Issues

Issues

Featured image for “Berliner Pretender”
Charli Spier

Berliner Pretender

Stephanie followed her boyfriend to Berlin in the fall of ‘65. The conversation went a little like this:
Stephanie, I’m moving back to Berlin. Come with me?
Why are you going back all of a sudden?
My grandmother is sick.
I thought you hated her.
Ja, I do. Will you come?
Yes, I will.

May 2019
Featured image for “Portero”
John Bersin

Portero

It could only have happened in a country like ours, where the jungle and the streets are undivided from one another, and the fetid undergrowth of the earth is indistinguishable from the brown-clouded, smog-canopied sky. This nation, knocked together like a lean-to from the detritus of the ancient-extinguished empire by once poor nineteenth-century libertadores who strutted along as victors in high collars and brocade, could only have produced a Rogelio.

May 2019
Featured image for “Sweet Retribution”
Rebecca Jung

Sweet Retribution

They say that good cooks don’t measure anything, that they have an innate ability to know how much of each ingredient to use. They say that good cooks have signature dishes for which they’re renowned. As a seven-year old, my criteria for culinary perfection was the ability to make macaroni and cheese and graham-cracker-white-icing sandwiches with so much icing it squeezed out the edges of the cracker when you bit into it. My mom made good macaroni and cheese and graham-cracker sandwiches. And fudge.

May 2019
Featured image for “Woven Love: How I Found My North”
Anna Hertel

Woven Love: How I Found My North

Head tucked between my outstretched arms, I dolphin-dive my way through the blue shallows of Lake Tahoe, one of the oldest lakes in the world, sitting 6,250 feet above sea level. On this ice-crusted September morning, the sun has not yet cleared the tree line in the Sierra Nevada.

May 2019
Featured image for “The Radio”
Terese Brasen

The Radio

In 1974, my mother and Richard Nixon developed thrombosis. By that time, the old radio was broken, and she relied on a square transistor about the size of a jar. First Nixon resigned. My mother dialled into the news to hear his crackly yet smooth voice: “By taking this action, I hope that I will have hastened the start of the process of healing which is so desperately needed in America.”

May 2019
Featured image for “The Goode Sisters”
Charlene Finn

The Goode Sisters

Summer was Kate’s favorite season. The sun drew moisture from the air and sharpened her senses, so when a thunderstorm approached, she could smell rain before it fell. When the sun dropped below Rattlesnake Ridge across the lower Yakima Valley, their land on the opposite east slope held onto the heat and almost guaranteed that she and Hayden were able to grow bumper crops of fruit. They raised Bing cherries, Red Haven and Alberta peaches, and Tilden apricots and two kinds of apples all sold under Kate’s family name, Goode.

May 2019
Featured image for “The Comeback Kid”
Phyliss Merion Shanken

The Comeback Kid

“Who?”
“A jerk from the past.”
“What? Who is this?”
“I woke up this morning. And out loud, I said your name. It just came out! From nowhere! I haven’t spoken your name for sixty-eight years, so —”
“I’m about to hang up the phone. Take me off your list!”

May 2019
Featured image for “Chess with a Scarecrow”
Robert Evenstell

Chess with a Scarecrow

“How can I help you?”
The librarian behind the reception counter was slightly younger than me, maybe in her mid-twenties.
“Something to read while I’m waiting for my car to get serviced, please.”
“Anything in particular?”

May 2019
Featured image for “The Subtenant”
Allison Lamberth

The Subtenant

Deborah found another bruise on her right leg. She didn’t know where they were coming from. She wasn’t prone to falling and bumping into things and her apartment was fairly sparse. Between her bedroom, the kitchen, and the living area, there was a twin bed, a dresser, a desk, a couch, and a short round kitchen table shoved underneath the bay window.

May 2019
Featured image for “The Artists’ Model”
Ellen Pober Rittberg

The Artists’ Model

Piercing her sticky wad of clay, Margo felt a sense of revulsion at the naked male model straddling the large plywood platform, his legs splayed at what she considered to be an unnatural and almost lewd wide angle. His sloping forehead reminded her of an early man in a diorama she’d seen in the county natural history museum, a primitive subspecies that no longer existed.

May 2019
Featured image for “On Meeting Tony Malhorn”
Rachele Krivichi

On Meeting Tony Malhorn

I wasn’t like anyone else in school, but I did this to myself. I liked to win things and get more praise from superiors than other people, was competitive and over-achieving, and was only kind enough to keep just a few friends by my side, which was the way I preferred it.

May 2019
Featured image for “Starry Night in Albany”
Joanne Kennedy

Starry Night in Albany

We had never planned it that way. My ex-husband and I living together under the same roof for two years after our divorce. Well, at least, children aren’t involved, my family and friends lectured me, as if that would have lightened up the inevitable burden of living together.

May 2019
Featured image for ““Really Ready to Rumble?””
Gerard Sarnat

“Really Ready to Rumble?”

