It is the opposite of ironic to teach Fyodor Dostoevsky’s Crime and Punishment inside the Travis County Correctional Complex. It is apropos, apt, appropriate. Perhaps too on the nose. TCCC houses pre-trial and county inmates in a 130-acre facility just east of the Austin-Bergstrom Airport. Pay attention during take off and landing next time you fly into town for SXSW or ACL, and you’ll be able to see the barbed wire.

I was thirty-one, a mother with a one-year-old son, and a marriage on the rocks. It would take two more years before we filed for divorce, but in the meantime, I was the sole breadwinner, my husband having taken a flyer on producing Broadway theater when the company he worked for downsized and I was six months pregnant. At some point, I told him he should get a job as a taxicab driver to contribute to the household, but he didn’t take too kindly to that suggestion. No surprise, but I was sufficiently exhausted and angry that I had no filter.

I remember the bottles. And the flacons. And the blister packs. All neatly lined up on the kitchen counter. I remember her taking a handful of her strongest tablets just before bed and, within minutes, her eyes droopy, mouth like rubber, voice distorted, like a slowed-down turnstile. It was during those few moments of seeing my mother changing from a normal person to a toy that had run out of batteries that I recognised something I wished I could forget.

It was in a mood of intense irritation that Senator Roscoe Conkling arrived in Chicago. Chet Arthur had been sent out in advance, his bulk trundled into a railway carriage like an overstuffed suitcase along with Thomas Platt, but Conkling had little expectation that Arthur would perform any more competently than he had in ’seventy-six…

They say that good cooks don’t measure anything, that they have an innate ability to know how much of each ingredient to use. They say that good cooks have signature dishes for which they’re renowned. As a seven-year old, my criteria for culinary perfection was the ability to make macaroni and cheese and graham-cracker-white-icing sandwiches with so much icing it squeezed out the edges of the cracker when you bit into it. My mom made good macaroni and cheese and graham-cracker sandwiches. And fudge.

Head tucked between my outstretched arms, I dolphin-dive my way through the blue shallows of Lake Tahoe, one of the oldest lakes in the world, sitting 6,250 feet above sea level. On this ice-crusted September morning, the sun has not yet cleared the tree line in the Sierra Nevada.

In 1974, my mother and Richard Nixon developed thrombosis. By that time, the old radio was broken, and she relied on a square transistor about the size of a jar. First Nixon resigned. My mother dialled into the news to hear his crackly yet smooth voice: “By taking this action, I hope that I will have hastened the start of the process of healing which is so desperately needed in America.”

My paintings and art therapy hang loosely on his walls. The felt coloring I did in the hospital washes out to white. It sticks to the fridge still facing the sun. He holds my hands, looking at me with more love when I am sick than when I am well. He holds me and tells me it will be all right. It will be all right.

New York City, July 2015

My mother arrived in New York City with a black eye and one arm dangling in a sling.

And by the time the dirty white van finally swerved to a halt after seven hours navigating the highways of New York State, she was clearly not happy.

When she is seven, home is a suburban mansion on the outskirts of Manila. It has a deep back garden, aggressively green, encircled by a high stone wall overlain with lush leaves and serpentine vines. Right next door, adjacent to their property, barricaded back by the rough rock, is an empty lot—abandoned after its initial clearing and left to the mercy of tropical flora and fauna.

When my son Justin first battled alcoholism, he used music to ease his agony. He played guitar and wrote sensitive, deeply personal songs during those difficult years. As a part of his recovery, he recorded a CD he titled Vinegar and Vigilance. It was apt. His songs told of his loneliness, his prayers, and of loves he lost. His deep voice quivered at times, but his lyrics and skillful guitar playing helped to carry him through to sobriety.

I had to use the roll-in to get enough speed going up the bank. That was the first hurdle. The kids around me hopped on and went for it. I kept letting them snake in front of me. I needed to understand the physics before I committed. At least with a roll-in, you never lose contact with the ramp. When you drop in, you have to redirect the nose of your skateboard, from horizontal to vertical, using only your gravity, sense of balance, and most importantly, your confidence.

The ladies of the press, by inclination and profession given to skepticism, had appeared at the luncheon anticipating a ghastly masquerade. There had been abundant rumors, which the ladies had been obliged to report in accordance with their duty to their readers, that Kate Chase Sprague was now a Miss Havisham, roaming as a spectre in a cobwebbed and abandoned mansion. Yet these great expectations were confounded once the carriages pulled into the drive. Edgewood had been polished, scrubbed, and manicured such that it nearly gleamed in the spring sunshine.

