Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for “Split”
Andrew Jason Jacono

Split

When I was a kid, I’d see severed heads floating in the dark. Every night my mother would scratch my back, kiss my forehead, say I love you, then shut off the lights. It would usually take a long time to fall asleep, and sometimes the dreams were good, but once or twice a week, the heads would squeeze through the cracks in the walls or descend from the ceiling. They’d surround me, wan and stiff and misshapen. They liked to watch my skin change color, from calm olive to tousled red to chilly white, and the way my lungs would seize up when they drummed their stumpy necks on my chest. They liked even more that I’d weep, silent and catatonic, hapless in the fog of my unconsciousness.

December 2018
Featured image for “The Woodlands”
Mandy Fishburn

The Woodlands

At the end of my sixth-grade year, my mother sat my brother, my sister and me down on the couch to have a “talk.” The last time we’d had a family talk like this was six years before when she’d told us that she and our father were getting a divorce.
This couldn’t be good.
“I’m an alcoholic,” she announced.
What’s an alcoholic?
“I know I’m sick, and I need to get help.”
Oh — maybe that’s why she sleeps a lot.
“I’m going away to a hospital for a few months.”
Uh-oh.

December 2018
Featured image for “Parking Lot”
Timothy Ryan

Parking Lot

Pulling into the long-term parking lot at Dulles, Cindy trolls past metal wheeled containers lined up like colorful storage facilities in the hold of a military transport, finding a spot in the Blue Lot, Row H, Number 58. She estimates forty meters to the bus shelter. Gazing up through the windshield. Jet contrails across the blue overhead as sharp as scars. Meandering, fading, they bleed into the sky like an accelerated version of the human body healing and forgetting.

December 2018
Featured image for “How to Win at Losing”
Marrie Stone

How to Win at Losing

Take a selfie. Consider the pros and cons of removing your shirt. Remind yourself that it’s a rare man who, at forty-eight and no stranger to Big Gulps and barbeque ribs, should ever remove his shirt. Instead, stand in front of your canary yellow Corvette and raise your cell phone camera high on its stick. Higher. Lean on the hood. Button your shirt. Higher. Make a mental note to buy a bigger shirt.

December 2018
Featured image for “Hooked and Hanging”
Marina Hatsopoulos

Hooked and Hanging

Even in the dark, I spotted Stefano’s loose stance on the platform as my train from Rome pulled into the station. The guys I was used to spending my days with—engineers, lawyers, investors and other entrepreneurs—had more skills than him, for sure, but they didn’t look like that. I’d never mentioned it to John, but then again, why would I? I jumped off the train and stood on tiptoes to reach around Stefano’s neck. He brushed my curls away from my face and looked at me, as if at a painting, up and down.

December 2018
Featured image for “Names of the Dead”
David Bontumasi

Names of the Dead

They gave me a pencil and a single sheet of paper and they told me to write slowly and clearly, so that I wouldn’t miss a thing. I looked first at the angular man with the protruding chin standing above me and then the round dark-haired woman who stood slightly behind him. I thought it odd that they were the same height and their skin the same color: a lifeless, milky pink. Their faces blended together to make one misshapen head. One of them smelled like potatoes, though it may have been both of them. It made my temples throb.

December 2018
Featured image for “Daffodil Road”
AS Renard

Daffodil Road

A SHIVER pricks his spine. It is a soft tingle, just enough to rouse him from the depths. Face down in a pool of drivel, the young lothario is unsure of his place in the world. This reluctance is palpable as he drinks in the blackness like a homemade amer, slowly swishing the gloom this way and that across his tongue to best capture its flavor. The acrid tone confirms his suspicions — here is a realm detached from the sovereignty of his dreams. Not Eden, but Gethsemane, where dangers are many and miracles few.

December 2018
Featured image for ““Rhetorical Questions,” “When I look at the world,” and “A lone Cry””
G.T.

“Rhetorical Questions,” “When I look at the world,” and “A lone Cry”

You answered my rhetorical questions. A search for certainty that Thieved my rhetoric Replaced it with yes and no’s You turned my world binary Made my epiphany quotidian: A tropical disease that Denies the feverish Rush of frenzied surprise.

December 2018
Featured image for ““Études à l’étranger,” “a study of Hungarian locative cases,” and “or else/where””
Inci Atrek

“Études à l’étranger,” “a study of Hungarian locative cases,” and “or else/where”

Cannot dream but if possibility were possible, you’ll find that men exist elsewhere, too, but that’s in the preterite. Impossible to do anything except for what is happening now.

December 2018
Featured image for ““Would that be enough,” “Ancestry.com,”  and “In pursuit of her dream””
Christa Lubatkin

“Would that be enough,” “Ancestry.com,” and “In pursuit of her dream”

When she was a young girl she was beguiled by the trappings, the manners, the elocution of a mighty vocabulary. She would listen for the rich tones delivered by tongues that were born and raised in upper crust high rise apartments ruling over lake Michigan. Knew how to follow the money, how to modulate words, the subtleties between rough wool and smooth as silk cashmere

December 2018
Featured image for ““For Poseidon,” “A Marriage,” and “Sons””
Brittany Mishra

“For Poseidon,” “A Marriage,” and “Sons”

That night in the temple, when he hurt her, the asps found her ravaged, her hair tangled; they buried their tails into her scalp as tree roots sew into earth and soil. They kept her safe from his sea, enthralled her, and pointed with their tongues to her escape. They guided her through meadow and forest to a quiet cave high atop a cliff.

