Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Cherry Blossoms”
Annika Connor

Cherry Blossoms

Cherry Blossom Forest

May 2024
Featured image for “Les Femmes Mondiales Black and White”
Janet Brugos

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

May 2024
Featured image for “Los Angeles & Santa Barbara”
Marie-Louise Eyres

Los Angeles & Santa Barbara

Los Angeles to Santa Barbara

May 2024
Featured image for “Was That All it Was?”
Andrew Sarewitz

Was That All it Was?

To my parents’ dismay, I took full advantage of New York City’s disco era in the late 1970s till the mid-80s. I did go to NYU undergraduate, but if someone asks, “What was your major?” I answer “Night Life.”

May 2024
Featured image for “Prison Palette”
Michael McQuillan

Prison Palette

Athletic vitality invites gym walls of vivid colors, players spilling onto courts with crimson tones fitting coming contests yet pale walls circumscribe this setting, matching well-worn olive sweatshirts, khaki pants and lemon tees as men of subdued spirit shuffle in beneath torn net strands, symbols of their fall.

May 2024
Featured image for “The Call”
Nancy L. Glass

The Call

I was walking the trails through the oak forest on our property, looking for the pair of pileated woodpeckers I could hear furiously pounding their heads against a tree trunk. My phone rang with a similar rhythmic urgency in my pocket, as though in conversation with the woodpeckers.

May 2024
Featured image for ““She Comes. She Goes.  She Comes.,” “On the Fence,” and “In the collection””
Michal Rubin

“She Comes. She Goes. She Comes.,” “On the Fence,” and “In the collection”

She disappears
takes with her
something created together
I move forward to where she stood
the absence of her presence
leaves behind a vacuum

May 2024
Featured image for ““Wood Wound Pareidolia,” “Gravity,” and “August 6 with Kokeshi Dolls””
Vincent Casaregola

“Wood Wound Pareidolia,” “Gravity,” and “August 6 with Kokeshi Dolls”

The possible face stares back at me
from across the weedy, ragged backyard,
its dark grey oval rising from the darker
striated bark of the sweetgum.

May 2024
Featured image for ““Starlight Stitches,” “A Collection,” and “A Moment Lost””
Leonardo Chung

“Starlight Stitches,” “A Collection,” and “A Moment Lost”

In the galaxies pooling in the waiting room
where black holes hum the prelude
to creation
we chart the shushed diagnosis
embossed in the orbit of
the body’s forgotten comets.

May 2024
Featured image for ““The Handkerchief,” “Elfie Cooks Oatmeal,” and “Ascension””
Malcolm Glass

“The Handkerchief,” “Elfie Cooks Oatmeal,” and “Ascension”

My mother’s white handkerchief
lies on my hand, the corners
embroidered with small flowers,
pink, blue, white. I unfold it
and find the yellow feather,
where I put it eighty years ago.

May 2024
Featured image for ““Parade Day,” “The Irish Fairy,” and “Little Bird””
Grace McCaffrey

“Parade Day,” “The Irish Fairy,” and “Little Bird”

Marching men in uniforms, crisp
Navy-blue shoulders, starchy stiff
Polyester and pins
Bagpipes gasp and gather
The strength to carry the day

May 2024
Featured image for “The Red Wheelbarrow”
Carsten ten Brink

The Red Wheelbarrow

Something was different when Danny closed the wooden picket gate behind him at Aunt June’s. The first thing he noticed was an odd smell, something mixed in with the pines along the path.

May 2024
Featured image for ““My Bus Worries Me,” “Voice of Yesterday Morning,” and “Strangers””
Sik Siu Siu

“My Bus Worries Me,” “Voice of Yesterday Morning,” and “Strangers”

Epicurus the Greek philosopher
tells me not to fear death.
He goes, Why should you fear death?
If you are, then death is not.

April 2024
Featured image for “Nagy Specialty Landscaping”
Neal Lipschutz

Nagy Specialty Landscaping

Six-year-old Craig insisted on wearing his t-ball jersey, a too-large purple pullover that advertised Mim’s Pharmacy out front and sported the number 8 on its back.

April 2024
Featured image for ““Mary Fleck,” “Something Out of Nothing,” and “In Rimini””
Stephen Barile

“Mary Fleck,” “Something Out of Nothing,” and “In Rimini”

Once, in another time, I traveled with my parents
In the 1951 Ford sedan to a distant part of the city.
You could call it a city, but everyone then
Referred to it only as a town.

April 2024
Featured image for “Whisper Song”
Anna Williams

Whisper Song

Miss Donna’s laugh has the unconscious sincerity that makes your throat catch and your stomach sink, like she’s just confessed something deeply personal. I picture her as a robust lady with broad shoulders and strong workers’ arms.

April 2024
Featured image for “Baker’s Wall”
Richard Schreck

Baker’s Wall

A hot string of up-moves through positions of increasing responsibility and compensation landed Charlene Posey a job interview in 2007 with Craig Baker. They sat in his office directly opposite each other in matching visitors’ chairs with seats too shallow for his six-four frame.

April 2024
Featured image for ““Pursuit,” “The Endless,” and “The Unswept Sky””
Marcia Trahan

“Pursuit,” “The Endless,” and “The Unswept Sky”

The hawk’s shadow follows me.
Some smoker’s tar coats my lungs,
all the tiny quivering sacs.

April 2024
Featured image for “A Few Notes on the Structure of a Short Story”
Sandro F. Piedrahita

A Few Notes on the Structure of a Short Story

This essay is not meant to be a work of literary criticism, but as a guide to beginning writers about structure in a short story and how they can approach it when they write.

April 2024
Featured image for “Boey’s Love Song”
Michael McQuillan

Boey’s Love Song

Solitary star’s light cleaves predawn sky. Morning’s mourning starts. Eyes fill in striking silence. Departed thumping, crunching, sipping, crackling, pouncing, yelping, woofs and wags of canine elder years seem bound within that star.

April 2024
Featured image for “Other Plans”
Gerald Lynch

Other Plans

In my room at my desk, I startle at the front door’s metallic cracking shut. It’s Monday and she’s left for work, the workaday routine of teaching high-school Biology. Without a goodbye, which she trills when happy, calls expectantly when fairly content, speaks normally when resigned to the daily grind.

April 2024
Featured image for “Dismembered”
Seth Foster

Dismembered

Fiona, nude, sweaty and spent, tries to block out the voices in her gut and in her mind screaming, don’t go back to Tucker, because he’s gonna beat you black and blue.

April 2024
Featured image for “Insight”
Byron Armstrong

Insight

I have never deified my older brother, Eddy, in the way younger siblings often worship their older counterparts. I didn’t have a desire to follow him around like a lost puppy, demanding to tag along on adolescent excursions. For one thing, he was four years my senior.

April 2024
Featured image for ““Self-Sabotage,” “Freely Drifting,” and “Blissful Anguish””
Maria Volodkevich

“Self-Sabotage,” “Freely Drifting,” and “Blissful Anguish”

Like a cross stitch
I tied down your limbs
thread by thread
preventing you from flying

April 2024