Issue 34, February 2020

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 34, February 2020

Featured image for “The Lottery House”
Alli Parrett

The Lottery House

Every Friday, while co-workers are out for their weekly happy hour, Meg sits in bed, her ticket perched on her keyboard, combing through design ideas on the internet while the local newscaster announces lottery numbers. One at a time, the numbered table-tennis balls appear on the screen.

February 2020
Featured image for “A recipe for apple pie”
Janette Schafer

A recipe for apple pie

First, gather the apples. After the neighbors move out, in the seclusion of nightfall, crawl with your little sister beneath a gap dug by their brown dog underneath the fence between their yard and yours. Shimmy on your belly like a snake. Once you are safely inside their abandoned homestead, reach up to take a large bowl your mother hands you over the wooden fence posts.

February 2020
Featured image for “Password”
JW Heacock

Password

Edgar thought they’d travel in a chartered jet. He’d never flown on one before, but he knew the Company used them when they needed feet on the ground ASAP. Cantor Fitzgerald was the Company’s biggest client, generating millions in revenue each year, which he figured would make them charter worthy.

February 2020
Featured image for “Memorial in Sand”
Mark Carter

Memorial in Sand

Three statues stand together at the edge of the tree line. Alert, deliberately calm, they look in the same direction, though not precisely at the same place. Boonie-rats. Grunts. They are looking, always will be looking at The Wall: a great gash of black stone slabs in a green civilian lawn. A carefully shaped pile of black sand.

February 2020
Featured image for “Wine and Roses”
Victoria Shannon

Wine and Roses

First, there was Roses. She met him more than 30 years ago, at her second research job. Now, when they saw each other, he always brought her a single rose.
Roses, 6:16 a.m.: “I know this: You and I belong together. We have a beautiful future before us.”
Then, there was Wine. She broke up with him when she was 36. That was 23 years ago.

February 2020
Featured image for “Black, Yellow, Blue”
Rebecca Larivee

Black, Yellow, Blue

Black. Yellow. Blue. The painting in the hall showed a man, a woman, and a big yellow dog Ð falling from the Earth into the atmosphere. The dog looked so helpless as he fell with his legs spread out, away from green earth and blue oceans toward the blackened sky. The thick strokes of paint gave the images an added dimension Ð as if the paint was also falling away from the wooden frame. Even then, at the tender age of nine, I was most concerned about the dog.

February 2020
Featured image for “A Different Man”
Sascha Goluboff

A Different Man

The day he arrived started off as usual as any for Pru. It was late spring. She stood by the stove in the summer kitchen, boiling water to wash Miss Vena’s petticoats and undergarments. Old Janie, who worked at the Moffatts’ neighboring farm, sat at the large wooden table gossiping with Aunt Betty, Pru’s father’s sister, who was Miss Vena’s cook.

February 2020
Featured image for “Clean”
Micah L. Thorp

Clean

I stood in the hallway of the African Hotel in Tunis wearing a bathrobe and sandals unsure which way to turn. Flanked on both sides by large ornate doors encrusted with mosaics of translucent tiles artfully lettering something in Arabic, I had no idea where to go. At front desk, using my mostly forgotten college French, IÕd inquired about the spa (la source mineral) initially uncertain whether I would be directed to a steam room or rock quarry.

February 2020
Featured image for “The Columnist”
Neal Lipschutz

The Columnist

Max Toffer was pretty much everything I wanted to be. A newspaper columnist, an author of fiction and nonfiction, a devoted advocate of the First Amendment. He was from Philadelphia before he moved to New York to become a Greenwich Village institution at The Oracle. I learned all I knew about Toffer from the about-the-author paragraphs at the back of the novel of his I just finished

February 2020
Featured image for “Lizzy Baby”
Sarah Blanchard

Lizzy Baby

Nine-year-old Liz Walters knew the old playscape was off-limits and had been for years. She hadn’t planned to climb the ladder. This was just going to be a reconnaissance mission.
By mid-afternoon on a Friday in late August, she’d crossed Johnson’s cow pasture and was standing behind the closed-up village school, contemplating the sad condition of its abandoned playground.

February 2020
Featured image for “The Socialite”
BJ Fischer

The Socialite

Logan began looking for his friends as he waited to make a left turn at the gate. The corporate headquarters stood behind a gleaming white iron fence that stretched for furlongs. He followed four black Navigators down the long-curved driveway.
The parade of cars stopped at the valet, which gave him time to scan for the one belonging to the people he knew.

