Issues

Issues

Featured image for “The Radio”
Terese Brasen

The Radio

In 1974, my mother and Richard Nixon developed thrombosis. By that time, the old radio was broken, and she relied on a square transistor about the size of a jar. First Nixon resigned. My mother dialled into the news to hear his crackly yet smooth voice: “By taking this action, I hope that I will have hastened the start of the process of healing which is so desperately needed in America.”

May 2019
Featured image for “The Goode Sisters”
Charlene Finn

The Goode Sisters

Summer was Kate’s favorite season. The sun drew moisture from the air and sharpened her senses, so when a thunderstorm approached, she could smell rain before it fell. When the sun dropped below Rattlesnake Ridge across the lower Yakima Valley, their land on the opposite east slope held onto the heat and almost guaranteed that she and Hayden were able to grow bumper crops of fruit. They raised Bing cherries, Red Haven and Alberta peaches, and Tilden apricots and two kinds of apples all sold under Kate’s family name, Goode.

May 2019
Featured image for “The Comeback Kid”
Phyliss Merion Shanken

The Comeback Kid

“Who?”
“A jerk from the past.”
“What? Who is this?”
“I woke up this morning. And out loud, I said your name. It just came out! From nowhere! I haven’t spoken your name for sixty-eight years, so —”
“I’m about to hang up the phone. Take me off your list!”

May 2019
Featured image for “Chess with a Scarecrow”
Robert Evenstell

Chess with a Scarecrow

“How can I help you?”
The librarian behind the reception counter was slightly younger than me, maybe in her mid-twenties.
“Something to read while I’m waiting for my car to get serviced, please.”
“Anything in particular?”

May 2019
Featured image for “The Subtenant”
Allison Lamberth

The Subtenant

Deborah found another bruise on her right leg. She didn’t know where they were coming from. She wasn’t prone to falling and bumping into things and her apartment was fairly sparse. Between her bedroom, the kitchen, and the living area, there was a twin bed, a dresser, a desk, a couch, and a short round kitchen table shoved underneath the bay window.

May 2019
Featured image for “The Artists’ Model”
Ellen Pober Rittberg

The Artists’ Model

Piercing her sticky wad of clay, Margo felt a sense of revulsion at the naked male model straddling the large plywood platform, his legs splayed at what she considered to be an unnatural and almost lewd wide angle. His sloping forehead reminded her of an early man in a diorama she’d seen in the county natural history museum, a primitive subspecies that no longer existed.

May 2019
Featured image for “On Meeting Tony Malhorn”
Rachele Krivichi

On Meeting Tony Malhorn

I wasn’t like anyone else in school, but I did this to myself. I liked to win things and get more praise from superiors than other people, was competitive and over-achieving, and was only kind enough to keep just a few friends by my side, which was the way I preferred it.

May 2019
Featured image for “Starry Night in Albany”
Joanne Kennedy

Starry Night in Albany

We had never planned it that way. My ex-husband and I living together under the same roof for two years after our divorce. Well, at least, children aren’t involved, my family and friends lectured me, as if that would have lightened up the inevitable burden of living together.

May 2019
Featured image for ““Really Ready to Rumble?””
Gerard Sarnat

“Really Ready to Rumble?”

Made my bones playing ledgeball on the block, but during college
no taxi’d drive back into the Southside snatch-‘n-grab boarded up
storefronts below Chicago’s elevated trains. Hertz’d have none of it;

May 2019
Featured image for ““A Grimoire Ajar” and “Moving Day””
Jose Oseguera

“A Grimoire Ajar” and “Moving Day”

A candle is lit,
Pink flesh melting smooth at first,
But as its silk ribbons
Cascade from its frozen bluffs,
It withers as its wick slowly
Bores deep into its heart.

May 2019
Featured image for ““At the Mercy of My Own Forgetting,” “The Rent I Pay” and “By the Dead Purple Lady””
Melissa Mulvihill

“At the Mercy of My Own Forgetting,” “The Rent I Pay” and “By the Dead Purple Lady”

declares the forgetting man
under the florescent lights
his face shadowless
in a shadowed world
that he knows where it is
once and for all

May 2019
Featured image for ““BEYOND” and “Beyond””
Elaine Nadal

“BEYOND” and “Beyond”

I found the answers
when the sky was
layered in pink, lavender,
and celestial blue.
I am a medicine woman
though my breasts have
never produced milk, and
my womb is barren.
I’m not bad seed.

May 2019
Featured image for ““Sipsula solidissima,” “Notice Pending” and “Saturday with Pa””
Joseph Pagano

“Sipsula solidissima,” “Notice Pending” and “Saturday with Pa”

Let me tell you something about the human
heart. It’s there
in the black paper cameo cutout shadow of a girl spinning a barrel hoop against
an almond wall by de Chirico. A nurse turns her back on
an amputated leg
waiting in motley for the orderly
to bring order.

