Creative Nonfiction

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Creative Nonfiction

Featured image for “Woven Love: How I Found My North”
Anna Hertel

Woven Love: How I Found My North

Head tucked between my outstretched arms, I dolphin-dive my way through the blue shallows of Lake Tahoe, one of the oldest lakes in the world, sitting 6,250 feet above sea level. On this ice-crusted September morning, the sun has not yet cleared the tree line in the Sierra Nevada.

May 2019
Featured image for “The Radio”
Terese Brasen

The Radio

In 1974, my mother and Richard Nixon developed thrombosis. By that time, the old radio was broken, and she relied on a square transistor about the size of a jar. First Nixon resigned. My mother dialled into the news to hear his crackly yet smooth voice: “By taking this action, I hope that I will have hastened the start of the process of healing which is so desperately needed in America.”

May 2019
Featured image for “When You Try to Make Sense of a Breakup Through Racism”
Michelle Renee Hoppe

When You Try to Make Sense of a Breakup Through Racism

My paintings and art therapy hang loosely on his walls. The felt coloring I did in the hospital washes out to white. It sticks to the fridge still facing the sun. He holds my hands, looking at me with more love when I am sick than when I am well. He holds me and tells me it will be all right. It will be all right.

April 2019
Featured image for “Prepare for Departure”
Mark Chesnut

Prepare for Departure

New York City, July 2015

My mother arrived in New York City with a black eye and one arm dangling in a sling.

And by the time the dirty white van finally swerved to a halt after seven hours navigating the highways of New York State, she was clearly not happy.

April 2019
Featured image for “The Dragon in the Garden”
Marianna Marlowe

The Dragon in the Garden

When she is seven, home is a suburban mansion on the outskirts of Manila. It has a deep back garden, aggressively green, encircled by a high stone wall overlain with lush leaves and serpentine vines. Right next door, adjacent to their property, barricaded back by the rough rock, is an empty lot—abandoned after its initial clearing and left to the mercy of tropical flora and fauna.

April 2019
Featured image for “Dear James”
M. Betsy Smith

Dear James

When my son Justin first battled alcoholism, he used music to ease his agony. He played guitar and wrote sensitive, deeply personal songs during those difficult years. As a part of his recovery, he recorded a CD he titled Vinegar and Vigilance. It was apt. His songs told of his loneliness, his prayers, and of loves he lost. His deep voice quivered at times, but his lyrics and skillful guitar playing helped to carry him through to sobriety.

March 2019
Featured image for “Kant Skateboard”
Andrew Miller

Kant Skateboard

I had to use the roll-in to get enough speed going up the bank. That was the first hurdle. The kids around me hopped on and went for it. I kept letting them snake in front of me. I needed to understand the physics before I committed. At least with a roll-in, you never lose contact with the ramp. When you drop in, you have to redirect the nose of your skateboard, from horizontal to vertical, using only your gravity, sense of balance, and most importantly, your confidence.

March 2019
Featured image for “A Dispatch from Olivia”
David Kennedy

A Dispatch from Olivia

The ladies of the press, by inclination and profession given to skepticism, had appeared at the luncheon anticipating a ghastly masquerade. There had been abundant rumors, which the ladies had been obliged to report in accordance with their duty to their readers, that Kate Chase Sprague was now a Miss Havisham, roaming as a spectre in a cobwebbed and abandoned mansion. Yet these great expectations were confounded once the carriages pulled into the drive. Edgewood had been polished, scrubbed, and manicured such that it nearly gleamed in the spring sunshine.

March 2019
Featured image for “I Was Nineteen”
Tammy Peacy

I Was Nineteen

I worked at a pet shop. My boss was forty-two. That’s what he told me. Besides owning the shop, he was also a cop or a DEA agent or maybe in the CIA. I couldn’t then be certain about his stories. He had a cellphone in a time when no one had a cellphone. He might have been married or in the middle of a divorce. He complained of a woman he called his daughter’s mother. He did have a daughter, seven years old, and I know this because he brought her in one day, I think to show off.

