Short Story

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Short Story

Featured image for “How to Win at Losing”
Marrie Stone

How to Win at Losing

Take a selfie. Consider the pros and cons of removing your shirt. Remind yourself that it’s a rare man who, at forty-eight and no stranger to Big Gulps and barbeque ribs, should ever remove his shirt. Instead, stand in front of your canary yellow Corvette and raise your cell phone camera high on its stick. Higher. Lean on the hood. Button your shirt. Higher. Make a mental note to buy a bigger shirt.

December 2018
Featured image for “Hooked and Hanging”
Marina Hatsopoulos

Hooked and Hanging

Even in the dark, I spotted Stefano’s loose stance on the platform as my train from Rome pulled into the station. The guys I was used to spending my days with—engineers, lawyers, investors and other entrepreneurs—had more skills than him, for sure, but they didn’t look like that. I’d never mentioned it to John, but then again, why would I? I jumped off the train and stood on tiptoes to reach around Stefano’s neck. He brushed my curls away from my face and looked at me, as if at a painting, up and down.

December 2018
Featured image for “Names of the Dead”
David Bontumasi

Names of the Dead

They gave me a pencil and a single sheet of paper and they told me to write slowly and clearly, so that I wouldn’t miss a thing. I looked first at the angular man with the protruding chin standing above me and then the round dark-haired woman who stood slightly behind him. I thought it odd that they were the same height and their skin the same color: a lifeless, milky pink. Their faces blended together to make one misshapen head. One of them smelled like potatoes, though it may have been both of them. It made my temples throb.

December 2018
Featured image for “Daffodil Road”
AS Renard

Daffodil Road

A SHIVER pricks his spine. It is a soft tingle, just enough to rouse him from the depths. Face down in a pool of drivel, the young lothario is unsure of his place in the world. This reluctance is palpable as he drinks in the blackness like a homemade amer, slowly swishing the gloom this way and that across his tongue to best capture its flavor. The acrid tone confirms his suspicions — here is a realm detached from the sovereignty of his dreams. Not Eden, but Gethsemane, where dangers are many and miracles few.

December 2018
Featured image for “Limfill”
Sik Siu Siu

Limfill

About three months ago, if you had had the opportunity to visit Lucy, you would surely have seen me, wrapped in a white plastic bag, sitting on the floor and leaning against the side of a shoe rack against the wall right beside the door to the outside. Certainly, you would have been able to tell, by experience or by instinct, that I was not supposed to be deserted there, indeterminately, in that unsightly condition.

December 2018
Featured image for “Tidy Hair on a Boat”
Simon Lowe

Tidy Hair on a Boat

“I’m chock full of cancer,” said Mrs Winston, sat in Patty’s salon. “I’m sorry to hear that Mrs Winston.” “Agony it is.” “Some cancers aren’t so bad though, are they, these days?” “Who told you that?” Trey had a friend. People said she was going to die. Trey visited her friend after work and sat on a bean bag, consoling her with optimistic words and cups of tea. The cancer had a name similar to Trey’s maths teacher, Mr Hodgkins. The cancer came and went. Her friend recovered. Trey felt she had been misled.

November 2018
Featured image for “Controlled Burn”
Julie Sellers

Controlled Burn

The ranchers in the Flint Hills called it a controlled burn, insinuating that with sufficient intention they could master the elements. But Rebecca knew better—an unexpected change of the wind, a jumped fireguard, the barest instant of carelessness, and the ravenous pasture fires set in the region each spring could reduce such smugness to nothing but ashes. Her earliest memory was of fire; her earliest loss was to fire; fire had forged her, for better or worse, into the person she was.

November 2018
Featured image for “Audible”
John Bersin

Audible

At the end of an appropriate period of polite applause, Ryne Blades touched the knot of his tie, adjusted the microphone, and put on his reading glasses. He paused briefly to look out over the assembled freshmen in the campus theater. This was his biggest speech of the year.

November 2018
Featured image for “The 9th”
Roberta Levine

The 9th

An ice cream parlor with wrought iron chairs and tables had recently opened at Northland, an open-air mall located just across the border from Detroit. Sylvia, a widow in her sixties, had read about the place and told her younger sister Lottie about it. They’d decided to go there after Lottie’s first appointment with Dr. B. Since then, if only for the cheer of the red and white striped walls, the two had stopped in even if Lottie could only swallow a few sips of her float.

November 2018
Featured image for “The Crash”
Gregory Voss Jr.

The Crash

The jetliner, a bone-white Airbus A320 with a fat, blue-brand logo, hobbled over the neighborhood, wings waggling under the lemon sun. There was smoke, a lot of it, coming from the right-wing engine, and the dark contrail was an evil pencil mark crossing the cloudless mountain sky. Neighbors, alerted by a sudden cacophony, ran out onto their front porches and stared at death looming overhead. Children playing on front lawns dropped their balls and bikes and ran for the arms of their parents. But Nick just stared at the inbound jet. He didn’t move, even as the nose looked to bore directly into his eighty-pound frame.

