Poetry

Poetry

Featured image for ““I am the Tortoise,” “Greenland Isn’t Green,” and “Eating at Al Capone’s Soup Kitchen””
Robert Eugene Rubino

“I am the Tortoise,” “Greenland Isn’t Green,” and “Eating at Al Capone’s Soup Kitchen”

Flamingoes all pink and proud
at the Junior Museum & Zoo.
Kids & grandparents all aflutter
flocking to public feeding time
in a fluff-and-strut club of cute.

March 2025
Featured image for ““Étude 128,” “Étude 143,” and “Interval 404””
Ray Malone

“Étude 128,” “Étude 143,” and “Interval 404”

no music, only the daylight, the green
of the trees growing, so fresh and bright,
imagine a leaf, a single one of them
held to your cheek, in its chill,
its refusal of heat, this early in the year,
the stars so far from here, the birds
in their lightness going about their business

February 2025
Featured image for ““What Remains” and “A Hole In Her Head””
Penny Jackson

“What Remains” and “A Hole In Her Head”

Discarded on the train tracks,
a crushed bag of potato chips,
bright red label glaring.
Two bus drivers linger
by their idling vehicles—
one bends to his lighter,
the wreath of smoke
drifting briefly

February 2025
Featured image for ““A Purple Orchid,” “Poem for The Pink Petal Dragons,” and “At The Cusp of Autumn: Where Do Geese & Husband Go?””
Jerrice J. Baptiste

“A Purple Orchid,” “Poem for The Pink Petal Dragons,” and “At The Cusp of Autumn: Where Do Geese & Husband Go?”

Evelyn’s caramel colored
fingertips rub center of an orchid.
Soft saturated purple petals

awaken her eyes, like discovering
carving of ancient writings.
The Nile River on cave walls.

February 2025
Featured image for ““Not Drowning,” “Solstice,” and “Magi-Conomy””
Julie Benesh

“Not Drowning,” “Solstice,” and “Magi-Conomy”

Are you listening? I have access
to all the words, at least

hypothetically. Language, emotion,
cognition commingles in combinations

infinite, experiments replicable,
but only barely, in theory

February 2025
Featured image for ““Like Lost Dogs,” “Solitude at Midnight,” and “Eden’s End””
Alexander Etheridge

“Like Lost Dogs,” “Solitude at Midnight,” and “Eden’s End”

Walking at dusk again,
and stray lines tap
on my mind’s window,
looking for a poem.

February 2025
Featured image for ““Spring is a Good Season for Reconciliation,” “Where Were You,” and “The Thing That Remains””
Jodi Morton

“Spring is a Good Season for Reconciliation,” “Where Were You,” and “The Thing That Remains”

The moment we turn the corner,
a cold front hits,
a carpet of chilly air
unrolled at our feet.
I pull my cardigan tightly
around my chest, hold it closed.

February 2025
Featured image for ““Summer Music, For my Father,” “Caught,” and “Color as Language””
Stephanie Trenchard

“Summer Music, For my Father,” “Caught,” and “Color as Language”

The setting:
Notes in a measure of motion
with dissonant zinc-white daylight splashing
and dancing upon the path
as the horizon softens to a bluer hue, and vanishes

February 2025
Featured image for ““No X-Men in LA” and “Missing Rehoboth””
Jonathan Fletcher

“No X-Men in LA” and “Missing Rehoboth”

Where are you? the seven-year-old in me
asks as I watch the screen fill
with frenetic red and orange,
billowing gray, curtained black.
Storm, come and still the winds.
Jean Gray, divert the water.

February 2025
Featured image for ““Disappearing Home,” “Shopping With My Mother,” and “A Little Fiction””
Molly Seale

“Disappearing Home,” “Shopping With My Mother,” and “A Little Fiction”

We scooped up the baby,
ramrodded the four year old,
imprisoned the two gray tabbies,
locked them all in the ‘77
white LTD with the green vinyl interior
left to me by my mother upon her death.

January 2025
Featured image for ““Polyglotony,” “Quadrophonic,” and “Photogenia””
Steve Biersdorf

“Polyglotony,” “Quadrophonic,” and “Photogenia”

Disrupting the murmuring stillness,
the nasally whine of a two-stroke motor,
hedge trimmers whipsawing

weeds framing sidewalk, infiltrating

January 2025
Featured image for ““Starting from the Middle,” “Heap of a Human,” and “First Love After””
Naomi Anne Goldner

“Starting from the Middle,” “Heap of a Human,” and “First Love After”

Life came out of me
a gush of red
Moon-pale I waited those eternal
stretched seconds
for my
arms to be filled
with you.

