Hidden Losses It never crossed my mind— what would happen after reaching, finally, that happiness. How it would feel giving up the open-ended beauty of indifference, my love of following the dark into the secret corners of people, cities —feelings that can only be scraped against by willing to give it all up at a moment’s notice— To be done finding love by pulling it out of the dirt by …
Manumission …from the mud, spiraling double-helix intent upon apotheosis ersatz DNA, verisimilitude of countless generations separating us from first mover/primordial ooze copies of copies effigies of weltschmerz simulacra of daedalian dreams melted by sunrays burning as we venture too close or wake, blinking at the morn. What then? Can we escape the cave, turn from shadow to illumination, or should we find contentment in mud and echoes? Cigarette Flick Speeding …
As Hilda stepped off the train, it caught her eye, gleaming like a star misplaced on land. She felt drawn to the gold pendant, as if an extrinsic force were compelling her to pick it up. It was shaped like an insect—not quite a beetle, more of a scorpion without the tail. Commuters hurried past, no one appeared to be searching for anything. The pendant seemed strange but familiar, as …
Blood was spurting all over Lenny “The Bruiser” Gigliotti’s clothes. He was not happy about the blood, but he was even less happy about Ray “Skippy” Delano having his knuckles crunched and twisted with pliers. Ray had been holding out on the boss, Vinnie, and Vinnie wasn’t happy. That was what brought about Vinnie ordering Nicky “The Claw” Ragoni to twist Ray’s knuckles with pliers in the first place. Vinnie …
It was midnight and Katju was exhausted. He owned a quaint little Italian restaurant at Ashwem beach and had spent the entire day waiting tables. Raju, his only waiter, had been dipping into the till and Katju had recently sacked him. With a glass of Pinot Noir and a grilled ham and cheese sandwich at his elbow, he opened ‘Forty Rules of Love’, a book that described the relationship between …
May, 2015 There was always a moment, right before she entered the clinic, that Hannah had an almost unbearable urge to turn and run. It was some combination of revulsion for the neediness of the women and dread of taking responsibility for their welfare that nearly propelled her in the opposite direction each day. It wasn’t rational. Hannah was relieved when she saw that all the chairs in the waiting …
God, you haven’t even been out five minutes and you can already feel the sun burning your shoulders. That’s got to be cause for concern. Six miles of this kind of exposure and you’re probably looking at some serious, lasting damage. Really, what good is running if, in the end, you’ve got melanoma. There’s not a single cloud in the sky, and your mom’s SPF 200-something is apparently worthless. Look …
Okay, she says, with only a little sigh as she shifts her weight around on her tired knees, turn around, let me see. She touches the small of my back softly, softly, propels me in a circle so I am facing her. The quiet, familiar touch of a parent. The instinctual response, son obeying mother. Her hands rest for only a moment on my tiny shoulders, one on each side, …
A lie had been spread through the king’s court that his dominion was much smaller than previously believed. Such falsehoods were grounds for capital punishment, but the threat of hanging did little to quiet the courtiers. Court, once noted as the “most quiet and authoritative of all gatherings” by the king’s historians, dissolved into whispers and tittering behind cupped hands. Rumor had it that even the peasants were staging plays …
“Wakie-wakie, time to get up sunshine.” A husky voice is present in the room. A door slams shut. The sound waves vibrate through the entire room making the inside of my head spin. Keys jingle as they thud against something firm; getting closer the jingle suddenly stops very near to me. There’s a tapping above my head. It gets persistently louder. Every sound is like a needle to my eardrum. …
Every morning Harry scrubbed the kitchen sink. Dishes were carefully rounded with a sponge, massaged clean and dried quickly. He brushed at an old stain, hunched over, pushing into the ceramic with window light behind his ears. He tried to wash away the little birthmark in his imperfect kitchen. He’d make a second cup of coffee after neglecting the first, replaying memories in his mind. Each memory was something to …
Today I decided to read Waiting for Godot. I read four pages. I believe it runs about eighty pages. Perhaps I need someone to read it to me. Or with me. Or I need to watch it performed on stage by a couple of actors who really know how to read lines. Chances are slim that I will read seventy-four more pages. Ever. Today, also, Wren came to see me. …
He yearned for the onset of winter, a real winter, a winter from his childhood in the Normandy countryside with snow and rain and wind so strong it threatened to steal away the tiles from the roofs and the very breath from your lungs. There was none of that here in the white city, the Algiers of the holiday posters and steam packet boat advertisements. Here there had been weeks …
January in South Korea, without enough snow to close schools but just enough icy pavement to make walking treacherous, broke my spirit. For three weeks, the sun never cracked through the grey cement of the sky. I visited a tanning salon adjacent to the U.S. Army base in the hope that some vitamin D might break my foul mood. My co-worker Katie, from Wales, handled the frigid dishwater sky better …
Breslin White’s poetry is matter-of-fact, yet the irony in “Whence” plays with this pragmatism. “With Mother,” the line, “Some of these shapes look suspicious” injects a contrary interpretation. And the poem “All Alert”? Readers, like the swans, are “placated with the transformation.”
It’s hard to match Samuel E. Cole’s lyricism. In “Instinct,” it’s the visualization of the child’s “heartbeat adrift/among the sounds of/cosmic collision”; the natural imagery as foreground in “Cherry Horses”; and the narrative of poverty wailing “multitude horrors” in “Epiglottis.”
Leigh Fisher shows how the art of poetic narration works in “Fairer Hands,” in which the poet tries “to scale a ladder that was never made to be climbed”; and in “Diploma for Daedalus,” where no labyrinth prevents her success “with this degree in hand.” In “Dotted or Solid” she learns “the goal/is obeying the road’s lines.”
Elizabeth Luchniski shows us how to see women as individuals in “12 Ways of Looking At a Woman,” just as she does two men who “share a laugh/Discuss the unknown” in “Skyless Sky.” And “A Poem Is” a poem “That you may need,/But only if/You can feel it.
Nostalgia has a significant influence on humanity, and the wistfulness in Maya Roe’s poetry is poignant. The three stanzas “In Land I Knew” illuminate the poet’s remembrances as if you the reader were experiencing the land itself; so too in “Tangles” and “1941/2017” as entrances to the inner heart of memory.