February 2019
Featured image for “A Tale of Two Wallets”
Steve Kowalski

A Tale of Two Wallets

I found a wallet on a sidewalk in the Miracle Mile area of Los Angeles. I might have missed it if it wasn’t white, beautiful white leather reflecting the glow of a distant streetlight. I looked up and down the boulevard. Although lined with multi-story apartment buildings, it was completely empty and eerily quiet. It felt as if the entire city stopped what it was doing to watch my next move.

February 2019
Featured image for “Almond Joy”
Cristina Chopalli

Almond Joy

I see her as I drive into the grocery store’s parking lot.
Hungry. No food. Please help.
A woman balances atop the lot’s concrete curb, biceps taut, a handwritten sign held above her head.
A toddler rides the woman’s hip. His fingers curl into the sweaty T-shirt across her breasts.
I slow my car.

February 2019
Featured image for “Lake Effect:  1963”
Stuart Terman

Lake Effect: 1963

The driveways on Verona, the street next to ours, were all snowbound, and I walked up to a home whose drive looked in need of a good shoveling. I rang the front doorbell, and Boubi, recognizing me as the paper boy, gave me a thumbs up to clear out her drive. She was a widow, her children were grown, gone with these chores now on her frail shoulders.

February 2019
Featured image for “Fathers”
Jim Cavan

Fathers

As I rocked with Rett the morning he was born, hoping to spark his first earthly dreams with whispered oaths to give him all I have and know, his fatal cancer still an unseen demon in his cells, I thought now and again on what I’d say to my own dad and damn near cried every time. It stemmed partly from the pride of new fatherhood, of the blue eyes and late-April birthdays our trio would share and the laughs and campfires and straight-up Manhattans to come. And then this inflective twinge that I’d never feel further from life’s nascency, from unremembered youth, as I did just then, not even at my deathbed goodbye.

January 2019
Featured image for “Formations”
Oksana Marafioti

Formations

Love. Vulnerability. One is a ghost without the other. As children, we’re masters of affection. We overflow with it. Love comes naturally, like the seasonal flu. You hurt us, we love you still. More and fiercely. Like you’re worth saving even if the world gives up on you. Having no idea this gift is precious, we squander it on those who don’t always deserve it, but it matters little, because our hearts are in bloom. Until the onset of adulthood. By then, our scars prevent us from blooming too much. Adulting and vulnerability are well-known oxymorons, not the norm. Once we’ve grown, emotional dignity becomes a commodity.

January 2019
Featured image for “Picture Stones”
Susan Niz

Picture Stones

On my wrist, a single round bead, white with purple marbling, suspends on a knotted black cord. In one spot, crossing my vein like a rope bridge over a blue river, a single, dull thread wears thin. I hope it will stay on until he returns from Guatemala. With each shower or yank of my sleeve, the bracelet gets weaker. I hold on to it, precarious, as if it will tell me how things will turn out. As if, when he returns, I’ll put it on a silver chain and then things will be safer, better, more secure. As if keeping it will bring him back.

January 2019
Featured image for “One More Thing to Make You Proud”
Tara Wine-Queen

One More Thing to Make You Proud

My grandmother, called Nanny, was magic. She saw everything good. If there was an ounce of goodness to be found, no matter how much flesh or how many years of disappointment and weariness it was hidden beneath, she could find that light, and she did. Once found, she would study it shrewdly but briefly, take in its shapes and test the sturdiness of its walls. She learned its contours, and then, sometimes with great delicacy, and sometimes with a great reckless enthusiasm, she would stretch it until those whose eyes were less suited to light-catching could see it, as well, and bask in the warmth of its wholesomeness.