November 2018
Featured image for “Peninsula”
John Herbert

Peninsula

They were both shocked when the letter arrived, the stationery matt and generous, unlike the crabbed hand it bore. The pages, when Róisín opened it, gave off the stale reek of cigarette smoke. ‘Who’s it from?’ Sheila asked rubbing her hair with a towel. ‘Only Guillame Le – fecking – Quennec,’ Róisín said with a grin. ‘Says he’d love to come and read at Peninsula next month from his new book.’

November 2018
Featured image for “Sisters”
Linda Butler

Sisters

Janie was dead. For real this time. Connie rounded the familiar curve at Hooper Hill Road, pulled over to let an impatient driver pass, and used the moment to once again check her rear-view mirror. They said she’d get used to it but she hadn’t.

November 2018
Featured image for “Space Elephants and Giraffes”
Tim Ryan

Space Elephants and Giraffes

HANNA was cold. The fine red hair on her arms stood on end. Goosebumps. The unicorn on her shirt pranced on its tiny patch of grass with every gust of wind. Dark clouds had rolled in above her. Rain was coming, she could smell it. She wanted to be down from this metal arch. When she had finally climbed all the way to the top, each blue rung cold on her hands, except where the paint was chipped – still cold, just not blue, she realized an important part of the climb was unconsidered: getting back down.

November 2018
Featured image for “death, at work”
Nicholas Eveneshen

death, at work

“Well then, Andrew, ought we to start with the basics? Please, take a seat.” I had never met Bill from Fleet Safety before, but his presence disturbed me. The main office door to our left was closed, the thin light at the bottom barely visible. Bill had spread out his documents on the table before us and now sat with his hands folded, expectant. Steam rose out of the cup beside him. His suit was as black as the coffee he drank.

November 2018
Featured image for “Flight”
Wendy Tatlonghari Burg

Flight

So that was it; her sister was dying. Riza received the call this morning from her niece in D.C. She was expected to go to Manila. Her daughter Melanie was already there, sleeping on a cot in the hospital room. Riza shut her eyes tight and rubbed her forehead with her fingers. She searched her mind for a reason to stay. What could she tell them?

November 2018
Featured image for “Penned Inn”
Damon Piletz

Penned Inn

The house tucked back So you’d never See its entirety unless You were on the towpath Which was exactly where She was trying to drop Those last twenty-five she’d Been feverishly struggling to lose

October 2018
Featured image for “Autumn”
W. A. Schwartz

Autumn

There’s something wrong with my hands. Lately, I’ve taken to squeezing them into fists—grasping at something—at the most peculiar times. When I’m checking out at the grocery store. Facetiming my daughter who is away at college. Making love to my husband. My thumbs ache and I’ve noticed the knuckles on my right swell to the size of cumquats in the morning. When that happens, I hide my hand.

October 2018
Featured image for “Yearling”
Jaclyn Reed

Yearling

Wake up to the cock crowing in the front yard. It isn’t even light out yet. Through your bedroom window on the second story of the farm house you can see the summer sky just starting to turn pink and purple at the edge of the pasture. You see one of the yearlings bucking around the fence waiting for breakfast.

October 2018
Featured image for “On the Way to Work – Relevancy”
Piper Templeton

On the Way to Work – Relevancy

On the way to work, Shirley Lamothe stopped on her porch to pet the new cat. She had ceased naming the felines long ago. The strays tended to congregate around her modest, wood frame rental house because she put out dishes of food and water and allowed them entry into the house if they so desired. They kept her company, as Brian stayed mainly sequestered in his tiny boyhood bedroom,

October 2018
Featured image for “An Unwelcome Guest”
Kit McCoy

An Unwelcome Guest

Paul placed his finger on the pulse of his home in the dark of night to feel the soothing and generous spirit that surrounded him. His children had been dead tired, his wife irritable, and he was aching to be alone so that he could wonder about the melancholy that crept around the edges of his trip

October 2018
Featured image for “July 8, 1927”
Paul Luckhart

July 8, 1927

The wildfires burning in the city’s outlying regions were said to be the worst anyone could remember. A cloud carried through the streets, softening colours and dulling the edges. The features of structures and people were made indistinct, and all that was visible was what was near. I thought of glimpsing something I was not prepared for, like a monster jumping from outside the frame in a horror film,

October 2018
Featured image for “The Hunters”
Anna Kaye-Rogers

The Hunters

Her prey was close; she could feel it. Ochre Number 8 had been sold out in the greater Tri-State area her past two weekend shopping runs, but there had been a restock, she was sure of it. The lanyard-wearing woman behind the counter had told her there was a truck every two weeks. It was time.

October 2018
Featured image for “The Not-Wife”
K. A. Hough

The Not-Wife

I pull the key from the ignition, replace my hands on the steering wheel, sit and stare at the windscreen. Tucked in, safe, away from the damp that arrived with spring. Fog in the city. Fog in the hinterland. Fog in the head.

October 2018
Featured image for “The Woman from the Other Side of the Moon”
Olivia Lee Chen

The Woman from the Other Side of the Moon

She seemed a fairly ordinary woman, The Woman from the Other Side of the Moon. She came into the coffee shop every afternoon around three and ordered one of two things: iced tea with lemon or a small coffee with room.

October 2018