Poetry

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Like Lost Dogs,” “Solitude at Midnight,” and “Eden’s End””
Alexander Etheridge

“Like Lost Dogs,” “Solitude at Midnight,” and “Eden’s End”

Walking at dusk again,
and stray lines tap
on my mind’s window,
looking for a poem.

February 2025
Featured image for ““Spring is a Good Season for Reconciliation,” “Where Were You,” and “The Thing That Remains””
Jodi Morton

“Spring is a Good Season for Reconciliation,” “Where Were You,” and “The Thing That Remains”

The moment we turn the corner,
a cold front hits,
a carpet of chilly air
unrolled at our feet.
I pull my cardigan tightly
around my chest, hold it closed.

February 2025
Featured image for ““Summer Music, For my Father,” “Caught,” and “Color as Language””
Stephanie Trenchard

“Summer Music, For my Father,” “Caught,” and “Color as Language”

The setting:
Notes in a measure of motion
with dissonant zinc-white daylight splashing
and dancing upon the path
as the horizon softens to a bluer hue, and vanishes

February 2025
Featured image for ““No X-Men in LA” and “Missing Rehoboth””
Jonathan Fletcher

“No X-Men in LA” and “Missing Rehoboth”

Where are you? the seven-year-old in me
asks as I watch the screen fill
with frenetic red and orange,
billowing gray, curtained black.
Storm, come and still the winds.
Jean Gray, divert the water.

February 2025
Featured image for ““Disappearing Home,” “Shopping With My Mother,” and “A Little Fiction””
Molly Seale

“Disappearing Home,” “Shopping With My Mother,” and “A Little Fiction”

We scooped up the baby,
ramrodded the four year old,
imprisoned the two gray tabbies,
locked them all in the ‘77
white LTD with the green vinyl interior
left to me by my mother upon her death.

January 2025
Featured image for ““Polyglotony,” “Quadrophonic,” and “Photogenia””
Steve Biersdorf

“Polyglotony,” “Quadrophonic,” and “Photogenia”

Disrupting the murmuring stillness,
the nasally whine of a two-stroke motor,
hedge trimmers whipsawing

weeds framing sidewalk, infiltrating

January 2025
Featured image for ““Starting from the Middle,” “Heap of a Human,” and “First Love After””
Naomi Anne Goldner

“Starting from the Middle,” “Heap of a Human,” and “First Love After”

Life came out of me
a gush of red
Moon-pale I waited those eternal
stretched seconds
for my
arms to be filled
with you.

January 2025
Featured image for ““A Quiet Black Wedding,” “The Broken must find the Broken ,” and “So Many Lengths of Time””
Alan Hill

“A Quiet Black Wedding,” “The Broken must find the Broken ,” and “So Many Lengths of Time”

These arguments, the silences, were all a slow release

a practice run to make the death of us
this love we had, a little easier to finish.

We have come apart, the skin of us slide

to be faceless, naked, the bones of us stand free

January 2025
Featured image for ““First Man,” “Deal With It,” and “The Socks””
Katherine Orfinger

“First Man,” “Deal With It,” and “The Socks”

Empty as the space
on the back of my neck

where the phantom of your
hand rests just

outside the confines of
my comfortable reach

January 2025
Featured image for ““Nocturne,” “Flint Ridge Overlooking the Klamath River,” and “Aubade for Lisa””
Nick Vasquez

“Nocturne,” “Flint Ridge Overlooking the Klamath River,” and “Aubade for Lisa”

The night is a black dress

draped over the arms of a couch, she whispers
stars plucked like cherry blossoms.
A smokey hush fills the room

January 2025
Featured image for ““Dissolution of My Father,” “My Mother’s Faith,” and “Crying: Process””
Jesse Darnay

“Dissolution of My Father,” “My Mother’s Faith,” and “Crying: Process”

You inhabit me; you narrow to flanks.
Your spineless nerves sear my ventricles.
The creative will will snap your cheekbone—
hush, soil, remains.
Look at the blank between us
squeezing my shoulders.

