Poetry

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Broken Wing,” “No donations here,” and “White Walls””
CM Pickard

“Broken Wing,” “No donations here,” and “White Walls”

Hopelessness—caked in dirt
and tossed aside,
like the bird
with a broken wing

April 2025
Featured image for ““Sonnet for Interesting Times,” “Mutual Observation,” and “The Meantime””
Julie Benesh

“Sonnet for Interesting Times,” “Mutual Observation,” and “The Meantime”

You may wonder who will reach
down to perform the necessary miracle,
and when and what: the white bandage,
pristine; the laying on of hands; the soup
and sleep and bread and bed.

April 2025
Featured image for ““What Stays,” “Elfie’s Other Life,” and “Crow‘s Message””
Malcolm Glass

“What Stays,” “Elfie’s Other Life,” and “Crow‘s Message”

This morning I woke to slow rain,
and remembered waking with you
sprawled across my bed in a toccata
of bones muscles skin and breath.

April 2025
Featured image for ““A Swan,” “Lips,” “I Saw You Crying””
Ramiro Valdes

“A Swan,” “Lips,” “I Saw You Crying”

A swan,
His neck a staircase into
The white clouds,
Wings, oars
Of silk,
Toiling
Against
The waves of
Water…

April 2025
Featured image for ““The Room Next Door” and “Bright Red Gloves””
Eleanor Krauss

“The Room Next Door” and “Bright Red Gloves”

The first time Elizabeth jumped, James was on the ground with a tarp; / they were in different worlds and the two had never met.

“No one understands me,” Elizabeth said. She was lying / on the floor of her pink-striped bedroom and was talking to the ceiling.

April 2025
Featured image for ““Impatient,” “Last Week,” and “Now It Is a Requiem””
Eric Lunde

“Impatient,” “Last Week,” and “Now It Is a Requiem”

Leaving the hospital, she said:
“Today, everyone looks like something I ate.”
Right now? I asked, scanning the parking lot.
“Yes. And everyone throughout my life.”
I thought so. Most of the meat
Loaf I digested resembled
My eighth-grade class.

April 2025
Featured image for ““UAV,” “a boat tows a floating billboard,” and “Week 20””
Paul Zammit

“UAV,” “a boat tows a floating billboard,” and “Week 20”

O phalanx of clouds,
formed against your own shadow,
diorama of the maxim that armies,
like lovers, come in pairs—
promulgate now in bulleted wisps,
conformist’s dark room dripping in chemical
& negative & clothes-pinned evidence

March 2025
Featured image for ““Snake in Our Midst,” ” House of Mirrors,” and “Entwined””
Louise Moises

“Snake in Our Midst,” ” House of Mirrors,” and “Entwined”

on the sunbaked
patio, a little girl,
discovers a snake
sunning itself
on a boulder
she runs into
the house
jubilantly reports
the presence…

March 2025
Featured image for ““Origins All the Time,” “Two Faces,” and “Arguing Again””
Matthew Freeman

“Origins All the Time,” “Two Faces,” and “Arguing Again”

I’m so sorry you don’t have the vision
I have. Like when Lesbia
showed me the new Cure cassette in ‘92
I was able to pick out
what would be the most popular songs
in two seconds.

March 2025
Featured image for ““Shades of Red,” ” Indigo, Turmeric,” and “Out of Nowhere””
Holly Willis

“Shades of Red,” ” Indigo, Turmeric,” and “Out of Nowhere”

color
came to me suddenly
not blood, but red, reddish
and burning. Only

at first abrupt,
like a punch line, a
jawbone or
hallway carved

March 2025
Featured image for ““The Sky a Flawless Blue,” “When your Muse has Left the Building,” and “My Own Little Beast””
Joanne Jagoda

“The Sky a Flawless Blue,” “When your Muse has Left the Building,” and “My Own Little Beast”

The sky, a flawless blue,
the kind of California day,
that gets under your skin.
Scaffolds holding up the heavens
stretching against celestial infinity.
Is there a placeholder for me
in that expanse?

March 2025
Featured image for ““I am the Tortoise,” “Greenland Isn’t Green,” and “Eating at Al Capone’s Soup Kitchen””
Robert Eugene Rubino

“I am the Tortoise,” “Greenland Isn’t Green,” and “Eating at Al Capone’s Soup Kitchen”

Flamingoes all pink and proud
at the Junior Museum & Zoo.
Kids & grandparents all aflutter
flocking to public feeding time
in a fluff-and-strut club of cute.