Made my bones playing ledgeball on the block, but during college
no taxi’d drive back into the Southside snatch-‘n-grab boarded up
storefronts below Chicago’s elevated trains. Hertz’d have none of it;

May 2019
Featured image for ““A Grimoire Ajar” and “Moving Day””
Jose Oseguera

“A Grimoire Ajar” and “Moving Day”

A candle is lit,
Pink flesh melting smooth at first,
But as its silk ribbons
Cascade from its frozen bluffs,
It withers as its wick slowly
Bores deep into its heart.

May 2019
Featured image for ““At the Mercy of My Own Forgetting,” “The Rent I Pay” and “By the Dead Purple Lady””
Melissa Mulvihill

“At the Mercy of My Own Forgetting,” “The Rent I Pay” and “By the Dead Purple Lady”

declares the forgetting man
under the florescent lights
his face shadowless
in a shadowed world
that he knows where it is
once and for all

May 2019
Featured image for ““BEYOND” and “Beyond””
Elaine Nadal

“BEYOND” and “Beyond”

I found the answers
when the sky was
layered in pink, lavender,
and celestial blue.
I am a medicine woman
though my breasts have
never produced milk, and
my womb is barren.
I’m not bad seed.

May 2019
Featured image for ““Sipsula solidissima,” “Notice Pending” and “Saturday with Pa””
Joseph Pagano

“Sipsula solidissima,” “Notice Pending” and “Saturday with Pa”

Let me tell you something about the human
heart. It’s there
in the black paper cameo cutout shadow of a girl spinning a barrel hoop against
an almond wall by de Chirico. A nurse turns her back on
an amputated leg
waiting in motley for the orderly
to bring order.

May 2019
Featured image for ““When Looking Out the Back Window,” “After the Quarrel” and “In the Pause””
Jeanne Allison

“When Looking Out the Back Window,” “After the Quarrel” and “In the Pause”

at night I can’t see the owl I hear
but a faint outline
of the sandbox on the porch
a playground for unwanted crickets
who nestle to the bottom
waiting to surprise me one summer day

May 2019
Featured image for “Petrakis”
John Etcheverry

Petrakis

Our brightest days are a rich subset of a broader story and the fortunate among us ration a few for the end, savoring them as that final nightfall advances. Petrakis appears to have plenty of life left in him, but his stock of unclouded days is depleted. Nora, his bride of sixty-two years, passed this summer and the combination of his memory outages and the solitude that her absence compels is more than the old man can manage.

April 2019
Featured image for “New Mind”
Hunter Blackwell

New Mind

The room’s mostly dark. A bit of light filters in from the the window next to her head. The fan blows cool air over her. White noise makes her eyelids heavy. Clink. Clink. Clink, the sound of metal—hanging medals for things that don’t matter now— hitting the wall. Two to three seconds of silence between each tap. The ceiling swirls. She blinks, an attempt to reorient herself, but it continues around in her eyes.

April 2019
Featured image for ““Canada Geese,” “Boat Hull, Moving Party in a Small Town” and “Crows””
Steve Brammell

“Canada Geese,” “Boat Hull, Moving Party in a Small Town” and “Crows”

Feet splayed, leather between toes,
black claws meant for pedestrian tasks,
you meet me with your mate in the office parking lot.

Though there’s something regal in your head held high,
I’ve seen you eating grass on suburban lawns,
your hungry bill opening and closing as I approach,
greeting me like you were my pet.

April 2019
Featured image for ““Iris the Goddess of Iridium and Rainbows,” “Rust-swollen Seeds” and “End of the Line””
Lisa Alletson

“Iris the Goddess of Iridium and Rainbows,” “Rust-swollen Seeds” and “End of the Line”

your slow tongue peels my name
letter by letter by letter
Iris
my goddess

my platinum resistance melts
its afterthoughts drifting to earth
I must go

April 2019
Featured image for ““Speed Limits? We Don’t Obey No Stinking Limits,” “Gym Rats” and “Poking Insidious Eye With Sharp Stick — It’s About Time””
Robert Eugene Rubino

“Speed Limits? We Don’t Obey No Stinking Limits,” “Gym Rats” and “Poking Insidious Eye With Sharp Stick — It’s About Time”

We’re revved up on Peet’s coffee
driven by Silicon Valley vanity
we’re unanimous
we’re equanimous
in our 24/7 disregard
for our city’s 25 mph limits
speeding up & down Middlefield Road
at 40 … 45 … do I hear 55?

April 2019
Featured image for ““Song of Aylan” and “Crouching Caveman Hidden Cellar””
Sabyasachi Nag

“Song of Aylan” and “Crouching Caveman Hidden Cellar”

Three columns of scratches on the Ishango bone start the song of Aylan.
Forty nights of incessant rain, one lost sheep and remaining ninety-nine,
Thirteen heads on the hill, four bellies in the cow make the song of Aylan.

April 2019