January 2019
Featured image for “His Demonstrative Gallantry”
David Kennedy

His Demonstrative Gallantry

The distinguished members of the Senate were by now regretting their heartfelt devotion to the business of the people. The session had extended itself well into May, long past the days when the cherry blossoms that so adorn our national capital had bloomed and fallen, and as June wore on the heat became oppressive, then nearly unbearable. Yet the Democratic Party, having assumed the majority in the congressional elections the prior November, had proven incapable of effectively conducting the people’s business.

January 2019
Featured image for “Goodwill Romance”
Claire Coenen

Goodwill Romance

As I walk out of the store into the parking lot, I feel smug about finding a $5 sundress. The dress is just right for summer, made of light material, bright blue. It makes my eyes pop. Snagging quality clothes at consignment stores gives me a sense of satisfaction, and I almost always find at least one treasure when I shop at Goodwill. About fifteen feet from my car in the Goodwill parking lot, I notice a shiny, black truck slow down as it approaches me. The man driving it stops the vehicle beside me. He pokes his head out the window.

January 2019
Featured image for “FTO Star”
Debra Groves Harman

FTO Star

When I was a child, I lay in bed at night and fantasized about using a razor-sharp knife to carve fat off my body. First, it would be my stomach, and then my arms. My double chin bothered me too. I had started the habit of keeping my chin lifted up, so the beagle-like droop of my double chin wasn’t so obvious. It didn’t occur to me how horrible it was to think about slicing flesh off my own body. I just knew I hated being fat.

December 2018
Featured image for “Split”
Andrew Jason Jacono

Split

When I was a kid, I’d see severed heads floating in the dark. Every night my mother would scratch my back, kiss my forehead, say I love you, then shut off the lights. It would usually take a long time to fall asleep, and sometimes the dreams were good, but once or twice a week, the heads would squeeze through the cracks in the walls or descend from the ceiling. They’d surround me, wan and stiff and misshapen. They liked to watch my skin change color, from calm olive to tousled red to chilly white, and the way my lungs would seize up when they drummed their stumpy necks on my chest. They liked even more that I’d weep, silent and catatonic, hapless in the fog of my unconsciousness.

December 2018
Featured image for “The Woodlands”
Mandy Fishburn

The Woodlands

At the end of my sixth-grade year, my mother sat my brother, my sister and me down on the couch to have a “talk.” The last time we’d had a family talk like this was six years before when she’d told us that she and our father were getting a divorce.
This couldn’t be good.
“I’m an alcoholic,” she announced.
What’s an alcoholic?
“I know I’m sick, and I need to get help.”
Oh — maybe that’s why she sleeps a lot.
“I’m going away to a hospital for a few months.”
Uh-oh.

December 2018
Featured image for “A Matter of Touch”
M. Betsy Smith

A Matter of Touch

I stare at my cell phone in a sick state of disbelief. I had missed Justin’s one call. He left a message that I play again, hoping it’s not real. “Mom, how did I get here?” I hit stop unable to listen to it in its entirety. “I don’t know,” I whispered. I’m not sure I can do this anymore, being privy to his suffering and the hell he lives in. It’s too hard. But I am the one he needs; the one he reaches out to, his mother. I know that if I abandon him he won’t survive.

November 2018
Featured image for “Passing Silent Messages”
Susan Dashiell

Passing Silent Messages

Miss Dinuzzio and I sat catty-corner in snug armchairs with three stacked nesting tables between us. She removed the glass bowl from the tabletop tattooed with faded cup rings. “Do you have any questions?” “Nope. I think I’m okay.” The job was straightforward. I would step in as Mother’s companion, so Miss Dinuzzio could teach her Saturday morning piano lessons in peace.

November 2018
Featured image for “Shadow Boxing”
Laura Iodice

Shadow Boxing

The room is dark; a large queen-sized bed sits in its center. The Old Man who occupies it is propped up on a pile of pillows, the skin on his cheeks sagging like so many yards of curtain valance; his eyelids lowered to half-mast; his mouth yapping up and down like a marionette puppet whose strings have been pulled by too many hands.

November 2018