March 2025
Featured image for ““Étude 128,” “Étude 143,” and “Interval 404””
Ray Malone

“Étude 128,” “Étude 143,” and “Interval 404”

no music, only the daylight, the green
of the trees growing, so fresh and bright,
imagine a leaf, a single one of them
held to your cheek, in its chill,
its refusal of heat, this early in the year,
the stars so far from here, the birds
in their lightness going about their business

February 2025
Featured image for ““What Remains” and “A Hole In Her Head””
Penny Jackson

“What Remains” and “A Hole In Her Head”

Discarded on the train tracks,
a crushed bag of potato chips,
bright red label glaring.
Two bus drivers linger
by their idling vehicles—
one bends to his lighter,
the wreath of smoke
drifting briefly

February 2025
Featured image for ““A Purple Orchid,” “Poem for The Pink Petal Dragons,” and “At The Cusp of Autumn: Where Do Geese & Husband Go?””
Jerrice J. Baptiste

“A Purple Orchid,” “Poem for The Pink Petal Dragons,” and “At The Cusp of Autumn: Where Do Geese & Husband Go?”

Evelyn’s caramel colored
fingertips rub center of an orchid.
Soft saturated purple petals

awaken her eyes, like discovering
carving of ancient writings.
The Nile River on cave walls.

February 2025
Featured image for ““Not Drowning,” “Solstice,” and “Magi-Conomy””
Julie Benesh

“Not Drowning,” “Solstice,” and “Magi-Conomy”

Are you listening? I have access
to all the words, at least

hypothetically. Language, emotion,
cognition commingles in combinations

infinite, experiments replicable,
but only barely, in theory

February 2025
Featured image for ““Like Lost Dogs,” “Solitude at Midnight,” and “Eden’s End””
Alexander Etheridge

“Like Lost Dogs,” “Solitude at Midnight,” and “Eden’s End”

Walking at dusk again,
and stray lines tap
on my mind’s window,
looking for a poem.

February 2025
Featured image for ““Spring is a Good Season for Reconciliation,” “Where Were You,” and “The Thing That Remains””
Jodi Morton

“Spring is a Good Season for Reconciliation,” “Where Were You,” and “The Thing That Remains”

The moment we turn the corner,
a cold front hits,
a carpet of chilly air
unrolled at our feet.
I pull my cardigan tightly
around my chest, hold it closed.

February 2025
Featured image for ““Summer Music, For my Father,” “Caught,” and “Color as Language””
Stephanie Trenchard

“Summer Music, For my Father,” “Caught,” and “Color as Language”

The setting:
Notes in a measure of motion
with dissonant zinc-white daylight splashing
and dancing upon the path
as the horizon softens to a bluer hue, and vanishes

February 2025
Featured image for ““No X-Men in LA” and “Missing Rehoboth””
Jonathan Fletcher

“No X-Men in LA” and “Missing Rehoboth”

Where are you? the seven-year-old in me
asks as I watch the screen fill
with frenetic red and orange,
billowing gray, curtained black.
Storm, come and still the winds.
Jean Gray, divert the water.

February 2025
Featured image for ““Disappearing Home,” “Shopping With My Mother,” and “A Little Fiction””
Molly Seale

“Disappearing Home,” “Shopping With My Mother,” and “A Little Fiction”

We scooped up the baby,
ramrodded the four year old,
imprisoned the two gray tabbies,
locked them all in the ‘77
white LTD with the green vinyl interior
left to me by my mother upon her death.

January 2025
Featured image for ““Polyglotony,” “Quadrophonic,” and “Photogenia””
Steve Biersdorf

“Polyglotony,” “Quadrophonic,” and “Photogenia”

Disrupting the murmuring stillness,
the nasally whine of a two-stroke motor,
hedge trimmers whipsawing

weeds framing sidewalk, infiltrating

January 2025
Featured image for ““Starting from the Middle,” “Heap of a Human,” and “First Love After””
Naomi Anne Goldner

“Starting from the Middle,” “Heap of a Human,” and “First Love After”

Life came out of me
a gush of red
Moon-pale I waited those eternal
stretched seconds
for my
arms to be filled
with you.

January 2025
Featured image for ““A Quiet Black Wedding,” “The Broken must find the Broken ,” and “So Many Lengths of Time””
Alan Hill

“A Quiet Black Wedding,” “The Broken must find the Broken ,” and “So Many Lengths of Time”

These arguments, the silences, were all a slow release

a practice run to make the death of us
this love we had, a little easier to finish.

We have come apart, the skin of us slide

to be faceless, naked, the bones of us stand free

January 2025