January 2025
Featured image for ““the wish,” “imperatives at the lake,” and “sister song””
Claire Coenen

“the wish,” “imperatives at the lake,” and “sister song”

after all this busying of body, resisting rest
like a toddler hurling her blanket through the night,
after all these efforts manifesting goals, dreading
rejection, willing perfection like a cheerleader

January 2025
Featured image for ““A Duplex Only Turns 43 Twice,” “Accidentally Down and Out in Dublin,” “Here and There on a Triple-Helical Journey to the Islands and Highlands of Scotland””
Jake Sheff

“A Duplex Only Turns 43 Twice,” “Accidentally Down and Out in Dublin,” “Here and There on a Triple-Helical Journey to the Islands and Highlands of Scotland”

More insatiable than the desire to hoard,
Your fans say death’s a foreign coincidence.

They also say a forgotten coin’s never
Spent, but its odyssey costs us a day.

In 42, you slid like theodicy.
In Get on Up, you put an omen’s plaything

January 2025
Featured image for ““A Short Talk on Pain,” “The Same Old Scenario,” and “lips stained with what they have tasted””
Joan Penn

“A Short Talk on Pain,” “The Same Old Scenario,” and “lips stained with what they have tasted”

A short talk on pain?
No, no. I don’t think so.
Let’s change the subject.
Let’s deflect our attention.
Besides, what is there to say?

December 2024
Featured image for ““My Mom Would Repeat to Herself Over and Over Again,” “I Think I’m Just Going to Go,” and “Life-Fighting Machines””
Trapper Markelz

“My Mom Would Repeat to Herself Over and Over Again,” “I Think I’m Just Going to Go,” and “Life-Fighting Machines”

this too shall end.
This too shall end.
This too shall end—
from a place in the basement corner bedroom
beneath boarded-up windows in the back of the house
where she hid from the noise of an Alaskan summer solstice
of driftwood bleaching, refused to watch the harbor pier

December 2024
Featured image for ““rebirth,” “more herself,” and “Surrender””
Angie Wehking

“rebirth,” “more herself,” and “Surrender”

willed by the rain
washing over me.
slow at first,
it filled the bank.
drowning in emotions
I built a dam.

December 2024
Featured image for ““Thran,” “Janus Stood Aside,” and “Screaming Eagle Uncorked””
Ailish NicPhaidin

“Thran,” “Janus Stood Aside,” and “Screaming Eagle Uncorked”

Romania is a different culture
It has high mountains
Low valleys
And Roma wandering the roads
Byways and small lax villages.

December 2024
Featured image for ““Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day””
Robert Eugene Rubino

“Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day”

As sticky as syrup-soaked gruel
eyes closed with dreamy leftovers
eyes closed tightly as if seamstresses
sewed those viscous visions inward.

December 2024
Featured image for ““Headstone,” “Berlin AM,” and “Venom””
Jeanne Cannizzo

“Headstone,” “Berlin AM,” and “Venom”

You are cold,
to my palm,
to my cheek,
cold to my tongue.

December 2024
Featured image for ““Blumensprache (or Self Portrait as Purple Thistle),” “My Words,” and “Noir””
Julie Benesh

“Blumensprache (or Self Portrait as Purple Thistle),” “My Words,” and “Noir”

Because my head is full of one hundred flowers.
Because dandelions were taken; ditto orchids
(each a bookend on the hardy-to-fragile spectrum).
Because I don’t compete with or covet the rich
and shallow soil but trade in the depths of mingled roots.

November 2024
Featured image for ““If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground””
Jonathan Bessette

“If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground”

Lying amidst terra cotta
shards, in backyard rituals
we stared at a bleaching dot
of sun, hoped tanning might
remind us of no—bad—days. I told you

November 2024
Featured image for ““home was looking at you,” “My Apologetic Elegy,” and “My Father And The Souvenir””
Celeste Bloom

“home was looking at you,” “My Apologetic Elegy,” and “My Father And The Souvenir”

Home is a mold, that I cast upon you
in the shape of this poem, that fits only you.

Home was the way you described every color:
hunter green, sunset orange, and midnight blue.

November 2024
Featured image for ““Being,” “After,” and “Hunting””
RW Mayer

“Being,” “After,” and “Hunting”

When I was a child I went out to the long hedge
along the back of our property. I could crawl
in under the leaves and branches to the middle.

November 2024
Featured image for ““Basking” “My Valentine’s Day,” and “Indian Summer Twilight from my Balcony””
Joanne Jagoda

“Basking” “My Valentine’s Day,” and “Indian Summer Twilight from my Balcony”

basking in the words
of a poem set aside, long forgotten
the warm glow of verses once familiar
comfort like a soothing bath
taking you back
to another time and place

November 2024