I worked at a pet shop. My boss was forty-two. That’s what he told me. Besides owning the shop, he was also a cop or a DEA agent or maybe in the CIA. I couldn’t then be certain about his stories. He had a cellphone in a time when no one had a cellphone. He might have been married or in the middle of a divorce. He complained of a woman he called his daughter’s mother. He did have a daughter, seven years old, and I know this because he brought her in one day, I think to show off.

I found a wallet on a sidewalk in the Miracle Mile area of Los Angeles. I might have missed it if it wasn’t white, beautiful white leather reflecting the glow of a distant streetlight. I looked up and down the boulevard. Although lined with multi-story apartment buildings, it was completely empty and eerily quiet. It felt as if the entire city stopped what it was doing to watch my next move.

I see her as I drive into the grocery store’s parking lot.
Hungry. No food. Please help.
A woman balances atop the lot’s concrete curb, biceps taut, a handwritten sign held above her head.
A toddler rides the woman’s hip. His fingers curl into the sweaty T-shirt across her breasts.
I slow my car.

The driveways on Verona, the street next to ours, were all snowbound, and I walked up to a home whose drive looked in need of a good shoveling. I rang the front doorbell, and Boubi, recognizing me as the paper boy, gave me a thumbs up to clear out her drive. She was a widow, her children were grown, gone with these chores now on her frail shoulders.

As I rocked with Rett the morning he was born, hoping to spark his first earthly dreams with whispered oaths to give him all I have and know, his fatal cancer still an unseen demon in his cells, I thought now and again on what I’d say to my own dad and damn near cried every time. It stemmed partly from the pride of new fatherhood, of the blue eyes and late-April birthdays our trio would share and the laughs and campfires and straight-up Manhattans to come. And then this inflective twinge that I’d never feel further from life’s nascency, from unremembered youth, as I did just then, not even at my deathbed goodbye.

Love. Vulnerability. One is a ghost without the other. As children, we’re masters of affection. We overflow with it. Love comes naturally, like the seasonal flu. You hurt us, we love you still. More and fiercely. Like you’re worth saving even if the world gives up on you. Having no idea this gift is precious, we squander it on those who don’t always deserve it, but it matters little, because our hearts are in bloom. Until the onset of adulthood. By then, our scars prevent us from blooming too much. Adulting and vulnerability are well-known oxymorons, not the norm. Once we’ve grown, emotional dignity becomes a commodity.

On my wrist, a single round bead, white with purple marbling, suspends on a knotted black cord. In one spot, crossing my vein like a rope bridge over a blue river, a single, dull thread wears thin. I hope it will stay on until he returns from Guatemala. With each shower or yank of my sleeve, the bracelet gets weaker. I hold on to it, precarious, as if it will tell me how things will turn out. As if, when he returns, I’ll put it on a silver chain and then things will be safer, better, more secure. As if keeping it will bring him back.

My grandmother, called Nanny, was magic. She saw everything good. If there was an ounce of goodness to be found, no matter how much flesh or how many years of disappointment and weariness it was hidden beneath, she could find that light, and she did. Once found, she would study it shrewdly but briefly, take in its shapes and test the sturdiness of its walls. She learned its contours, and then, sometimes with great delicacy, and sometimes with a great reckless enthusiasm, she would stretch it until those whose eyes were less suited to light-catching could see it, as well, and bask in the warmth of its wholesomeness.

The distinguished members of the Senate were by now regretting their heartfelt devotion to the business of the people. The session had extended itself well into May, long past the days when the cherry blossoms that so adorn our national capital had bloomed and fallen, and as June wore on the heat became oppressive, then nearly unbearable. Yet the Democratic Party, having assumed the majority in the congressional elections the prior November, had proven incapable of effectively conducting the people’s business.

As I walk out of the store into the parking lot, I feel smug about finding a $5 sundress. The dress is just right for summer, made of light material, bright blue. It makes my eyes pop. Snagging quality clothes at consignment stores gives me a sense of satisfaction, and I almost always find at least one treasure when I shop at Goodwill. About fifteen feet from my car in the Goodwill parking lot, I notice a shiny, black truck slow down as it approaches me. The man driving it stops the vehicle beside me. He pokes his head out the window.

When I was a child, I lay in bed at night and fantasized about using a razor-sharp knife to carve fat off my body. First, it would be my stomach, and then my arms. My double chin bothered me too. I had started the habit of keeping my chin lifted up, so the beagle-like droop of my double chin wasn’t so obvious. It didn’t occur to me how horrible it was to think about slicing flesh off my own body. I just knew I hated being fat.