Issues

Issues

Featured image for “Lambs Cross”
Edward Harvey

Lambs Cross

In late September, Danny Munchak Jr. disappeared from the town of Lamb’s Cross, an old town in the western part of Massachusetts where redbrick mills stand like ancient landmarks, testaments to a glorified past of material production. Even at the time of the disappearance, which occurred on the edge of the millennium, the mills hadn’t produced much besides tetanus and unwanted pregnancies for over twenty years.

August 2019
Featured image for “NoNameGirl@27”
Lauren Avenius

NoNameGirl@27

He still dreamed of the desert. He never lived there, but he knew it like you know houses and faces you’ve only ever seen in dreams. It was part of him. And no matter how the dream started, it always ended the same way, with the desert sun bearing down on him, sweat running down his forehead, then him falling forward onto his hands and knees, the grit and rocks digging into his palms, the faint taste of salt and sand and blood in his mouth as he clawed his way forward.

August 2019
Featured image for “Deliver Me: A Pocho’s Accidental Guide to College, Love, and Pizza Delivery”
Tomas Baiza

Deliver Me: A Pocho’s Accidental Guide to College, Love, and Pizza Delivery

The shop is packed tonight, every table, booth, and bar stool taken and a line to the door for to-go slices. Zane’s hands are a blur at the register, Brenda’s out on some marathon convention run, Juan and Mario are heads-down pushing dough across the cornmeal-covered prep table, and I’m slinging slices and beers until my pizzas are ready.

August 2019
Featured image for “A Celebration of Life”
Dan Popoff

A Celebration of Life

The only thing my mind can focus on standing out here at this cemetery in the middle of July in Charlotte, North Carolina, is that it is flipping hot. It has to be a hundred degrees. A myth I always hear—funeral directors get used to the heat—false.

August 2019
Featured image for “A Left Turn”
J. Jacqueline McLean

A Left Turn

Eleven years later, it is still haunting. The nagging headache is how it started. I stopped kidding myself a year ago. My brain will never return to the zoom, zoom fourteen-year-old who delighted at, “Mom, the paper boy, no, girl, is here.”

August 2019
Featured image for “Immersed in the Gorge”
Penny Garnsworthy

Immersed in the Gorge

I often visit a special place not far from my home. Here I am revived, here I can observe, and here my soul feeds on nature in all its forms. I feel privileged to be able to call this place my own: Cataract Gorge in Launceston, Tasmania.

August 2019
Featured image for “When Lucinda Holloway Met J.W. Booth, April 1865”
Sara Kay Rupnik

When Lucinda Holloway Met J.W. Booth, April 1865

The Holloway sisters observed the man calling himself James Boyd as they might a work of art. He lay under the apple tree with his black hat angled over his pale face. His dark moustache rose above his straight white teeth.
“A handsome man,” offered Cecelia, the married sister and mother of three sons.
Lucinda, the spinster schoolmarm, was less generous. “One might say so.”

August 2019
Featured image for ““On Trial,” “Canzonet” and “Non Dolet””
Jack D. Harvey

“On Trial,” “Canzonet” and “Non Dolet”

In the bedlam
of bed-land,
happy as babies,
active as rabbits,
me sky-father
you earth-mother;

July 2019
Featured image for ““trou au centre de la terre,” “Black Hole” and “French Lessons””
Dotty LeMieux

“trou au centre de la terre,” “Black Hole” and “French Lessons”

Inside Notre Dame is a black hole
where worshippers find a secret passageway
to grace
After the fiery birth, sodden mementos:
A cross,
A crown of thorns
Sculpted stone and paintings
The smell of charred faith

July 2019
Featured image for ““A Rainy Day at Newman’s Grounds,” “Headed Home” and “Derby Days””
Luke Harvey

“A Rainy Day at Newman’s Grounds,” “Headed Home” and “Derby Days”

The raindrops dribble down the shopfront panes while back behind the counter the barista drips her own creation into earthenware cups. He’s always liked the tables here, the way they’re cut with thick pine tops and sturdy legs two inches thick, like they were made to last

July 2019
Featured image for ““Little Miss Black Hole,” “Girls” and “Why Are All the Poets Sad?””
Grace Piotrowski

“Little Miss Black Hole,” “Girls” and “Why Are All the Poets Sad?”

She hid all these years
aloof, afraid of the camera
knowing it would add ten pounds
to an already unmeasurable amount of mass
No wonder she kept hidden
in support groups with
bigfoot and the lochness

July 2019
Featured image for ““Can Poetry Matter?,” “A Brown Study” and “Away from It All””
Michael Schiffman

“Can Poetry Matter?,” “A Brown Study” and “Away from It All”

Left the wine importer’s tasting,
denied a restorative cup of joe,
I passed out on a Manhattan subway platform.
The ambulance drivers lugged me
me up to the street, where I signed and was
allowed to go. Before wine the arid years

July 2019
Featured image for ““Self Portrait with Georgia on My Mind,” “Growing up Townie” and “Believer””
Liz Abrams-Morley

“Self Portrait with Georgia on My Mind,” “Growing up Townie” and “Believer”

And no, not the state, though the state
of the state is cause to fret,
no, O’Keeffe, I say, and we
are painting red poppies. We
are sliding crimson beyond the edges
of our canvases and we

July 2019
Featured image for “Alice Walking on Water”
Thomas Weedman

Alice Walking on Water

They work past midnight. They work past the time scarab June bugs and even Jesus should be asleep, walking behind a rusted, yellow tanker holding modified fire hoses. Instead of pressurized nozzles, they dip mud-flapped deflectors into banked furrows the shape and color of baked pie crusts, watering a thousand dry apple saplings. Their boots and denim bell-bottoms get soaked.