December 2018
Featured image for ““Crickets,” “The Man in the Coffee Shop,” and “Edgewise””
Alex King

“Crickets,” “The Man in the Coffee Shop,” and “Edgewise”

freed from for a moment my sonic mechanics and I started to hear a free fiddling buzz it was that wild clicking din of innumerable tiny tigers -eye bug-leg violins: crickets! cruising from the roofs of blades play vesper serenades for June boys, vim Julies, whose bodies’ limbs are pinwheeling vibrato by their sides in halls of tall wheat grasses…

December 2018
Featured image for ““Long Ago, Friday Night in Texas,” “A Train at Night,”  and “Joy””
Russell Willis

“Long Ago, Friday Night in Texas,” “A Train at Night,” and “Joy”

Light explodes from darkening skies. Not Sun, Yet, light unleashing elemental forces. The fragrance of recently mown grass As would be remembered by a thoroughbred Not so long ago a colt Building muscle and endurance Running like the wind through the grass just because You were meant to run like the wind when you are a colt.

December 2018
Featured image for “Limfill”
Sik Siu Siu

Limfill

About three months ago, if you had had the opportunity to visit Lucy, you would surely have seen me, wrapped in a white plastic bag, sitting on the floor and leaning against the side of a shoe rack against the wall right beside the door to the outside. Certainly, you would have been able to tell, by experience or by instinct, that I was not supposed to be deserted there, indeterminately, in that unsightly condition.

December 2018
Featured image for “The Crash”
Gregory Voss Jr.

The Crash

The jetliner, a bone-white Airbus A320 with a fat, blue-brand logo, hobbled over the neighborhood, wings waggling under the lemon sun. There was smoke, a lot of it, coming from the right-wing engine, and the dark contrail was an evil pencil mark crossing the cloudless mountain sky. Neighbors, alerted by a sudden cacophony, ran out onto their front porches and stared at death looming overhead. Children playing on front lawns dropped their balls and bikes and ran for the arms of their parents. But Nick just stared at the inbound jet. He didn’t move, even as the nose looked to bore directly into his eighty-pound frame.

November 2018
Featured image for ““Selkie”, “Dad,” and “The Lives of Others””
Ally Chua

“Selkie”, “Dad,” and “The Lives of Others”

They say that he hid my skin, but what they
do not know is that I threw it into the sea
at high tide, such that it will not drift back
even if I change my mind. I was always the
stubborn one, they said. I must learn to bend,

November 2018
Featured image for “Peninsula”
John Herbert

Peninsula

They were both shocked when the letter arrived, the stationery matt and generous, unlike the crabbed hand it bore. The pages, when Róisín opened it, gave off the stale reek of cigarette smoke. ‘Who’s it from?’ Sheila asked rubbing her hair with a towel. ‘Only Guillame Le – fecking – Quennec,’ Róisín said with a grin. ‘Says he’d love to come and read at Peninsula next month from his new book.’

November 2018
Featured image for ““sounding 21”, “si-ghting 4” and “What””
Ray Malone

“sounding 21”, “si-ghting 4” and “What”

tired of waiting he writes
while there’s timeand the white space
to trace the light’s line
from place to place
from all the corners of his mindfind
the dust of all that’s gathered there

November 2018
Featured image for “Sisters”
Linda Butler

Sisters

Janie was dead. For real this time. Connie rounded the familiar curve at Hooper Hill Road, pulled over to let an impatient driver pass, and used the moment to once again check her rear-view mirror. They said she’d get used to it but she hadn’t.

November 2018
Featured image for ““Sorry Epiphany”, “In the Paddy” and “Fear Souffle””
Mari Wood

“Sorry Epiphany”, “In the Paddy” and “Fear Souffle”

I’d like to say that the day I quit God
was like a knuckle-sandwich,
a lightening bolt, or a surprise
seizure that tore through my brain. I’d like
to say that the earth shook, shattered,
and birds screamed their shrill cries. I’d like
to say that hurricanes raised hell,
ice caps melted and died.

November 2018
Featured image for “Space Elephants and Giraffes”
Tim Ryan

Space Elephants and Giraffes

HANNA was cold. The fine red hair on her arms stood on end. Goosebumps. The unicorn on her shirt pranced on its tiny patch of grass with every gust of wind. Dark clouds had rolled in above her. Rain was coming, she could smell it. She wanted to be down from this metal arch. When she had finally climbed all the way to the top, each blue rung cold on her hands, except where the paint was chipped – still cold, just not blue, she realized an important part of the climb was unconsidered: getting back down.

November 2018
Featured image for ““Full Moon and Plum Tree”, “Memory from the Week I Unremembered” and “Big Enough””
Kat Myers

“Full Moon and Plum Tree”, “Memory from the Week I Unremembered” and “Big Enough”

My father buys plums and asks me not to ruin them this time.
When he leaves the room, I press my thumbs
into them until the skin gives out, until the whole kitchen is muscle and juice,
dark-purple in desperation.
I can’t remember the word for touch in Spanish, can barely remember it
in my own tongue.

November 2018
Featured image for “death, at work”
Nicholas Eveneshen

death, at work

“Well then, Andrew, ought we to start with the basics? Please, take a seat.” I had never met Bill from Fleet Safety before, but his presence disturbed me. The main office door to our left was closed, the thin light at the bottom barely visible. Bill had spread out his documents on the table before us and now sat with his hands folded, expectant. Steam rose out of the cup beside him. His suit was as black as the coffee he drank.

November 2018
Featured image for ““Killiney Beach”, “Boomerang ” and “On Your Birthday in a Fearful Year””
P.J. DeGenaro

“Killiney Beach”, “Boomerang ” and “On Your Birthday in a Fearful Year”

For three days I was a stranger in your city,
Pressing my palms to a train window
Watching for the blue glint of the bay.
I thought I might find you in the water’s thin skin,
In the creamy foam, speckled and bearded with wrack.

November 2018