletto,” “Redeeming Time” and “Successive”

Stiletto drops like river
Runoff echo in the cave.
Once dawn’s cables bridge
The canyon, you, first
Diurnal venturer,
Step out to punish pavement;

May 2020
Featured image for ““The Avatar” and “A Viper and a Chickadee””
Ella Williamson

“The Avatar” and “A Viper and a Chickadee”

You found malleable a woman of uncandled clay;
I suppose it was she who gave you the carver’s adze,
Saying, “I just want to be close to you” –
You smiled through the splinters in your gloss
And took lacquered fingers to the handle.

May 2020
Featured image for “The Velodrome”
Brianne Turczynski

The Velodrome

Miriam Birchfield’s abdomen plagued her to tears. Her tears burned and irritated her cheeks, and they made her see the reflection of herself as a blotchy stranger in the mirror. She took the bottle of bitters from her vanity; it was the last bottle Dr. Morel gave her before he died. She didn’t know if she would ever get another, because in approximately thirteen minutes, she would welcome a new doctor into Whittingham Estate, the place she had worked as manager of the staff and had lived her whole life.

May 2020
Featured image for “Able Archer: Moscow, Moscow Oblast, USSR”
Lawrence Lichtenfeld

Able Archer: Moscow, Moscow Oblast, USSR

Yuri Andropov was resting comfortably in his hospital bed. An hour earlier, he had been hooked up to the dialysis system in the suite. He had had some vodka afterwards, and a couple of cigarettes while lying in bed. The television was tuned to the state channel ‘Fourth Programme’—known for its intellectual broadcasts. Tonight, Andropov was enjoying the broadcast of a Bolshoi production of “Cipollino.” His heavy-eyed viewing of the ballet was interrupted by the military hotline ringing on the telephone table next to his bed.

May 2020
Featured image for “Bar Life”
Lily Lavender Wolf

Bar Life

all that fairy dust dancing inside your beer stein and yet you don’t believe in magic?

this incredible blast of light from the sun, ninety-two-point-ninety-five million miles from our planet, fragments through the surface of a stream and appears as shimmering waves streaking across your feet, and you still say you don’t believe in magic?

May 2020
Featured image for “The Beekeeper”
Kathleen Powers-Vermaelen

The Beekeeper

When I find the counselor waiting for me in the hallway on Sunday morning, I know something bad has happened. “Hello again, Miss Campbell,” she says when I’ve come near enough to hear her. “Could we talk in the lounge for a few minutes?”

May 2020
Featured image for “The Mathematician’s Daughter”
Sonja Srinivasan

The Mathematician’s Daughter

The shortest distance between two points is a straight line. She jerks her head up with a start and sees the clock–9:40 a.m. There just might be time! There just might be time if Nancy runs fast enough, time to see John and confess her love for him. She has been working on a proof all night and has fallen asleep at her desk and is late, is late, for a very important date,

May 2020