May 2019
Featured image for ““When Looking Out the Back Window,” “After the Quarrel” and “In the Pause””
Jeanne Allison

“When Looking Out the Back Window,” “After the Quarrel” and “In the Pause”

at night I can’t see the owl I hear
but a faint outline
of the sandbox on the porch
a playground for unwanted crickets
who nestle to the bottom
waiting to surprise me one summer day

May 2019
Featured image for “New Mind”
Hunter Blackwell

New Mind

The room’s mostly dark. A bit of light filters in from the the window next to her head. The fan blows cool air over her. White noise makes her eyelids heavy. Clink. Clink. Clink, the sound of metal—hanging medals for things that don’t matter now— hitting the wall. Two to three seconds of silence between each tap. The ceiling swirls. She blinks, an attempt to reorient herself, but it continues around in her eyes.

April 2019
Featured image for ““Canada Geese,” “Boat Hull, Moving Party in a Small Town” and “Crows””
Steve Brammell

“Canada Geese,” “Boat Hull, Moving Party in a Small Town” and “Crows”

Feet splayed, leather between toes,
black claws meant for pedestrian tasks,
you meet me with your mate in the office parking lot.

Though there’s something regal in your head held high,
I’ve seen you eating grass on suburban lawns,
your hungry bill opening and closing as I approach,
greeting me like you were my pet.

April 2019
Featured image for ““Iris the Goddess of Iridium and Rainbows,” “Rust-swollen Seeds” and “End of the Line””
Lisa Alletson

“Iris the Goddess of Iridium and Rainbows,” “Rust-swollen Seeds” and “End of the Line”

your slow tongue peels my name
letter by letter by letter
Iris
my goddess

my platinum resistance melts
its afterthoughts drifting to earth
I must go

April 2019
Featured image for ““Speed Limits? We Don’t Obey No Stinking Limits,” “Gym Rats” and “Poking Insidious Eye With Sharp Stick — It’s About Time””
Robert Eugene Rubino

“Speed Limits? We Don’t Obey No Stinking Limits,” “Gym Rats” and “Poking Insidious Eye With Sharp Stick — It’s About Time”

We’re revved up on Peet’s coffee
driven by Silicon Valley vanity
we’re unanimous
we’re equanimous
in our 24/7 disregard
for our city’s 25 mph limits
speeding up & down Middlefield Road
at 40 … 45 … do I hear 55?

April 2019
Featured image for ““Song of Aylan” and “Crouching Caveman Hidden Cellar””
Sabyasachi Nag

“Song of Aylan” and “Crouching Caveman Hidden Cellar”

Three columns of scratches on the Ishango bone start the song of Aylan.
Forty nights of incessant rain, one lost sheep and remaining ninety-nine,
Thirteen heads on the hill, four bellies in the cow make the song of Aylan.

April 2019
Featured image for ““Ticketed,” “Speckled” and “Hello, Instructor””
Jennifer Schneider

“Ticketed,” “Speckled” and “Hello, Instructor”

Late for work, I left my wallet, its gray
color a perfect match for the counter.
Guilty of excessive speed, with no way
to clear my name, I began to flounder.

With no cash and no options to make bail,
Who knew of the horrors that would be mine.

April 2019
Featured image for ““Trading Cards,” “After Party” and “Ewing Sarcoma, Extremely Rare””
Matthew Feinstein

“Trading Cards,” “After Party” and “Ewing Sarcoma, Extremely Rare”

Papa and his child
play cards in a gaudy
McDonald’s lobby.

I see twilight and
somebody in tattered rags
examine through scraped windowpanes.

April 2019
Featured image for “The Boy with the Lysol-Sprayed Cowlick”
Thomas Weedman

The Boy with the Lysol-Sprayed Cowlick

The Examen – a preparation for Confession. To the boy with the pellucid blue eyes and the Lysol-sprayed cowlick, it almost sounds like an exam for men. He does not think he’ll pass. After final reflections, as though time is up and he must put down his yellow #2 pencil, he solemnly exits the pew.

April 2019
Featured image for ““We Learned We Are Gods,” “Freshman Year, UAF: Fairbanks Fall of ’92” and “Downpour in the Height of Summer””
Sara Dallmayr

“We Learned We Are Gods,” “Freshman Year, UAF: Fairbanks Fall of ’92” and “Downpour in the Height of Summer”

At eight years of age, we became creators of the universe
We made models of the galaxy with Styrofoam balls
A gritty marble-sized mercury
A sun with rays on the bus floor
Jupiter a fist of moons
The slumped crown of Saturn

April 2019
Featured image for “A Bright Spot”
Chelsea Cambeis

A Bright Spot

Somewhere along the way, I lost all sense of direction. Life’s become this mundane, necessary task, and I’m growing tired. My brain is fuzzy; I lack enthusiasm. Most would say I’m depressed, but it feels more like I’m running out of steam.

So here I stand, sneakers melting to the cracked sidewalk.

April 2019