July 2019
Featured image for “A Worthy Life”
Sylvia True

A Worthy Life

Sabine stood in the vestibule and looked at the steel door that had a wire-mesh window. She knew that air was a mixture of nitrogen and oxygen and traces of other gases. She knew there was no molecule that made fear, yet fear was what she breathed on that cold, damp, November night.

July 2019
Featured image for “Hazel Come Home”
Ethan Steers

Hazel Come Home

The Merrick house was on a hill so that, from the porch, you could see down past each farm and, on clear nights, the lights from Moravia. Large cottonwoods blocked the property from Route 11, but from the fields down south you could see directly up to where the home loomed above the town like a castle. If a stranger were to see Hazel standing on her porch, they might simply think she was surveying her property…

July 2019
Featured image for “Annapurna”
Robert Detman

Annapurna

I awake as we glide in over the haze of a city the color of concrete, the sun a glowing orb in a pink sky. On the horizon, the buildings materialize from the mist. After an eight-hour flight from London, I arrive in Islamabad at Benazir Bhutto International Airport.
I brought the bandage gloves with the prosthetics, but in London I feel the first gust of freedom and decide to bare all for an indifferent world. two hands with their odd scarcity of fingers.

July 2019
Featured image for “Musicians”
Robert Appelbaum

Musicians

The world was in upheaval, and there was no going back. Or not in upheaval, exactly. There was no heaving and there was no certainty about an “up.” But every day it seemed that the world was being torn up, shredded, and discarded; crumbled up into little balls and tossed away; reduced to trash. But then again it was being remade, day by day, into something new.

July 2019
Featured image for “Unwearied in That Service”
Tom DeConna

Unwearied in That Service

I could use a staple gun to fasten the angled pieces of the wooden frame because it would be faster. But I don’t mind. I drill elfin holes, one-eighth of an inch, and I bore the holes into the wood, not with an electric drill, but with a manual hand drill, the kind with a crank. This also takes more time; however, I like working with my hands. It’s during these moments when I discover myself by being the farthest away from myself; with windows open to morning air and morning light.

July 2019
Featured image for “Goodrich”
Rachel Browning

Goodrich

A few miles off the interstate, along a pot-holed county road heading into the woods, I pass the intersection where Uncle Mitch wrapped his car around a pin oak. I wince, feel the pulse in my neck quicken, then exhale the memory and refocus on the task at hand, the reason I’m on this God-forsaken stretch of road. I guess I’ve trained myself to ignore the impulse to revisit the sequence of events flowing from my choices that day. The day Aunt Bella died.

July 2019
Featured image for “The Trickster of Mentor, Part II”
David Kennedy

The Trickster of Mentor, Part II

The mood was sour that night in Conkling’s suite at the Grand Pacific Hotel. Conkling had spent the day rallying his men for Grant, loping the aisles of the Glass Palace with furious strides to keep the delegates in line. He had observed with some satisfaction that Platt had placed his arm about the shoulders of Benjamin Harrison of the Indiana delegation, and noted with some irritation Arthur was smoking a cigar with the dregs of the New York delegation, who were already entirely committed to Grant. How wise he had been to take the reins from Arthur!

July 2019
Featured image for “Inpatient”
Christine C. Heuner

Inpatient

February. The snow is supposed to start around one P.M., so the school districts have an early dismissal. Your oldest daughter, Meghan, comes home with her shoulders slouched. Her backpack is heavy so this takes some effort. She goes into her room as she always does. Her father, your husband, has bought her everything to make it a haven: a lava lamp, a lighted device that intermittently expels a puff of eucalyptus air, tiny white lights snaking the bed’s metal headboard. A sheet with moons and stars hangs from the ceiling like a hammock. “No wonder she doesn’t want to come out,” you said.

July 2019
Featured image for “Endless M”
Dustin Hendrick

Endless M

This is my first “solid” memory, by which I mean that I know it happened. I can grasp it firmly with my mind and replay it like an old filmstrip – bad quality, perhaps, but largely intact. It was not a dream. It was not something I saw on television and absorbed. It was not otherwise altered by the unstable physics of childhood recollection.

July 2019
Featured image for “A Story of a Murder I Didn’t Commit”
Lazarus Trubman

A Story of a Murder I Didn’t Commit

I was the only diner in this tiny restaurant on the eastside of town, and the only thing that irritated me was the mirror behind bottles. Every time I looked up, I saw myself looking like a portrait of one of my own ancestors: Lazarus Trubman, deep in thought, in a gilt frame. I had circles under my eyes and a few scars on my face; apart from that I looked all right for a man who was liberated from the labor camp in Northern Russia five months ago.

July 2019