February 2020
Featured image for “The Boat, My Father”
Andy Rugg

The Boat, My Father

Janine wants me to write it all down. She still doesn’t believe me, despite everything I’ve been through and everything I’ve put her through. She wants me to write it down so then I’ll realise how crazy it sounds. The boat took me back. Right back to New Guinea in 1943. It wasn’t time travel exactly, but it has to be close.
But I’m getting ahead of myself.

February 2020
Featured image for “The Disappeared”
Brandon Daily

The Disappeared

The classroom is small, and there is a faint staleness in the air, like the scent of days-old burnt pastries in a kitchen. Chairs too small to fit adult bodies are stacked in the far corner beneath the one window of the room, and all the tables have been pushed against the perimeter, circling him and the others like an elevated moat of laminate wood. The walls are covered with crayon drawings from the children who are there during the daytime

February 2020
Featured image for “Only the Moon Remains”
Lawrence F. Farrar

Only the Moon Remains

When he returned to Tokyo in mid-February, Peter entered a capital wrapped in foreboding. Over whiskey sodas at the Palace Hotel bar, Bigelow declared he expected a military uprising within days. Peter dismissed the idea. True, he had noticed soldiers in the streets, but units marching to and from reviews or to board trains had become common sights in recent years. And, so far as Peter could see, the citizens of AsiaÕs most modern metropolis were going about their lives in a perfectly ordinary manner.

February 2020
Featured image for “The Snitch: Mary”
M.D. Semel

The Snitch: Mary

It was dark when the alarm went off. Mary Patterson lifted herself from bed, splashed cold water on her face, brushed her teeth, then dressed in the clothes she had laid out on the chair the night before. She wore a dark blue dress, something that she had worn to church on many occasions, and flat shoes. She listened to the news on the radio as she got ready, and opted for stockings, despite the predicted heat, but she ultimately rejected the idea of a hat.

February 2020
Featured image for ““Cursive,” “The Phone Calls” and “Death Can’t Stop the Rap””
Louise Moises

“Cursive,” “The Phone Calls” and “Death Can’t Stop the Rap”

A declaration from the district office
we will not be teaching cursive this year
no pens will be required, no extra paper
we will not be teaching cursive this year.

February 2020
Featured image for ““The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro””
Thomas Simmons

“The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro”

In 1979 or so
Soviet-French
interplanetary
cooperation
(which boasted,
inter alia,
French scientific
tackle lugged
to Mars by the
USSR in 1971)
nearly hit
a new high
with an idea;

February 2020
Featured image for ““The Concept of Order,” “That Hurt” and “Wolfwomen””
Jo Angela Edwins

“The Concept of Order,” “That Hurt” and “Wolfwomen”

As a species, humans
live their lives in degrees
of alarm. Mostly, for most
of us, there isn’t much.
The world spins exactly
as we have come to expect it,
and caught wherever
we are,

February 2020
Featured image for ““Ready to Go,” “So Carry On Still” and “Becoming””
D. M. Armstrong

“Ready to Go,” “So Carry On Still” and “Becoming”

a wobbling chin and her deserted glance hit the floor
in agony where we stood together while we chanted
misery: “you’re an ordinary man.” her mouth wrenched
an unforgettable sound cataclysmic eruption of scattered
emotions, broken speeches, tired and beaten hope
we were once before and not anymore but why

February 2020
Featured image for ““Rose of Mary,” “Taking Christmas Down” and “Perigee””
Holly Kelso

“Rose of Mary,” “Taking Christmas Down” and “Perigee”

My mother’s pots of rosemary were tall, manicured
cones, broom swept earthy smelling evergreen,
flecked with lavender drops of blossoms
the shape of small hearts or lips,
she’d send me outside to retrieve a stem each time
she baked a chicken

February 2020
Featured image for ““I was a tourist from honey-milk land,” “Inheritance” and “Overflowing””
Patrick T. Reardon

“I was a tourist from honey-milk land,” “Inheritance” and “Overflowing”

I was a tourist from honey-milk land,
and Sister heard my question underneath.
She had her own.
“Are you packing?”
That kind of place.
The nun hugged her wizened chest.
She was old then,
dead now, I’m sure, thirty years on.

February 2020