January 2025
Featured image for ““A Quiet Black Wedding,” “The Broken must find the Broken ,” and “So Many Lengths of Time””
Alan Hill

“A Quiet Black Wedding,” “The Broken must find the Broken ,” and “So Many Lengths of Time”

These arguments, the silences, were all a slow release

a practice run to make the death of us
this love we had, a little easier to finish.

We have come apart, the skin of us slide

to be faceless, naked, the bones of us stand free

January 2025
Featured image for ““First Man,” “Deal With It,” and “The Socks””
Katherine Orfinger

“First Man,” “Deal With It,” and “The Socks”

Empty as the space
on the back of my neck

where the phantom of your
hand rests just

outside the confines of
my comfortable reach

January 2025
Featured image for ““Nocturne,” “Flint Ridge Overlooking the Klamath River,” and “Aubade for Lisa””
Nick Vasquez

“Nocturne,” “Flint Ridge Overlooking the Klamath River,” and “Aubade for Lisa”

The night is a black dress

draped over the arms of a couch, she whispers
stars plucked like cherry blossoms.
A smokey hush fills the room

January 2025
Featured image for ““Dissolution of My Father,” “My Mother’s Faith,” and “Crying: Process””
Jesse Darnay

“Dissolution of My Father,” “My Mother’s Faith,” and “Crying: Process”

You inhabit me; you narrow to flanks.
Your spineless nerves sear my ventricles.
The creative will will snap your cheekbone—
hush, soil, remains.
Look at the blank between us
squeezing my shoulders.

January 2025
Featured image for ““the wish,” “imperatives at the lake,” and “sister song””
Claire Coenen

“the wish,” “imperatives at the lake,” and “sister song”

after all this busying of body, resisting rest
like a toddler hurling her blanket through the night,
after all these efforts manifesting goals, dreading
rejection, willing perfection like a cheerleader

January 2025
Featured image for ““A Duplex Only Turns 43 Twice,” “Accidentally Down and Out in Dublin,” “Here and There on a Triple-Helical Journey to the Islands and Highlands of Scotland””
Jake Sheff

“A Duplex Only Turns 43 Twice,” “Accidentally Down and Out in Dublin,” “Here and There on a Triple-Helical Journey to the Islands and Highlands of Scotland”

More insatiable than the desire to hoard,
Your fans say death’s a foreign coincidence.

They also say a forgotten coin’s never
Spent, but its odyssey costs us a day.

In 42, you slid like theodicy.
In Get on Up, you put an omen’s plaything

January 2025
Featured image for ““A Short Talk on Pain,” “The Same Old Scenario,” and “lips stained with what they have tasted””
Joan Penn

“A Short Talk on Pain,” “The Same Old Scenario,” and “lips stained with what they have tasted”

A short talk on pain?
No, no. I don’t think so.
Let’s change the subject.
Let’s deflect our attention.
Besides, what is there to say?

December 2024
Featured image for ““My Mom Would Repeat to Herself Over and Over Again,” “I Think I’m Just Going to Go,” and “Life-Fighting Machines””
Trapper Markelz

“My Mom Would Repeat to Herself Over and Over Again,” “I Think I’m Just Going to Go,” and “Life-Fighting Machines”

this too shall end.
This too shall end.
This too shall end—
from a place in the basement corner bedroom
beneath boarded-up windows in the back of the house
where she hid from the noise of an Alaskan summer solstice
of driftwood bleaching, refused to watch the harbor pier

December 2024
Featured image for ““rebirth,” “more herself,” and “Surrender””
Angie Wehking

“rebirth,” “more herself,” and “Surrender”

willed by the rain
washing over me.
slow at first,
it filled the bank.
drowning in emotions
I built a dam.

December 2024
Featured image for ““Thran,” “Janus Stood Aside,” and “Screaming Eagle Uncorked””
Ailish NicPhaidin

“Thran,” “Janus Stood Aside,” and “Screaming Eagle Uncorked”

Romania is a different culture
It has high mountains
Low valleys
And Roma wandering the roads
Byways and small lax villages.

December 2024
Featured image for ““Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day””
Robert Eugene Rubino

“Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day”

As sticky as syrup-soaked gruel
eyes closed with dreamy leftovers
eyes closed tightly as if seamstresses
sewed those viscous visions inward.

December 2024
Featured image for ““Headstone,” “Berlin AM,” and “Venom””
Jeanne Cannizzo

“Headstone,” “Berlin AM,” and “Venom”

You are cold,
to my palm,
to my cheek,
cold to my tongue.

December 2024